| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 |
По разделу |
47557 | 775 |
80 |
89 |
84 |
84 |
63 |
61 |
44 |
46 |
44 |
57 |
60 |
63 |
0 |
2 |
3 |
3 |
3 |
3 |
2 |
2 |
3 |
2 |
4 |
3 |
5 |
3 |
3 |
4 |
2 |
2 |
6 |
10 |
3 |
4 |
2 |
3 |
3 |
3 |
2 |
4 |
2 |
2 |
2 |
3 |
1 |
2 |
3 |
2 |
4 |
2 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
2 |
2 |
2 |
2 |
6 |
4 |
4 |
4 |
2 |
3 |
2 |
2 |
3 |
3 |
4 |
Питер Уоттс "Ложная слепота" |
1466 | 291 |
46 |
24 |
35 |
38 |
30 |
41 |
18 |
22 |
11 |
7 |
7 |
12 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
6 |
10 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
Чайна Мьевиль "Посольский город" |
1337 | 236 |
20 |
33 |
32 |
42 |
13 |
12 |
9 |
8 |
12 |
22 |
15 |
18 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
4 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
Марло Морган, "Послание с того края земли" (1990) |
1400 | 206 |
24 |
30 |
35 |
26 |
20 |
14 |
6 |
6 |
6 |
13 |
17 |
9 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
Ясунари Кавабата, «мастер игры в го/мэйдзин/名人» (1951-1954) Япония |
1339 | 195 |
23 |
33 |
29 |
26 |
21 |
9 |
4 |
8 |
6 |
12 |
12 |
12 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
4 |
Обзор на триллер "Стрингер / Nightcrawler" (2013) Сша |
1049 | 194 |
34 |
25 |
28 |
19 |
14 |
17 |
7 |
8 |
7 |
5 |
11 |
19 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
4 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
Адам Нэвилл "Судные дни"(2012) |
1410 | 187 |
30 |
16 |
27 |
22 |
15 |
11 |
12 |
7 |
7 |
11 |
12 |
17 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
Лиза Си, «снежный Цветок и заветный веер» (2005) |
1214 | 183 |
16 |
21 |
18 |
24 |
12 |
13 |
10 |
14 |
13 |
10 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
Артур Кларк "Свидание с Рамой" |
1332 | 182 |
33 |
16 |
22 |
25 |
15 |
11 |
5 |
9 |
6 |
15 |
7 |
18 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
8 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Олаф Стэплдон "Создатель звёзд" (1937) |
1301 | 172 |
22 |
18 |
28 |
19 |
16 |
8 |
13 |
8 |
10 |
8 |
6 |
16 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
Обзор на драму "Всё ещё Элис / Still Alice" (2014) Сша, Франция |
994 | 172 |
18 |
16 |
23 |
24 |
12 |
18 |
10 |
9 |
5 |
8 |
15 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
Марк Леви, "Где ты?" |
1250 | 167 |
22 |
14 |
16 |
26 |
21 |
12 |
9 |
6 |
6 |
8 |
11 |
16 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Обзор на психологическую драму "Стена / Die Wand" (2011) Германия, Австрия |
958 | 163 |
21 |
19 |
14 |
25 |
8 |
14 |
7 |
8 |
5 |
8 |
16 |
18 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
Фредерик Бегбедер, "99 франков" (2000) |
1271 | 159 |
22 |
14 |
17 |
23 |
13 |
11 |
8 |
6 |
8 |
7 |
17 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Глава первая - Боевая зона |
338 | 156 |
21 |
15 |
19 |
19 |
12 |
16 |
4 |
13 |
7 |
6 |
6 |
18 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
Арчибальд Кронин "Ключи Царства" |
1191 | 153 |
27 |
16 |
22 |
23 |
14 |
11 |
5 |
3 |
5 |
5 |
11 |
11 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Орбита 9 / Órbita 9 (2017) Испания, Колумбия |
789 | 150 |
18 |
23 |
16 |
21 |
12 |
9 |
3 |
6 |
4 |
13 |
12 |
13 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
Эрик Эммануэль Шмитт, "Ночь огня" |
1287 | 147 |
32 |
13 |
21 |
16 |
11 |
10 |
7 |
7 |
1 |
3 |
10 |
16 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
9 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
Екатерина Казакова и Елена Харитонова, "Жнецы страданий" |
1396 | 147 |
15 |
19 |
15 |
18 |
16 |
14 |
6 |
6 |
5 |
13 |
9 |
11 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Жан Мари Леклезио, "Пустыня" |
1329 | 147 |
18 |
22 |
17 |
26 |
11 |
11 |
6 |
3 |
2 |
5 |
11 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 |
Обзор на фантастическую драму Алексея Германа "Трудно быть богом" (2013) Россия |
926 | 141 |
21 |
14 |
22 |
20 |
9 |
11 |
2 |
9 |
1 |
8 |
7 |
17 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
Альберто Васкес Фигероа "Туарег" (1980) |
1237 | 139 |
17 |
14 |
16 |
20 |
15 |
8 |
6 |
5 |
7 |
11 |
10 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Чон Унён, «прощай, цирк» (2015) Южная Корея |
1136 | 138 |
16 |
14 |
20 |
21 |
7 |
12 |
4 |
4 |
5 |
8 |
14 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Глава первая - Тесты |
300 | 137 |
16 |
16 |
18 |
19 |
18 |
14 |
2 |
2 |
3 |
4 |
7 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
Мама! / mother! (2017) Сша |
776 | 136 |
16 |
17 |
20 |
21 |
8 |
13 |
2 |
2 |
3 |
9 |
11 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
Глава третья - Чпок-чпок! |
302 | 134 |
22 |
16 |
17 |
20 |
10 |
11 |
3 |
2 |
4 |
6 |
5 |
18 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
Фредерик Бегбедер, «идеаль» (2007) |
1066 | 133 |
19 |
8 |
15 |
20 |
16 |
8 |
8 |
7 |
4 |
6 |
11 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Мика Валтари "Синухе - египтянин" |
1200 | 133 |
19 |
18 |
12 |
20 |
12 |
12 |
3 |
5 |
3 |
7 |
10 |
12 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Наташа Кампуш, "3096 дней" |
1212 | 132 |
16 |
14 |
16 |
19 |
13 |
10 |
4 |
4 |
5 |
8 |
11 |
12 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
Антон Первушин "Почтальон сингулярности" |
1480 | 130 |
21 |
12 |
13 |
23 |
12 |
9 |
2 |
8 |
0 |
7 |
8 |
15 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
Глава пятая - Смертные демиурги |
286 | 129 |
23 |
14 |
17 |
20 |
9 |
11 |
4 |
3 |
2 |
7 |
6 |
13 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
Бегущий по лезвию / Blade Runner (1982) Сша |
762 | 123 |
24 |
10 |
14 |
17 |
10 |
9 |
5 |
1 |
3 |
7 |
7 |
16 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
Обзор на музыкальную, психологическую драму "Одержимость / Whiplash" (2013) Сша |
907 | 123 |
23 |
10 |
13 |
17 |
11 |
12 |
2 |
5 |
1 |
8 |
6 |
15 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Марина Степнова, «где-то под Гроссето» (2016) |
1180 | 121 |
16 |
14 |
12 |
16 |
11 |
8 |
5 |
5 |
4 |
7 |
9 |
14 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Дикая / Wild" (2014) Сша |
853 | 121 |
20 |
14 |
9 |
20 |
14 |
11 |
2 |
1 |
2 |
6 |
10 |
12 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
О Чхунь Хи, «птица» (2008) |
1048 | 120 |
16 |
14 |
19 |
19 |
9 |
8 |
4 |
3 |
3 |
5 |
4 |
16 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Глава вторая - В аду она уже была |
297 | 119 |
14 |
8 |
17 |
13 |
6 |
16 |
3 |
3 |
5 |
8 |
6 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
Обзор на фантастическую молодёжную драму "Матрица времени / Before i fall" (2017) Сша |
943 | 117 |
16 |
12 |
12 |
18 |
10 |
8 |
3 |
3 |
4 |
9 |
9 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
Глава четвёртая - Вопросы требуют ответов |
247 | 117 |
20 |
14 |
14 |
15 |
6 |
10 |
0 |
3 |
5 |
6 |
10 |
14 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
Жан Мари Леклезио "Онича" |
1126 | 117 |
18 |
10 |
15 |
19 |
12 |
8 |
4 |
5 |
0 |
5 |
10 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |