| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 |
По разделу |
68079 | 1130 |
144 |
188 |
122 |
109 |
69 |
77 |
67 |
67 |
57 |
60 |
72 |
98 |
1 |
8 |
2 |
8 |
7 |
4 |
7 |
3 |
3 |
4 |
8 |
3 |
2 |
6 |
9 |
7 |
10 |
5 |
3 |
5 |
3 |
8 |
5 |
3 |
7 |
10 |
3 |
11 |
11 |
3 |
8 |
4 |
5 |
7 |
5 |
8 |
3 |
3 |
7 |
5 |
8 |
5 |
5 |
5 |
5 |
5 |
6 |
3 |
5 |
3 |
2 |
6 |
6 |
12 |
5 |
8 |
11 |
8 |
8 |
2 |
2 |
3 |
Дик Хэбдидж, Субкультура, значение стиля |
6683 | 933 |
134 |
176 |
106 |
91 |
56 |
65 |
52 |
53 |
20 |
41 |
58 |
81 |
1 |
8 |
2 |
8 |
7 |
4 |
7 |
3 |
3 |
4 |
8 |
3 |
2 |
6 |
9 |
7 |
10 |
5 |
3 |
5 |
1 |
0 |
5 |
3 |
7 |
10 |
3 |
11 |
11 |
3 |
8 |
4 |
5 |
7 |
5 |
8 |
3 |
2 |
7 |
5 |
8 |
5 |
0 |
5 |
3 |
5 |
6 |
3 |
5 |
2 |
1 |
6 |
6 |
12 |
3 |
8 |
11 |
8 |
8 |
2 |
2 |
3 |
Мемуары стареющего хиппи |
1596 | 270 |
7 |
16 |
12 |
13 |
6 |
12 |
34 |
30 |
32 |
31 |
37 |
40 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Paul Goodman "Growing Up Absurd" |
1911 | 212 |
15 |
31 |
40 |
25 |
19 |
17 |
7 |
5 |
5 |
12 |
18 |
18 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
4 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
Словарик терминов полиамории |
1238 | 205 |
29 |
39 |
41 |
28 |
16 |
11 |
4 |
4 |
5 |
5 |
8 |
15 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
Иисус Христос был хиппи |
1029 | 198 |
29 |
46 |
20 |
26 |
10 |
9 |
3 |
5 |
3 |
16 |
18 |
13 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
4 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Теория праздного класса, Торстейн Веблен |
1333 | 173 |
15 |
19 |
30 |
18 |
11 |
9 |
12 |
13 |
9 |
11 |
18 |
8 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
Контркультура vs левые, история конфликта |
1433 | 147 |
21 |
33 |
17 |
22 |
10 |
6 |
6 |
5 |
3 |
7 |
9 |
8 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
6 |
3 |
0 |
0 |
0 |
2 |
Теодор Роззак Создание старшей культуры |
1434 | 144 |
14 |
17 |
22 |
22 |
13 |
8 |
4 |
7 |
5 |
9 |
12 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
Теодор Роззак, Лсд, хиппи и культ свободной любви |
1571 | 144 |
15 |
22 |
20 |
18 |
11 |
7 |
9 |
8 |
2 |
9 |
10 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Субкультуры и самоубийства, социологический аспект |
1090 | 143 |
22 |
22 |
24 |
11 |
11 |
7 |
5 |
6 |
7 |
7 |
9 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
Youth: The Hippies |
1095 | 141 |
10 |
28 |
23 |
11 |
9 |
12 |
5 |
7 |
6 |
6 |
10 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
Американская психоистория |
1546 | 138 |
10 |
27 |
24 |
16 |
8 |
12 |
7 |
3 |
2 |
6 |
11 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
Кеннет Рексрот, «создавая Контркультуру» |
1538 | 138 |
14 |
18 |
28 |
13 |
7 |
8 |
6 |
9 |
4 |
6 |
10 |
15 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Школьные банды |
1094 | 135 |
11 |
22 |
20 |
17 |
9 |
5 |
6 |
8 |
3 |
6 |
17 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
Словесный бриколаж: тру и цивильное, «новый» стиль жизни |
996 | 129 |
10 |
15 |
17 |
16 |
11 |
18 |
13 |
3 |
3 |
6 |
6 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
Herbst der Gammler |
1441 | 127 |
8 |
23 |
24 |
17 |
8 |
6 |
4 |
3 |
0 |
5 |
18 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
Теодор Роззак, Декларация Взаимозависимости |
1221 | 125 |
14 |
19 |
23 |
15 |
10 |
9 |
5 |
4 |
2 |
4 |
9 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
Мириам Уильямс, Из жизни сакральной проститутки |
1888 | 123 |
20 |
16 |
18 |
15 |
10 |
6 |
8 |
4 |
2 |
3 |
11 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Банды Манчестера: История «scuttlers» |
1302 | 121 |
13 |
20 |
25 |
10 |
8 |
3 |
7 |
4 |
1 |
5 |
8 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 |
Теодор Роззак, Альфа-самец человека |
1361 | 121 |
13 |
24 |
21 |
13 |
7 |
5 |
5 |
6 |
3 |
7 |
9 |
8 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
О хиппи, панках и битниках, взгляд антрополога |
930 | 121 |
21 |
21 |
14 |
15 |
8 |
10 |
3 |
4 |
2 |
5 |
9 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
8 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
Лоуренс Липтон, Святые варвары |
1446 | 117 |
10 |
25 |
18 |
15 |
8 |
6 |
5 |
3 |
4 |
3 |
12 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
Джоан Баэз - Воины Солнца |
1199 | 117 |
11 |
17 |
15 |
14 |
11 |
7 |
3 |
11 |
3 |
4 |
9 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
Атеизм в шестидесятых: Ссср и Сша |
1087 | 116 |
12 |
27 |
20 |
13 |
10 |
4 |
2 |
2 |
3 |
2 |
10 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии |
1210 | 115 |
13 |
21 |
23 |
14 |
7 |
6 |
4 |
4 |
0 |
7 |
9 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
Хаос и разруха, Танцуй рок с утра до утра |
1494 | 115 |
11 |
20 |
17 |
18 |
10 |
7 |
6 |
5 |
4 |
1 |
9 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Культы и Космическое сознание: видение религии в 1960 годах |
958 | 115 |
10 |
23 |
23 |
13 |
8 |
6 |
4 |
5 |
1 |
3 |
7 |
12 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Неформальная литература, размышления о непонятном |
1394 | 114 |
6 |
19 |
18 |
20 |
9 |
5 |
7 |
4 |
2 |
3 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
Young Lords Party |
1211 | 113 |
13 |
24 |
13 |
16 |
10 |
6 |
3 |
2 |
1 |
4 |
10 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
Неправда фотографии - Огюст Роден |
1429 | 112 |
10 |
24 |
15 |
19 |
8 |
5 |
5 |
2 |
2 |
4 |
10 |
8 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
Пилат и другие - до Петровича, но с Вайдой |
1330 | 111 |
10 |
27 |
17 |
15 |
6 |
4 |
6 |
2 |
1 |
3 |
10 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
0 |
Знаменитый Port Huron Statement (1962) |
1022 | 109 |
11 |
18 |
17 |
11 |
10 |
5 |
6 |
2 |
2 |
3 |
11 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
Свободная Любовь или Интеллигенция посещает баню |
1104 | 109 |
8 |
19 |
16 |
11 |
8 |
3 |
4 |
2 |
18 |
5 |
6 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
Парижские байкеры 70-х годов от Яна Морвана |
897 | 109 |
7 |
20 |
18 |
11 |
10 |
6 |
2 |
12 |
4 |
6 |
6 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
Дом Гекльберри - первый контркультурный приют для детей |
943 | 108 |
14 |
24 |
19 |
11 |
7 |
4 |
3 |
3 |
3 |
3 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Август Зандер — между непристойностью и документалистикой. |
1344 | 107 |
10 |
18 |
19 |
15 |
9 |
6 |
2 |
2 |
4 |
2 |
9 |
11 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
Неизвестная классика атеизма, Джордж Уильям Фут |
1534 | 107 |
12 |
17 |
16 |
15 |
7 |
7 |
2 |
1 |
0 |
6 |
10 |
14 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
Welcome to the Digger Archives |
804 | 107 |
9 |
16 |
15 |
17 |
10 |
8 |
4 |
4 |
4 |
3 |
8 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Социалистический гендерный трап |
1201 | 106 |
12 |
23 |
17 |
13 |
9 |
6 |
4 |
1 |
1 |
4 |
6 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 |
Эпизоды альтернативной эротики |
938 | 106 |
9 |
20 |
12 |
11 |
9 |
8 |
6 |
3 |
4 |
4 |
8 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
Русские панки - взгляд с Запада |
1114 | 106 |
10 |
16 |
18 |
14 |
11 |
3 |
5 |
4 |
1 |
4 |
8 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Culture, Crime, and Cultural Criminology |
1073 | 106 |
13 |
21 |
16 |
12 |
9 |
5 |
5 |
2 |
1 |
4 |
9 |
9 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
Провалился ли проект религиозной контркультуры? |
997 | 105 |
14 |
22 |
17 |
13 |
7 |
5 |
1 |
5 |
2 |
2 |
6 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" |
1160 | 105 |
8 |
22 |
15 |
13 |
8 |
8 |
1 |
2 |
3 |
5 |
8 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
Исследования Фбр, Lanning Report |
958 | 105 |
9 |
18 |
20 |
12 |
7 |
4 |
4 |
3 |
5 |
1 |
10 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Из истории фотожурналистики |
1122 | 104 |
14 |
16 |
18 |
14 |
9 |
4 |
2 |
3 |
1 |
2 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
Теодор Роззак, Любовь, Лояльность и Конец сексуального |
1266 | 104 |
10 |
18 |
20 |
12 |
6 |
5 |
7 |
3 |
3 |
1 |
9 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1968 год в Америке: Музыка, политика, хаос, контркультура |
1085 | 101 |
8 |
19 |
16 |
14 |
9 |
4 |
6 |
2 |
2 |
1 |
6 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
Hunga Dunga: Исповедь непримиримого хиппи |
822 | 98 |
14 |
19 |
14 |
13 |
5 |
2 |
3 |
5 |
4 |
3 |
8 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
Это не трубка |
989 | 97 |
9 |
19 |
13 |
12 |
5 |
5 |
6 |
4 |
2 |
6 |
8 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Port Huron Statement (1962) |
1218 | 94 |
11 |
14 |
13 |
11 |
11 |
5 |
4 |
2 |
2 |
3 |
10 |
8 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |