| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 |
По разделу |
45594 | 703 |
68 |
84 |
63 |
61 |
44 |
46 |
44 |
57 |
60 |
63 |
66 |
47 |
1 |
4 |
3 |
4 |
3 |
2 |
4 |
2 |
3 |
4 |
2 |
3 |
2 |
3 |
2 |
4 |
2 |
4 |
3 |
5 |
2 |
3 |
3 |
2 |
4 |
3 |
2 |
1 |
2 |
3 |
2 |
3 |
4 |
3 |
2 |
3 |
2 |
3 |
5 |
4 |
2 |
2 |
2 |
2 |
3 |
3 |
1 |
3 |
2 |
3 |
3 |
4 |
2 |
4 |
2 |
3 |
2 |
1 |
3 |
3 |
2 |
5 |
Питер Уоттс "Ложная слепота" |
1389 | 248 |
28 |
38 |
30 |
41 |
18 |
22 |
11 |
7 |
7 |
12 |
21 |
13 |
0 |
1 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
Чайна Мьевиль "Посольский город" |
1275 | 198 |
23 |
42 |
13 |
12 |
9 |
8 |
12 |
22 |
15 |
18 |
9 |
15 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
5 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
Марло Морган, "Послание с того края земли" (1990) |
1342 | 168 |
31 |
26 |
20 |
14 |
6 |
6 |
6 |
13 |
17 |
9 |
14 |
6 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Лиза Си, «снежный Цветок и заветный веер» (2005) |
1173 | 161 |
14 |
24 |
12 |
13 |
10 |
14 |
13 |
10 |
17 |
15 |
14 |
5 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
Адам Нэвилл "Судные дни"(2012) |
1361 | 158 |
24 |
22 |
15 |
11 |
12 |
7 |
7 |
11 |
12 |
17 |
10 |
10 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
Обзор на триллер "Стрингер / Nightcrawler" (2013) Сша |
985 | 155 |
23 |
19 |
14 |
17 |
7 |
8 |
7 |
5 |
11 |
19 |
16 |
9 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
Обзор на драму "Всё ещё Элис / Still Alice" (2014) Сша, Франция |
957 | 155 |
20 |
24 |
12 |
18 |
10 |
9 |
5 |
8 |
15 |
14 |
14 |
6 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Ясунари Кавабата, «мастер игры в го/мэйдзин/名人» (1951-1954) Япония |
1272 | 151 |
18 |
26 |
21 |
9 |
4 |
8 |
6 |
12 |
12 |
12 |
20 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
5 |
Артур Кларк "Свидание с Рамой" |
1282 | 150 |
21 |
25 |
15 |
11 |
5 |
9 |
6 |
15 |
7 |
18 |
10 |
8 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Олаф Стэплдон "Создатель звёзд" (1937) |
1258 | 145 |
25 |
19 |
16 |
8 |
13 |
8 |
10 |
8 |
6 |
16 |
7 |
9 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Марк Леви, "Где ты?" |
1210 | 142 |
12 |
26 |
21 |
12 |
9 |
6 |
6 |
8 |
11 |
16 |
11 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
Обзор на психологическую драму "Стена / Die Wand" (2011) Германия, Австрия |
916 | 142 |
12 |
25 |
8 |
14 |
7 |
8 |
5 |
8 |
16 |
18 |
11 |
10 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Фредерик Бегбедер, "99 франков" (2000) |
1232 | 138 |
14 |
23 |
13 |
11 |
8 |
6 |
8 |
7 |
17 |
13 |
11 |
7 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
Екатерина Казакова и Елена Харитонова, "Жнецы страданий" |
1361 | 135 |
14 |
18 |
16 |
14 |
6 |
6 |
5 |
13 |
9 |
11 |
15 |
8 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
Орбита 9 / Órbita 9 (2017) Испания, Колумбия |
744 | 135 |
12 |
21 |
12 |
9 |
3 |
6 |
4 |
13 |
12 |
13 |
25 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Антон Первушин "Почтальон сингулярности" |
1443 | 131 |
9 |
23 |
12 |
9 |
2 |
8 |
0 |
7 |
8 |
15 |
27 |
11 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
Глава первая - Боевая зона |
295 | 126 |
12 |
19 |
12 |
16 |
4 |
13 |
7 |
6 |
6 |
18 |
12 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Обзор на фантастическую драму Алексея Германа "Трудно быть богом" (2013) Россия |
889 | 122 |
20 |
20 |
9 |
11 |
2 |
9 |
1 |
8 |
7 |
17 |
10 |
8 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
Арчибальд Кронин "Ключи Царства" |
1146 | 121 |
20 |
23 |
14 |
11 |
5 |
3 |
5 |
5 |
11 |
11 |
10 |
3 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 |
Чон Унён, «прощай, цирк» (2015) Южная Корея |
1104 | 120 |
18 |
21 |
7 |
12 |
4 |
4 |
5 |
8 |
14 |
13 |
10 |
4 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Альберто Васкес Фигероа "Туарег" (1980) |
1203 | 118 |
13 |
20 |
15 |
8 |
6 |
5 |
7 |
11 |
10 |
10 |
11 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
Жан Мари Леклезио, "Пустыня" |
1285 | 116 |
13 |
26 |
11 |
11 |
6 |
3 |
2 |
5 |
11 |
15 |
7 |
6 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Глава первая - Тесты |
266 | 115 |
16 |
19 |
18 |
14 |
2 |
2 |
3 |
4 |
7 |
18 |
8 |
4 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Фредерик Бегбедер, «идеаль» (2007) |
1037 | 115 |
13 |
20 |
16 |
8 |
8 |
7 |
4 |
6 |
11 |
11 |
7 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
Наташа Кампуш, "3096 дней" |
1179 | 114 |
13 |
19 |
13 |
10 |
4 |
4 |
5 |
8 |
11 |
12 |
10 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
Эрик Эммануэль Шмитт, "Ночь огня" |
1238 | 113 |
17 |
16 |
11 |
10 |
7 |
7 |
1 |
3 |
10 |
16 |
9 |
6 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Мама! / mother! (2017) Сша |
739 | 111 |
16 |
21 |
8 |
13 |
2 |
2 |
3 |
9 |
11 |
14 |
8 |
4 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Мика Валтари "Синухе - египтянин" |
1162 | 109 |
11 |
20 |
12 |
12 |
3 |
5 |
3 |
7 |
10 |
12 |
9 |
5 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Обзор на музыкальную, психологическую драму "Одержимость / Whiplash" (2013) Сша |
873 | 108 |
12 |
17 |
11 |
12 |
2 |
5 |
1 |
8 |
6 |
15 |
9 |
10 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Глава вторая - В аду она уже была |
270 | 106 |
12 |
13 |
6 |
16 |
3 |
3 |
5 |
8 |
6 |
20 |
11 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Дикая / Wild" (2014) Сша |
818 | 106 |
8 |
20 |
14 |
11 |
2 |
1 |
2 |
6 |
10 |
12 |
14 |
6 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
Глава пятая - Смертные демиурги |
246 | 106 |
14 |
20 |
9 |
11 |
4 |
3 |
2 |
7 |
6 |
13 |
14 |
3 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Обзор на фантастическую молодёжную драму "Матрица времени / Before i fall" (2017) Сша |
912 | 105 |
9 |
18 |
10 |
8 |
3 |
3 |
4 |
9 |
9 |
13 |
11 |
8 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
Глава вторая - Балаган |
233 | 105 |
9 |
16 |
11 |
14 |
1 |
1 |
1 |
5 |
10 |
17 |
8 |
12 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
Бегущий по лезвию / Blade Runner (1982) Сша |
724 | 104 |
10 |
17 |
10 |
9 |
5 |
1 |
3 |
7 |
7 |
16 |
14 |
5 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
Марина Степнова, «где-то под Гроссето» (2016) |
1149 | 102 |
11 |
16 |
11 |
8 |
5 |
5 |
4 |
7 |
9 |
14 |
8 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
Глава третья - Чпок-чпок! |
260 | 102 |
13 |
20 |
10 |
11 |
3 |
2 |
4 |
6 |
5 |
18 |
7 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
О Чхунь Хи, «птица» (2008) |
1016 | 102 |
17 |
19 |
9 |
8 |
4 |
3 |
3 |
5 |
4 |
16 |
9 |
5 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Жан Мари Леклезио "Онича" |
1094 | 102 |
11 |
19 |
12 |
8 |
4 |
5 |
0 |
5 |
10 |
11 |
11 |
6 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |