| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
По разделу |
472253 | 1213 |
62 |
128 |
192 |
98 |
88 |
90 |
87 |
74 |
91 |
85 |
112 |
106 |
0 |
5 |
7 |
5 |
6 |
3 |
3 |
4 |
4 |
4 |
6 |
6 |
4 |
5 |
5 |
3 |
6 |
4 |
5 |
6 |
6 |
5 |
5 |
4 |
4 |
4 |
6 |
8 |
4 |
5 |
4 |
4 |
4 |
3 |
4 |
4 |
5 |
4 |
3 |
4 |
5 |
4 |
3 |
3 |
2 |
3 |
3 |
6 |
6 |
5 |
3 |
5 |
10 |
7 |
7 |
4 |
3 |
8 |
49 |
5 |
4 |
5 |
Художественные описания механизмов психологической защиты |
12987 | 581 |
40 |
73 |
51 |
62 |
33 |
33 |
45 |
38 |
44 |
34 |
60 |
68 |
0 |
4 |
3 |
4 |
6 |
1 |
1 |
4 |
4 |
3 |
5 |
0 |
1 |
4 |
4 |
2 |
5 |
3 |
5 |
4 |
3 |
2 |
4 |
1 |
3 |
0 |
4 |
3 |
4 |
5 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
2 |
6 |
2 |
2 |
3 |
0 |
3 |
0 |
0 |
7. О символизации насилия. Песочный Человек |
3141 | 564 |
48 |
82 |
76 |
56 |
36 |
44 |
43 |
22 |
25 |
35 |
45 |
52 |
0 |
5 |
7 |
2 |
3 |
2 |
1 |
3 |
3 |
1 |
6 |
6 |
4 |
5 |
5 |
3 |
4 |
2 |
4 |
4 |
1 |
3 |
4 |
3 |
4 |
4 |
4 |
8 |
2 |
2 |
3 |
1 |
4 |
0 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
6 |
5 |
1 |
2 |
10 |
7 |
5 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2297 | 358 |
15 |
50 |
46 |
22 |
18 |
24 |
29 |
38 |
23 |
29 |
39 |
25 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
3 |
5 |
2 |
4 |
0 |
4 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
4 |
0 |
5 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
1. Расставание брата и сестры |
3548 | 332 |
16 |
54 |
42 |
36 |
26 |
32 |
19 |
14 |
14 |
32 |
29 |
18 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
4 |
4 |
3 |
4 |
1 |
2 |
4 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3612 | 325 |
14 |
38 |
38 |
25 |
28 |
27 |
29 |
19 |
37 |
24 |
21 |
25 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1566 | 266 |
16 |
38 |
26 |
27 |
32 |
19 |
19 |
18 |
22 |
17 |
25 |
7 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
Ритуал и выгорание в субкультуре скорой помощи |
9369 | 264 |
15 |
30 |
37 |
21 |
25 |
25 |
16 |
11 |
15 |
10 |
29 |
30 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
26. Динамика развития психики по оси Самость-Эго |
1818 | 255 |
19 |
34 |
27 |
23 |
20 |
15 |
12 |
15 |
9 |
23 |
32 |
26 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
4 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
4 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Мотив Города |
3190 | 249 |
14 |
41 |
34 |
19 |
33 |
11 |
21 |
13 |
18 |
16 |
15 |
14 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
6 |
3 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
2. Андрогинность в сказке и мифе |
1655 | 216 |
15 |
41 |
33 |
19 |
19 |
10 |
14 |
9 |
17 |
14 |
19 |
6 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
0 |
1 |
5 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
6. Насилие и интеграция психики в архаической сказке |
1344 | 215 |
9 |
24 |
85 |
22 |
12 |
10 |
11 |
6 |
6 |
4 |
17 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
4 |
2 |
3 |
3 |
2 |
7 |
4 |
1 |
5 |
2 |
5 |
2 |
5 |
психосоматика наизнанку |
4966 | 213 |
12 |
39 |
23 |
19 |
18 |
7 |
12 |
9 |
19 |
17 |
23 |
15 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
3 |
5 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Упражнение Бог |
3626 | 210 |
15 |
37 |
27 |
16 |
6 |
10 |
8 |
9 |
11 |
15 |
33 |
23 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
4 |
5 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
4. Ад без жала |
1535 | 208 |
7 |
28 |
32 |
21 |
25 |
8 |
17 |
8 |
12 |
8 |
19 |
23 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
Клеменс Брентано. Лоре Лай |
1433 | 207 |
13 |
40 |
26 |
24 |
12 |
9 |
10 |
11 |
14 |
13 |
17 |
18 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
3 |
2 |
1 |
0 |
2 |
4 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
4. О символизации насилия в эддической поэзии |
2257 | 206 |
11 |
46 |
28 |
16 |
17 |
17 |
12 |
10 |
14 |
5 |
18 |
12 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
3 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1784 | 205 |
15 |
30 |
21 |
15 |
16 |
9 |
10 |
12 |
11 |
18 |
23 |
25 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
Совершая труд |
4699 | 198 |
8 |
31 |
52 |
16 |
18 |
10 |
5 |
9 |
12 |
12 |
16 |
9 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
7 |
16 |
3 |
0 |
1 |
10. Современные андрогинные персонажи, Душа и Дух |
1617 | 197 |
15 |
29 |
27 |
15 |
22 |
9 |
20 |
5 |
11 |
16 |
19 |
9 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Архетипические мотивы в фольклоре єскорой помощиЋ |
2263 | 194 |
9 |
25 |
69 |
9 |
14 |
8 |
7 |
17 |
5 |
6 |
15 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
49 |
2 |
0 |
1 |
7. Интерпретация эпоса об Урал-Батыре |
1714 | 193 |
12 |
34 |
27 |
18 |
16 |
10 |
13 |
6 |
7 |
14 |
23 |
13 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
Эмоциональное выгорание, травма и нарциссизм |
5671 | 193 |
12 |
33 |
19 |
18 |
18 |
4 |
12 |
3 |
16 |
13 |
22 |
23 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3. Как мужчины обращаются с Анимой |
3363 | 193 |
10 |
24 |
22 |
17 |
16 |
7 |
13 |
11 |
16 |
10 |
27 |
20 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
5. Сказка о Персоне, что учится самосознанию |
1632 | 192 |
10 |
32 |
27 |
19 |
15 |
11 |
13 |
10 |
17 |
9 |
19 |
10 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
8. Запутанная история Джона Ди |
1548 | 192 |
12 |
41 |
26 |
15 |
16 |
6 |
14 |
6 |
13 |
9 |
23 |
11 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
6 |
0 |
2 |
1 |
4 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
6 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
14. Мастера и шарлатаны Гофмана |
2012 | 192 |
10 |
45 |
21 |
15 |
17 |
7 |
9 |
9 |
15 |
16 |
17 |
11 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
4 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
3 |
3 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2173 | 191 |
9 |
36 |
21 |
19 |
18 |
10 |
9 |
7 |
13 |
12 |
16 |
21 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
3 |
4 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4. Влияния Анимы и Анимуса на мужское Эго |
2667 | 190 |
10 |
30 |
19 |
18 |
19 |
11 |
10 |
10 |
16 |
14 |
25 |
8 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
Оценка эффективности работы психолога с клиентами |
2836 | 189 |
11 |
32 |
17 |
10 |
15 |
12 |
14 |
6 |
19 |
16 |
23 |
14 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
13. Аида: комментарии к либретто |
1761 | 186 |
11 |
25 |
19 |
20 |
16 |
6 |
9 |
9 |
13 |
17 |
21 |
20 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
12. Интеграция и Анимы, и Анимуса |
1776 | 184 |
16 |
29 |
20 |
17 |
19 |
19 |
10 |
10 |
11 |
6 |
19 |
8 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2. Представления об Анимусе мужчины |
1952 | 184 |
14 |
31 |
34 |
12 |
19 |
10 |
11 |
8 |
6 |
13 |
17 |
9 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
1949 | 179 |
13 |
26 |
19 |
21 |
24 |
11 |
9 |
8 |
12 |
9 |
15 |
12 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
О книге Матрица и потенциал характера |
1474 | 175 |
4 |
36 |
20 |
18 |
15 |
4 |
15 |
7 |
9 |
7 |
27 |
13 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
Графоманские стихи |
3408 | 173 |
10 |
31 |
22 |
13 |
13 |
7 |
14 |
7 |
12 |
18 |
13 |
13 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Запрет на идентификацию с больным и эмоциональное выгорание |
2916 | 170 |
10 |
32 |
18 |
12 |
13 |
23 |
6 |
8 |
15 |
9 |
17 |
7 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
графоманские стихи |
2350 | 170 |
8 |
34 |
24 |
10 |
11 |
8 |
12 |
10 |
18 |
12 |
13 |
10 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
симбиоз гештальта и символдрамы |
3148 | 169 |
10 |
26 |
29 |
16 |
15 |
11 |
8 |
6 |
11 |
10 |
16 |
11 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
отношения врача и пациента с точки зрения созависимости |
6430 | 169 |
10 |
36 |
17 |
15 |
11 |
8 |
8 |
7 |
7 |
15 |
20 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Дворянин Фаланд или владыка альвов? |
910 | 166 |
6 |
30 |
19 |
10 |
14 |
10 |
9 |
10 |
17 |
15 |
13 |
13 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
24. Травмирующие архетипические персонажи Х. Мураками |
1596 | 166 |
12 |
28 |
21 |
24 |
10 |
6 |
8 |
8 |
9 |
14 |
15 |
11 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
6 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
11. Миры и зло Средиземья и Валинора |
1490 | 166 |
9 |
28 |
20 |
15 |
13 |
8 |
10 |
7 |
13 |
14 |
20 |
9 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1. Преамбула: феминное и маскулинное |
1729 | 166 |
7 |
33 |
20 |
16 |
14 |
6 |
8 |
7 |
17 |
9 |
22 |
7 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1529 | 163 |
7 |
27 |
18 |
13 |
14 |
7 |
6 |
6 |
11 |
8 |
20 |
26 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1466 | 163 |
8 |
35 |
23 |
11 |
12 |
9 |
12 |
8 |
11 |
8 |
15 |
11 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
15. Николай Ставрогин и его адепты |
1808 | 163 |
6 |
32 |
22 |
19 |
15 |
5 |
11 |
3 |
14 |
8 |
17 |
11 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
13. Внутрениие вредители в произведениях Гофмана |
1615 | 162 |
7 |
28 |
18 |
13 |
19 |
5 |
7 |
14 |
9 |
13 |
16 |
13 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
2967 | 162 |
8 |
26 |
17 |
16 |
11 |
5 |
15 |
9 |
17 |
12 |
14 |
12 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5. Особенности архаической сказки |
1685 | 161 |
13 |
32 |
25 |
15 |
15 |
9 |
8 |
4 |
8 |
7 |
15 |
10 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2. Неюнгианские механизмы интеграции психики в сказке |
1484 | 161 |
7 |
35 |
15 |
18 |
16 |
3 |
12 |
6 |
10 |
12 |
19 |
8 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3. Сказочные злодеи: Консолидатор Тени |
1493 | 160 |
9 |
33 |
27 |
20 |
11 |
5 |
8 |
7 |
5 |
7 |
19 |
9 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
Двойные ловушки Плоского мира |
1629 | 160 |
13 |
32 |
29 |
10 |
17 |
5 |
8 |
3 |
6 |
8 |
20 |
9 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
Больной Крысолов |
1396 | 159 |
11 |
30 |
27 |
14 |
13 |
9 |
6 |
5 |
13 |
10 |
16 |
5 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
Кошачья подсистема в семье |
926 | 158 |
8 |
31 |
25 |
8 |
15 |
5 |
7 |
7 |
8 |
9 |
20 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
10. Об Аниме женщины |
1833 | 158 |
10 |
41 |
17 |
13 |
16 |
7 |
9 |
8 |
4 |
6 |
17 |
10 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
16. Список литературы |
1187 | 158 |
15 |
32 |
31 |
11 |
10 |
8 |
9 |
6 |
7 |
6 |
12 |
11 |
0 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
9. Психика как пара |
1607 | 158 |
6 |
34 |
32 |
12 |
16 |
7 |
7 |
4 |
7 |
12 |
14 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2394 | 157 |
11 |
30 |
17 |
14 |
19 |
10 |
6 |
4 |
6 |
7 |
21 |
12 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2116 | 156 |
11 |
25 |
20 |
15 |
13 |
4 |
12 |
7 |
12 |
10 |
16 |
11 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
23. Настя заболела |
1168 | 156 |
9 |
24 |
19 |
15 |
15 |
5 |
10 |
9 |
12 |
8 |
20 |
10 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3. О символизации насилия в поэзии скальдов |
3173 | 155 |
7 |
25 |
19 |
14 |
16 |
4 |
11 |
9 |
10 |
10 |
19 |
11 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
Тум-балалайка |
1814 | 154 |
8 |
27 |
23 |
10 |
11 |
4 |
9 |
6 |
11 |
18 |
20 |
7 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
9. Персона и Тень |
1625 | 154 |
9 |
28 |
21 |
14 |
10 |
9 |
8 |
9 |
10 |
10 |
16 |
10 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
6. О символизации насилия. Значимые персонажи |
1944 | 153 |
9 |
27 |
28 |
11 |
15 |
9 |
6 |
3 |
6 |
11 |
17 |
11 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Больница глазами гештальт-терапевта |
3970 | 153 |
7 |
35 |
23 |
13 |
10 |
5 |
6 |
11 |
7 |
9 |
20 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1269 | 153 |
9 |
23 |
14 |
17 |
20 |
6 |
10 |
7 |
12 |
6 |
17 |
12 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
7 Заклинатели |
1643 | 150 |
7 |
35 |
18 |
12 |
13 |
7 |
7 |
6 |
5 |
10 |
15 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
1 |
4 |
3 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4. Ранние пьесы М. Цветаевой |
1853 | 150 |
5 |
31 |
22 |
12 |
15 |
5 |
9 |
6 |
9 |
11 |
12 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
7. Созидающее насилие: подвиги Геракла |
1545 | 149 |
13 |
22 |
15 |
19 |
15 |
9 |
16 |
8 |
8 |
3 |
13 |
8 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Роковой треугольник - 1 |
1782 | 149 |
8 |
28 |
33 |
12 |
10 |
5 |
6 |
7 |
7 |
9 |
14 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
14 |
0 |
0 |
2 |
Г. Гессе. Стихотворение о Степном Волке |
1751 | 148 |
13 |
27 |
19 |
13 |
10 |
7 |
12 |
8 |
10 |
5 |
11 |
13 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3. Сказка о феминном и маскулинном состояниях Эго |
1481 | 148 |
6 |
25 |
19 |
15 |
17 |
11 |
13 |
8 |
9 |
3 |
14 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
16. Миры и образы зла, связанные с Темной Башней |
2037 | 147 |
11 |
27 |
22 |
16 |
11 |
6 |
7 |
7 |
8 |
10 |
10 |
12 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
13. Женщина перед расстрелом |
1164 | 146 |
7 |
30 |
23 |
11 |
15 |
11 |
10 |
2 |
7 |
5 |
15 |
10 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1506 | 146 |
9 |
33 |
13 |
15 |
15 |
5 |
7 |
7 |
12 |
7 |
12 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
непрожитая старость |
10287 | 145 |
8 |
24 |
20 |
16 |
17 |
9 |
6 |
4 |
6 |
9 |
16 |
10 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
5. Мужчина выбирает между Анимусом и Анимой |
1269 | 145 |
11 |
46 |
14 |
14 |
10 |
6 |
7 |
4 |
6 |
6 |
13 |
8 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
4 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6. Сходство и различия сюжетов о Переодетой сестре |
1633 | 145 |
3 |
35 |
16 |
16 |
16 |
8 |
7 |
5 |
8 |
5 |
15 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
5 |
0 |
3 |
2 |
1 |
1 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
15. Типичные протагонисты произведений Гофмана |
1380 | 144 |
5 |
27 |
16 |
11 |
23 |
10 |
10 |
3 |
9 |
10 |
13 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
27. О различении Я и Эго-комплекса |
1197 | 144 |
10 |
27 |
12 |
16 |
15 |
7 |
8 |
5 |
9 |
11 |
16 |
8 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1318 | 144 |
6 |
27 |
20 |
15 |
12 |
11 |
7 |
7 |
9 |
4 |
18 |
8 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
2. Персонажи "Котлована" строят новый мир и новое тело |
1003 | 143 |
10 |
26 |
16 |
12 |
9 |
6 |
11 |
8 |
12 |
10 |
15 |
8 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3. Произведения молодости М. Цветаевой |
1314 | 143 |
6 |
26 |
17 |
15 |
12 |
9 |
8 |
6 |
12 |
7 |
16 |
9 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Роковой треугольник -2 |
1694 | 141 |
11 |
34 |
22 |
9 |
12 |
5 |
7 |
3 |
5 |
9 |
16 |
8 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
8. Наказанное полутело |
966 | 140 |
6 |
22 |
14 |
12 |
12 |
4 |
3 |
4 |
4 |
10 |
35 |
14 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Мотив Цветка и регуляция позы |
759 | 140 |
6 |
27 |
19 |
11 |
17 |
1 |
6 |
6 |
11 |
9 |
16 |
11 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1. Телесные трансформации в рассказе "Мусорный ветер" |
985 | 140 |
9 |
24 |
17 |
13 |
12 |
10 |
8 |
6 |
10 |
9 |
17 |
5 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
8. Тотем, Трикстер, Первопредки |
1421 | 139 |
8 |
28 |
25 |
10 |
17 |
6 |
7 |
6 |
3 |
3 |
19 |
7 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
20. О некоторых особенностях структуры фэнтези |
1745 | 139 |
11 |
35 |
22 |
12 |
13 |
7 |
4 |
5 |
5 |
5 |
12 |
8 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
0 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3. Молитвенная мельница |
1438 | 139 |
11 |
32 |
22 |
12 |
15 |
4 |
7 |
4 |
4 |
6 |
17 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
19. Множественные и парные миры авторской сказки и фэнтези |
1216 | 138 |
7 |
27 |
14 |
15 |
16 |
6 |
6 |
7 |
7 |
5 |
16 |
12 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3. Убежища |
1463 | 138 |
10 |
32 |
25 |
12 |
10 |
6 |
4 |
4 |
4 |
6 |
11 |
14 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
5 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
4. Погребальные дроги |
1313 | 138 |
9 |
26 |
28 |
11 |
8 |
5 |
9 |
7 |
5 |
6 |
16 |
8 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
11. Кое-что об Анимусе женщины |
1430 | 138 |
11 |
25 |
14 |
15 |
11 |
6 |
7 |
6 |
14 |
9 |
13 |
7 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Типы семей, получающих помощь в социальном центре |
1574 | 137 |
9 |
28 |
22 |
8 |
8 |
6 |
5 |
6 |
9 |
11 |
14 |
11 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
14. Мир и образ зла в эпопее о Гарри Поттере |
1482 | 137 |
13 |
29 |
16 |
13 |
11 |
6 |
6 |
4 |
8 |
4 |
13 |
14 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
33. Пространство, время, человек и божество в сказке |
1277 | 137 |
9 |
28 |
16 |
17 |
15 |
5 |
8 |
5 |
8 |
5 |
16 |
5 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
10. Самозванцы: Пепсер и Крошка Цахес |
2439 | 137 |
11 |
32 |
20 |
11 |
11 |
4 |
6 |
7 |
7 |
4 |
17 |
7 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
Особенности структуры семьи учащихся техникума |
1977 | 137 |
6 |
25 |
21 |
10 |
16 |
7 |
10 |
2 |
12 |
8 |
9 |
11 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
5. Мужчина выбирает между Анимусом и Анимой |
1545 | 136 |
10 |
25 |
16 |
12 |
11 |
6 |
8 |
6 |
7 |
6 |
18 |
11 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
20. Нвстя заболевает |
1056 | 136 |
14 |
30 |
22 |
13 |
10 |
8 |
5 |
5 |
7 |
2 |
12 |
8 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1608 | 136 |
14 |
21 |
28 |
14 |
11 |
7 |
4 |
5 |
7 |
7 |
13 |
5 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
5. Заместитель |
1289 | 136 |
5 |
27 |
20 |
14 |
9 |
7 |
8 |
7 |
6 |
5 |
16 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3. Выбор художника - Анима или Анимус? |
1479 | 136 |
9 |
22 |
19 |
14 |
16 |
6 |
9 |
3 |
6 |
7 |
16 |
9 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
1970 | 135 |
2 |
25 |
17 |
13 |
17 |
6 |
9 |
7 |
9 |
7 |
14 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
Проблемы профессионального становления личности: работа со сновидениями |
1620 | 135 |
6 |
23 |
16 |
12 |
14 |
6 |
8 |
7 |
11 |
8 |
14 |
10 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
21. Радость молотобойца |
1025 | 135 |
13 |
22 |
19 |
13 |
9 |
7 |
5 |
9 |
8 |
4 |
17 |
9 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Алгоритм сортировки клиентов социального центра |
1961 | 134 |
4 |
27 |
19 |
11 |
13 |
7 |
10 |
4 |
6 |
5 |
14 |
14 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
15. Мир и образ зла в "Темных началах" |
1279 | 134 |
7 |
28 |
18 |
14 |
13 |
5 |
7 |
4 |
4 |
7 |
15 |
12 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
5. Идущий следом |
1388 | 134 |
10 |
25 |
20 |
13 |
13 |
6 |
4 |
8 |
4 |
7 |
15 |
9 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
телесный симптом в роли символа |
1851 | 134 |
6 |
33 |
14 |
10 |
14 |
6 |
8 |
2 |
10 |
5 |
20 |
6 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1. Тело и мир персонажей Андрея Платонова |
1305 | 134 |
7 |
25 |
17 |
15 |
9 |
9 |
10 |
4 |
8 |
7 |
16 |
7 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4. Архаичные материнские образы |
1309 | 133 |
8 |
26 |
16 |
11 |
15 |
5 |
7 |
5 |
9 |
9 |
14 |
8 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
25. Об особенностях травматической интеграции психики |
1331 | 132 |
8 |
25 |
16 |
14 |
10 |
4 |
7 |
9 |
9 |
6 |
14 |
10 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
9. Начало перехода |
967 | 132 |
11 |
30 |
15 |
10 |
14 |
7 |
5 |
2 |
7 |
7 |
14 |
10 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
30. Сказочный персонаж: форма и содержимое |
1266 | 132 |
5 |
20 |
15 |
14 |
13 |
4 |
10 |
6 |
3 |
6 |
23 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
6. Насколько опасен Анимус мужчины |
1356 | 132 |
11 |
33 |
18 |
14 |
18 |
3 |
6 |
1 |
5 |
5 |
10 |
8 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
3 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
5. Женщина в плаще цвета Времени |
1219 | 132 |
7 |
27 |
17 |
12 |
15 |
4 |
9 |
4 |
8 |
8 |
15 |
6 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
34. Ошибка психики: чрезмерная ее консолидация |
1359 | 132 |
10 |
22 |
14 |
12 |
16 |
4 |
9 |
4 |
9 |
7 |
18 |
7 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
2. Сказка о становлении гендерных различий и женского Эго |
1505 | 132 |
11 |
21 |
17 |
15 |
15 |
7 |
8 |
2 |
8 |
8 |
14 |
6 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
16. Медведь |
1107 | 132 |
8 |
26 |
17 |
13 |
8 |
7 |
8 |
7 |
7 |
6 |
16 |
9 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
15. Деревня изнутри. Во дворах |
983 | 131 |
7 |
28 |
17 |
12 |
13 |
6 |
7 |
3 |
8 |
7 |
17 |
6 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
12. Мир и зло "Властелина Колец" |
1824 | 131 |
6 |
25 |
13 |
9 |
10 |
10 |
6 |
7 |
11 |
7 |
20 |
7 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1585 | 131 |
5 |
21 |
16 |
9 |
14 |
4 |
12 |
7 |
8 |
7 |
15 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
18. Ночные пляски |
981 | 131 |
8 |
24 |
18 |
13 |
12 |
6 |
8 |
4 |
9 |
6 |
12 |
11 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1291 | 131 |
6 |
28 |
15 |
13 |
7 |
6 |
7 |
8 |
6 |
8 |
18 |
9 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
22. Девушки и Прушевский |
1038 | 130 |
8 |
25 |
14 |
12 |
12 |
8 |
7 |
7 |
6 |
7 |
17 |
7 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
гулял молодец |
1208 | 130 |
11 |
21 |
21 |
8 |
16 |
3 |
8 |
5 |
7 |
4 |
18 |
8 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
32. Для чего нужен символ? |
1151 | 130 |
8 |
29 |
17 |
13 |
16 |
3 |
7 |
5 |
9 |
6 |
9 |
8 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1579 | 129 |
10 |
24 |
14 |
12 |
12 |
4 |
9 |
3 |
10 |
6 |
16 |
9 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2104 | 129 |
11 |
24 |
15 |
11 |
8 |
5 |
9 |
6 |
6 |
9 |
13 |
12 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
6. Следуя за стихами 1921 года |
1353 | 129 |
5 |
25 |
21 |
9 |
15 |
5 |
7 |
5 |
6 |
7 |
17 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
21. Властные хитрецы |
1294 | 129 |
11 |
27 |
18 |
12 |
12 |
6 |
10 |
6 |
3 |
8 |
11 |
5 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
5. Рядом с общим телом |
1097 | 128 |
8 |
27 |
20 |
12 |
12 |
3 |
7 |
2 |
6 |
7 |
14 |
10 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
7. Индивидуальности котлована |
1034 | 128 |
5 |
28 |
15 |
15 |
14 |
5 |
5 |
5 |
5 |
7 |
13 |
11 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2. Конец истории о Крысолове |
1909 | 128 |
12 |
25 |
19 |
12 |
11 |
4 |
5 |
4 |
6 |
5 |
13 |
12 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
Перстень, яблоко, собор |
1629 | 128 |
4 |
23 |
18 |
12 |
16 |
7 |
6 |
2 |
7 |
9 |
13 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1390 | 128 |
6 |
25 |
18 |
13 |
12 |
7 |
6 |
4 |
5 |
10 |
13 |
9 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
Г. Гессе. Ступени |
1623 | 127 |
13 |
29 |
19 |
14 |
7 |
6 |
5 |
4 |
4 |
3 |
13 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Senex - Puer |
1230 | 127 |
6 |
24 |
20 |
11 |
18 |
3 |
5 |
3 |
4 |
10 |
13 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
8. Избыток сознания и общее тело |
998 | 127 |
5 |
26 |
11 |
14 |
15 |
5 |
11 |
6 |
9 |
5 |
13 |
7 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
о способности понять душевнобольного |
2114 | 127 |
7 |
28 |
14 |
14 |
6 |
7 |
7 |
6 |
7 |
7 |
13 |
11 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
Вариация на тему |
785 | 127 |
12 |
26 |
17 |
12 |
8 |
4 |
7 |
2 |
8 |
7 |
14 |
10 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3. О смысле телесности в повести А. Платонова "Котлован" |
1027 | 127 |
9 |
20 |
15 |
11 |
11 |
8 |
10 |
3 |
6 |
10 |
15 |
9 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
22. О героях авторских сказок и фэнтези |
1424 | 127 |
8 |
26 |
20 |
11 |
12 |
7 |
4 |
3 |
5 |
7 |
17 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2.Почему же произведения Гофмана популярны до сих пор? |
1167 | 127 |
6 |
29 |
14 |
12 |
7 |
10 |
10 |
2 |
6 |
8 |
14 |
9 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1524 | 127 |
4 |
27 |
18 |
11 |
8 |
6 |
7 |
7 |
8 |
10 |
11 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
9. Некоторые модели психической интеграции |
1387 | 127 |
7 |
27 |
14 |
13 |
11 |
4 |
9 |
6 |
6 |
4 |
14 |
12 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
6. Скорбная земля |
1500 | 127 |
12 |
23 |
18 |
11 |
12 |
7 |
5 |
2 |
6 |
11 |
13 |
7 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
13. Колхоз идет навстречу |
962 | 127 |
12 |
22 |
19 |
12 |
13 |
7 |
5 |
2 |
9 |
3 |
16 |
7 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
9. Расщепление Эго и Персоны в отношениях с Анимой |
1264 | 127 |
8 |
27 |
14 |
11 |
13 |
5 |
8 |
7 |
5 |
4 |
13 |
12 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Юнгианцы и странные научные теории |
663 | 126 |
8 |
23 |
14 |
13 |
12 |
5 |
5 |
3 |
7 |
10 |
15 |
11 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
Образ Бога и зрелость личности |
2384 | 126 |
6 |
19 |
22 |
9 |
14 |
2 |
7 |
7 |
9 |
7 |
12 |
12 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
7. Мужское и женское в произведениях Т. Манна |
1511 | 126 |
6 |
24 |
17 |
15 |
11 |
7 |
6 |
3 |
6 |
5 |
20 |
6 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Юные птицы старого русского рока |
846 | 126 |
5 |
33 |
17 |
11 |
13 |
3 |
5 |
3 |
11 |
5 |
13 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 консультации в гештальт-подходе |
2209 | 126 |
6 |
27 |
21 |
10 |
6 |
5 |
7 |
6 |
8 |
3 |
22 |
5 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
31. Становление символа во времени |
1181 | 125 |
9 |
25 |
12 |
10 |
16 |
5 |
8 |
4 |
6 |
6 |
14 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4. Блуждания невоплощенного |
1047 | 125 |
11 |
23 |
15 |
15 |
13 |
4 |
6 |
4 |
8 |
7 |
12 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1544 | 125 |
10 |
23 |
14 |
11 |
13 |
4 |
8 |
5 |
8 |
7 |
14 |
8 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Из плена профессиональной Персоны? |
1415 | 125 |
8 |
23 |
16 |
14 |
14 |
4 |
8 |
4 |
8 |
6 |
15 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1. Маленький рыцарский роман |
1403 | 125 |
5 |
24 |
15 |
13 |
16 |
4 |
8 |
7 |
2 |
3 |
13 |
15 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
12. Песочник и его жертва |
1265 | 125 |
5 |
23 |
17 |
11 |
16 |
4 |
9 |
4 |
8 |
5 |
16 |
7 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
Милая жизнь |
1131 | 125 |
4 |
23 |
15 |
14 |
11 |
8 |
6 |
4 |
6 |
5 |
18 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
8. Поглощенное время |
1373 | 124 |
5 |
26 |
14 |
10 |
12 |
6 |
7 |
2 |
6 |
12 |
10 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2. Пробуждение |
1016 | 124 |
10 |
26 |
16 |
12 |
14 |
5 |
5 |
4 |
6 |
5 |
16 |
5 |
0 |
3 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Три бестселлера |
1317 | 124 |
5 |
28 |
21 |
12 |
10 |
4 |
5 |
3 |
9 |
7 |
12 |
8 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1. Явление Крысолова |
1333 | 123 |
7 |
27 |
22 |
8 |
12 |
6 |
5 |
2 |
7 |
5 |
17 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
Шекспир, сонет 146 |
1278 | 123 |
7 |
30 |
23 |
10 |
10 |
3 |
4 |
4 |
4 |
5 |
11 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
27. Безвременье котлована |
964 | 123 |
7 |
23 |
20 |
15 |
10 |
8 |
4 |
4 |
4 |
7 |
10 |
11 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
613 | 123 |
9 |
21 |
14 |
11 |
12 |
5 |
7 |
5 |
9 |
9 |
15 |
6 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2. О преображении в полете |
695 | 123 |
7 |
29 |
21 |
8 |
12 |
3 |
5 |
3 |
2 |
9 |
14 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1599 | 123 |
8 |
28 |
16 |
12 |
8 |
7 |
4 |
5 |
6 |
7 |
15 |
7 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1514 | 122 |
3 |
26 |
15 |
12 |
11 |
5 |
9 |
5 |
10 |
1 |
12 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1759 | 122 |
5 |
27 |
13 |
15 |
12 |
3 |
7 |
3 |
6 |
4 |
18 |
9 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
12. Новое пространство |
922 | 122 |
9 |
26 |
16 |
11 |
13 |
4 |
5 |
3 |
3 |
11 |
14 |
7 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
Информация о владельце раздела |
1321 | 122 |
6 |
26 |
18 |
7 |
13 |
2 |
6 |
6 |
9 |
6 |
15 |
8 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1551 | 121 |
5 |
26 |
16 |
13 |
11 |
2 |
4 |
4 |
9 |
7 |
14 |
10 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
обряд изгнания чужого в субкультуре скорой помощи |
2049 | 121 |
8 |
27 |
13 |
10 |
12 |
6 |
8 |
4 |
5 |
6 |
15 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Венок сонетов Ваське |
1798 | 121 |
7 |
24 |
24 |
11 |
6 |
2 |
5 |
5 |
9 |
4 |
14 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
1 Дитя в мирах Психеи и Ананке |
1628 | 121 |
8 |
21 |
16 |
13 |
12 |
4 |
7 |
5 |
1 |
8 |
15 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
18. Диспозиция и динамика некоторых авторских сказок |
1112 | 120 |
8 |
21 |
18 |
12 |
14 |
5 |
5 |
4 |
5 |
6 |
15 |
7 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
14. Мертвая мать и ее дети |
1007 | 120 |
8 |
22 |
15 |
13 |
12 |
8 |
5 |
3 |
3 |
8 |
16 |
7 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Плач на реках Вавилонских |
1387 | 120 |
11 |
23 |
13 |
12 |
12 |
4 |
6 |
4 |
9 |
8 |
14 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
6 Тело и труд |
968 | 120 |
9 |
20 |
16 |
12 |
14 |
2 |
5 |
2 |
6 |
11 |
15 |
8 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1. Миф, мир и психика |
1400 | 120 |
5 |
24 |
17 |
9 |
14 |
8 |
6 |
4 |
7 |
6 |
14 |
6 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
28. О символике эволюции |
1194 | 120 |
4 |
29 |
15 |
10 |
16 |
6 |
7 |
3 |
8 |
5 |
11 |
6 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
5. Погибшее братство и Лихтенберг |
908 | 119 |
5 |
25 |
18 |
11 |
15 |
6 |
4 |
4 |
6 |
5 |
11 |
9 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4. Зловещие магнетизеры |
2163 | 119 |
7 |
26 |
15 |
12 |
14 |
4 |
4 |
3 |
9 |
3 |
10 |
12 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
10. Большая женщина. Начало возрождения |
962 | 119 |
10 |
28 |
16 |
13 |
12 |
2 |
6 |
2 |
4 |
4 |
15 |
7 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
17. Плот |
1025 | 119 |
9 |
27 |
14 |
11 |
10 |
6 |
6 |
2 |
5 |
7 |
14 |
8 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2. Усталость |
1659 | 119 |
8 |
21 |
17 |
12 |
12 |
4 |
6 |
4 |
4 |
4 |
16 |
11 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Хрупкие миры |
449 | 118 |
5 |
23 |
21 |
12 |
13 |
7 |
6 |
3 |
3 |
7 |
11 |
7 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
10. Модели интеграции психики в героическом эпосе |
1432 | 118 |
7 |
29 |
12 |
12 |
11 |
4 |
5 |
4 |
7 |
6 |
12 |
9 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Шекспир, сонет 20 |
1289 | 118 |
4 |
25 |
16 |
11 |
10 |
4 |
7 |
2 |
7 |
6 |
16 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
9. Лихтенберг - мыслящее тело |
1051 | 118 |
7 |
27 |
17 |
8 |
15 |
5 |
8 |
2 |
4 |
8 |
12 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
Прогнозирование эффективности психологической помощи семьям |
1579 | 118 |
6 |
24 |
13 |
10 |
10 |
4 |
10 |
3 |
7 |
5 |
15 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
дорога длиною в тысячу ли |
1502 | 118 |
7 |
25 |
15 |
12 |
8 |
7 |
5 |
3 |
8 |
4 |
13 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
гроза летом |
1950 | 118 |
6 |
21 |
17 |
12 |
9 |
6 |
4 |
5 |
4 |
8 |
17 |
9 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
19. Тишина |
976 | 117 |
10 |
24 |
16 |
9 |
12 |
8 |
5 |
2 |
3 |
6 |
16 |
6 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
4 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |