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Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
По разделу | 352011 | 2795 | 144 | 305 | 571 | 302 | 228 | 204 | 233 | 109 | 96 | 203 | 207 | 193 | 1 | 4 | 5 | 5 | 3 | 4 | 5 | 6 | 5 | 23 | 5 | 6 | 6 | 3 | 7 | 6 | 7 | 12 | 7 | 7 | 5 | 6 | 6 | 4 | 3 | 5 | 4 | 8 | 6 | 4 | 6 | 4 | 5 | 5 | 5 | 6 | 9 | 7 | 7 | 3 | 8 | 7 | 6 | 7 | 4 | 17 | 22 | 12 | 15 | 28 | 10 | 27 | 44 | 7 | 23 | 18 | 34 | 5 | 9 | 11 | 6 | 12 |
"Стихотворения Р.А.Кудашевой". Часть первая | 6008 | 1376 | 96 | 120 | 139 | 187 | 178 | 138 | 128 | 84 | 61 | 89 | 76 | 80 | 1 | 4 | 5 | 2 | 3 | 4 | 5 | 6 | 5 | 4 | 5 | 6 | 6 | 1 | 4 | 6 | 5 | 2 | 5 | 7 | 4 | 1 | 5 | 0 | 3 | 2 | 3 | 8 | 2 | 1 | 4 | 4 | 5 | 5 | 5 | 2 | 9 | 7 | 6 | 3 | 2 | 3 | 6 | 4 | 3 | 4 | 5 | 5 | 5 | 4 | 4 | 2 | 4 | 0 | 6 | 3 | 3 | 2 | 9 | 11 | 6 | 6 |
"Стихотворения Р.А.Кудашевой". Часть вторая | 2269 | 541 | 38 | 42 | 56 | 80 | 71 | 24 | 19 | 21 | 54 | 65 | 46 | 25 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 3 | 4 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 7 | 3 | 3 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 4 | 0 | 0 | 2 | 1 | 1 | 4 | 1 | 2 | 1 |
К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I I | 1967 | 510 | 23 | 38 | 47 | 67 | 85 | 49 | 56 | 38 | 25 | 15 | 32 | 35 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 4 | 1 | 3 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть пятая | 481 | 481 | 11 | 27 | 443 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 4 | 0 | 1 | 0 | 2 | 0 | 4 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 4 | 12 |
Пушкин и Вальтер Скотт | 2999 | 476 | 42 | 64 | 55 | 59 | 33 | 47 | 42 | 29 | 17 | 22 | 23 | 43 | 0 | 4 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 2 | 3 | 2 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 3 | 1 | 6 | 1 | 4 | 3 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 3 | 1 | 2 | 2 | 3 | 5 | 2 | 2 | 5 | 0 | 2 | 1 | 0 | 0 | 3 | 2 | 3 | 1 | 7 | 2 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 7 | 1 | 1 |
О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" | 1685 | 441 | 47 | 64 | 46 | 49 | 47 | 37 | 26 | 28 | 19 | 22 | 26 | 30 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 5 | 0 | 2 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 1 | 3 | 2 | 2 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 0 | 4 | 2 | 1 | 7 | 3 | 6 | 2 | 4 | 2 | 0 | 0 | 3 | 0 | 4 | 1 | 1 | 0 | 6 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 1 | 1 |
"Москва слезам не верит": forever | 2362 | 430 | 36 | 57 | 62 | 62 | 39 | 23 | 23 | 25 | 20 | 26 | 25 | 32 | 0 | 3 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 3 | 2 | 3 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 6 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 5 | 2 | 2 | 0 | 2 | 3 | 3 | 2 | 4 | 2 | 2 | 2 | 1 | 3 | 2 | 2 | 2 | 4 | 2 | 4 | 2 |
К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I | 1865 | 416 | 22 | 24 | 43 | 47 | 50 | 43 | 42 | 47 | 23 | 18 | 23 | 34 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 4 | 3 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 3 | 3 | 1 | 2 |
"Стихотворения Р.А.Кудашевой". Часть четвертая | 2464 | 416 | 37 | 40 | 52 | 72 | 45 | 49 | 27 | 26 | 13 | 14 | 21 | 20 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 3 | 2 | 2 | 2 | 1 | 0 | 0 | 4 | 3 | 0 | 2 | 2 | 2 | 0 | 5 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 4 | 0 | 2 | 0 | 5 | 1 | 4 | 3 | 4 | 0 |
Из литературной предыстории стихотворения Е.А.Баратынского "Недоносок" | 2826 | 406 | 14 | 29 | 45 | 44 | 36 | 45 | 32 | 29 | 35 | 40 | 35 | 22 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 3 | 2 | 1 |
О стихотворении А.С.Пушкина "Свободы сеятель пустынный..." | 1528 | 387 | 34 | 32 | 52 | 54 | 42 | 40 | 22 | 31 | 14 | 17 | 15 | 34 | 0 | 1 | 2 | 1 | 2 | 0 | 3 | 3 | 1 | 3 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 5 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 5 | 2 | 3 | 2 | 3 |
О поэме А.С.Пушкина "Медный всадник" | 1681 | 384 | 49 | 68 | 60 | 52 | 28 | 17 | 20 | 16 | 14 | 17 | 19 | 24 | 0 | 4 | 1 | 3 | 1 | 4 | 0 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 7 | 0 | 6 | 2 | 2 | 1 | 2 | 4 | 2 | 2 | 1 | 1 | 3 | 2 | 2 | 2 | 3 | 3 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 8 | 2 | 5 | 2 | 1 | 1 | 0 | 4 | 2 | 5 | 2 | 1 | 1 | 5 | 2 | 0 | 3 | 2 | 6 | 5 | 1 | 3 |
Булгаков и Эйнштейн (Неизученная редакция повести М.А.Булгакова "Роковые яйца") | 2288 | 367 | 22 | 41 | 48 | 53 | 27 | 27 | 18 | 27 | 20 | 17 | 34 | 33 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 4 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 4 | 2 | 3 | 3 | 2 | 0 |
Загадочный Гоголь: Сожжённая грамота (1) | 1842 | 363 | 26 | 42 | 51 | 44 | 30 | 27 | 29 | 23 | 15 | 30 | 23 | 23 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 5 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 4 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 2 | 0 | 5 | 0 | 1 | 1 | 0 | 2 | 3 | 3 | 2 | 4 | 2 | 0 |
Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 2 | 1847 | 332 | 26 | 42 | 51 | 46 | 29 | 28 | 14 | 19 | 12 | 16 | 14 | 35 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 4 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 7 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 3 | 2 | 2 | 3 | 2 | 1 |
О пьесе В.Ф.Одоевского "Царь-Девица" | 1884 | 331 | 21 | 42 | 37 | 52 | 27 | 35 | 20 | 17 | 15 | 19 | 20 | 26 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 5 | 2 | 3 | 1 | 1 |
Повесть Пушкина "Гробовщик": до и после | 2137 | 328 | 33 | 32 | 58 | 55 | 27 | 24 | 16 | 12 | 14 | 16 | 18 | 23 | 0 | 1 | 0 | 3 | 1 | 3 | 1 | 2 | 1 | 2 | 4 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 2 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 4 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 3 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 6 | 327 | 327 | 29 | 22 | 26 | 30 | 27 | 17 | 8 | 3 | 9 | 59 | 97 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 6 | 9 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 |
Заметки об Анне Ахматовой | 1342 | 317 | 31 | 31 | 37 | 37 | 31 | 27 | 18 | 21 | 15 | 21 | 19 | 29 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 3 | 3 | 4 | 2 | 2 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 5 | 0 | 2 | 0 | 3 | 2 | 2 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Библиография работ Владимира Николаевича Турбина (1927 - 1993). Составлена О.В.Турбиной | 1775 | 317 | 30 | 41 | 40 | 47 | 36 | 17 | 15 | 14 | 12 | 22 | 22 | 21 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 6 | 7 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 3 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 2 | 4 | 2 | 1 | 0 | 1 | 0 | 3 | 3 | 1 | 1 |
О романе М.А.Булгакова "Белая гвардия" | 1739 | 316 | 20 | 33 | 49 | 51 | 30 | 19 | 14 | 17 | 18 | 21 | 16 | 28 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 3 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 6 | 1 | 3 | 1 |
Пушкин и Свиньин: Два очерка на "американскую" тему | 1586 | 315 | 40 | 36 | 33 | 38 | 26 | 23 | 18 | 18 | 16 | 23 | 20 | 24 | 0 | 2 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 0 | 3 | 4 | 9 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (10) | 510 | 288 | 31 | 23 | 32 | 37 | 21 | 33 | 26 | 16 | 15 | 19 | 16 | 19 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 3 | 0 | 4 | 3 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 |
Русская поэзия - детям (О раннем творчестве Федора Миллера) | 1761 | 281 | 16 | 34 | 41 | 44 | 27 | 24 | 12 | 16 | 8 | 14 | 18 | 27 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 4 | 1 | 2 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 1 | 899 | 279 | 14 | 40 | 46 | 42 | 27 | 19 | 17 | 12 | 9 | 17 | 18 | 18 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 5 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 5 | 2 | 1 | 5 | 2 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (4) | 1194 | 278 | 27 | 22 | 32 | 46 | 41 | 36 | 15 | 12 | 8 | 9 | 9 | 21 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 0 |
К проблеме творческой биографии А.Н.Чичерина | 1646 | 278 | 22 | 24 | 33 | 36 | 23 | 21 | 15 | 15 | 15 | 23 | 22 | 29 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 4 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 |
"Уже потомство настает...": Из комментария к стихотворению Пушкина "Наполеон" | 1511 | 276 | 18 | 30 | 37 | 34 | 29 | 22 | 21 | 12 | 12 | 23 | 21 | 17 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 |
На корабле: О творчестве М.А.Булгакова в начале 1920-х годов | 1424 | 276 | 22 | 27 | 33 | 34 | 17 | 18 | 16 | 15 | 18 | 25 | 24 | 27 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 2 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (1) | 1544 | 274 | 27 | 27 | 45 | 50 | 26 | 20 | 16 | 10 | 7 | 11 | 14 | 21 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 4 | 1 | 1 | 2 | 3 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 0 | 1 |
О.В.Турбина. Предисловие к Описи личного фонда В.Н.Турбина в Российском государственном архиве литературы и искусства | 1465 | 271 | 18 | 21 | 48 | 38 | 21 | 28 | 11 | 13 | 7 | 18 | 19 | 29 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 4 | 1 | 3 | 1 | 0 |
Вокруг стихотворения Пушкина "Дар..." (1828) | 1535 | 269 | 27 | 26 | 31 | 29 | 37 | 22 | 22 | 9 | 11 | 10 | 21 | 24 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 7 | 9 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 |
Повесть Шиллера "Преступник из-за потерянной чести" в журнале А.Е.Измайлова и А.П.Бенитцкого "Цветник" | 1833 | 268 | 15 | 31 | 44 | 41 | 29 | 41 | 18 | 5 | 6 | 8 | 11 | 19 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 4 | 0 | 3 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 4 | 1 | 4 | 2 | 1 |
Пушкин и Фиваида (очерки) | 1707 | 266 | 21 | 29 | 40 | 46 | 14 | 17 | 21 | 15 | 8 | 20 | 17 | 18 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 5 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 5 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 5 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 4 | 1 | 2 |
Жуковский и Гете | 1894 | 263 | 22 | 29 | 36 | 41 | 23 | 24 | 16 | 8 | 11 | 12 | 11 | 30 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 4 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 3 | 2 | 0 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 1 | 1244 | 258 | 16 | 31 | 51 | 31 | 24 | 27 | 15 | 12 | 7 | 10 | 12 | 22 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 4 | 2 | 1 | 3 | 1 |
"Октябрь уж наступил..." (Десять строф из романа А.С.Пушкина "Евгений Онегин") | 1695 | 255 | 14 | 33 | 51 | 36 | 21 | 21 | 17 | 12 | 6 | 4 | 16 | 24 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 4 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 4 | 1 | 7 | 2 | 0 |
"Свидетели позорных похорон": Особенности изображения погребальных мотивов в русской литературе первой трети 19 века | 1431 | 254 | 13 | 26 | 33 | 30 | 21 | 17 | 19 | 8 | 8 | 12 | 21 | 46 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 2 | 1 |
"Доктор Ястребцов" (исследование по истории русской литературы первой половины X I X века) | 1530 | 253 | 12 | 22 | 34 | 29 | 16 | 27 | 15 | 13 | 9 | 15 | 16 | 45 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 2 | 5 | 2 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Бобок": К изучению замысла пушкинского "Гробовщика" | 1595 | 252 | 17 | 28 | 34 | 41 | 24 | 18 | 16 | 8 | 10 | 13 | 17 | 26 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 0 |
О политических эпиграммах Пушкина конца 1810-х годов | 1652 | 250 | 32 | 21 | 30 | 34 | 16 | 17 | 18 | 17 | 12 | 16 | 17 | 20 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 4 | 9 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 |
"Трактат о панораме": Традиция изображения городского пространства в очерке М.Ю.Лермонтова "Панорама Москвы" | 1701 | 249 | 15 | 30 | 35 | 40 | 23 | 17 | 17 | 7 | 11 | 15 | 13 | 26 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 3 |
Загадочный Гоголь: Сожженная грамота (2) | 1539 | 246 | 15 | 32 | 47 | 42 | 19 | 13 | 16 | 11 | 7 | 11 | 12 | 21 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 4 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 3 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 4 | 6 | 4 | 3 |
Дополнение к "Пароходу" (пушкинский вариант) | 1684 | 244 | 22 | 23 | 36 | 33 | 17 | 25 | 20 | 13 | 12 | 10 | 13 | 20 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 5 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 4 | 0 | 0 |
В.Н.Турбин. А если об антропологии стиля? (Взгляд: Сборник. Критика. Полемика. Публикации. Вып. 3. М., 1991) | 242 | 242 | 14 | 19 | 23 | 24 | 11 | 33 | 118 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 |
Н.Н.Альтварг. Забытый альманах "Сириус" | 1746 | 242 | 20 | 30 | 39 | 36 | 16 | 19 | 16 | 6 | 7 | 13 | 17 | 23 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 |
Баратынский и Гейне (2) | 2038 | 240 | 27 | 31 | 26 | 29 | 20 | 17 | 12 | 17 | 13 | 12 | 16 | 20 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 3 | 9 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 1 | 927 | 239 | 16 | 30 | 33 | 33 | 22 | 16 | 10 | 11 | 11 | 20 | 21 | 16 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 3 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 |
В.Н.Турбин. Герои Достоевского (Дружба народов, 1971, N 11) | 565 | 238 | 19 | 25 | 35 | 29 | 32 | 18 | 11 | 9 | 9 | 10 | 20 | 21 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 3 | 2 | 2 |
"Человек (не) на четвереньках": Загадки стиля рассказов А.Конан Дойля о Шерлоке Холмсе | 238 | 238 | 33 | 40 | 46 | 37 | 21 | 61 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 3 | 3 | 0 | 3 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 4 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 0 | 1 |
В.Турбин, И.Вирабов. Три статьи о М.М.Бахтине | 704 | 237 | 19 | 15 | 32 | 29 | 22 | 34 | 26 | 9 | 7 | 12 | 13 | 19 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 5 | 457 | 237 | 11 | 16 | 25 | 36 | 29 | 61 | 10 | 8 | 3 | 8 | 10 | 20 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 4 | 730 | 237 | 13 | 33 | 39 | 41 | 26 | 15 | 16 | 7 | 5 | 14 | 11 | 17 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 4 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 4 | 3 | 2 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 4 | 694 | 236 | 13 | 21 | 51 | 27 | 37 | 15 | 15 | 11 | 2 | 9 | 15 | 20 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 6 | 2 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (5) | 1165 | 235 | 14 | 28 | 31 | 32 | 21 | 24 | 12 | 11 | 7 | 13 | 19 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 |
Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 1 | 1585 | 235 | 13 | 33 | 35 | 27 | 20 | 20 | 14 | 13 | 9 | 14 | 16 | 21 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 4 | 1 | 1 | 5 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 1 |
Тайна "Красного Перца" (заметки на полях книги о Булгакове-журналисте) | 1209 | 234 | 14 | 27 | 30 | 25 | 14 | 21 | 17 | 14 | 11 | 17 | 19 | 25 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 4 | 2 | 0 |
О контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1270 | 234 | 10 | 22 | 31 | 42 | 23 | 20 | 15 | 11 | 11 | 16 | 12 | 21 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 2 |
"Еще заметен след...": Баратынский и Николай Бестужев | 1463 | 234 | 25 | 27 | 29 | 41 | 21 | 24 | 12 | 14 | 3 | 9 | 12 | 17 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 8 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Булгаков и власть | 1308 | 234 | 30 | 27 | 30 | 25 | 17 | 19 | 11 | 8 | 15 | 15 | 20 | 17 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 10 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 |
Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 1 | 1730 | 233 | 19 | 22 | 33 | 34 | 20 | 18 | 14 | 11 | 5 | 14 | 14 | 29 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 7 | 618 | 232 | 25 | 32 | 28 | 33 | 13 | 21 | 13 | 6 | 7 | 15 | 19 | 20 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 4 | 9 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 3 | 3 | 2 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 |
Лев Аннинский. "Колдобины..." (Дружба народов, 1999, N 1) | 231 | 231 | 9 | 147 | 75 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 6 | 2 | 4 | 2 | 1 | 6 | 3 | 4 | 5 | 3 | 2 | 7 | 3 | 6 | 1 | 5 | 3 | 12 | 15 | 28 | 5 | 7 | 5 | 7 | 23 | 18 | 34 | 0 | 0 | 0 | 0 | 0 |
О присутствии духа: Из предыстории повести Пушкина "Гробовщик" (1830) | 1491 | 231 | 13 | 30 | 28 | 27 | 17 | 26 | 24 | 10 | 10 | 15 | 11 | 20 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 4 | 3 | 3 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 3 | 1 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 5 | 230 | 230 | 19 | 22 | 27 | 33 | 19 | 23 | 7 | 5 | 2 | 17 | 56 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 5 | 0 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 2 | 1216 | 230 | 14 | 26 | 37 | 29 | 16 | 27 | 19 | 9 | 4 | 11 | 16 | 22 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 5 | 1 | 1 | 3 | 0 |
"Кулацкая астрономия" (из заметок о Булгакове-журналисте) | 1226 | 227 | 20 | 24 | 40 | 39 | 12 | 25 | 12 | 11 | 4 | 12 | 12 | 16 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 3 | 1 | 2 |
"Pro domo sua": к текстологии стихотворения К.Н.Батюшкова "Гезиод и Омир соперники" | 1412 | 227 | 14 | 27 | 34 | 30 | 15 | 21 | 15 | 10 | 10 | 14 | 13 | 24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 2 | 253 | 226 | 15 | 19 | 22 | 29 | 30 | 17 | 7 | 5 | 1 | 7 | 14 | 60 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
"Переход Суворова через Альпы": повесть В.В.Крестовского "Деды" и роман И.Ильфа и Е.Петрова "12 стульев" | 869 | 225 | 18 | 31 | 39 | 33 | 18 | 9 | 14 | 7 | 8 | 17 | 15 | 16 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 2 | 5 | 1 | 2 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Заключение | 1034 | 225 | 24 | 24 | 41 | 34 | 16 | 12 | 9 | 12 | 2 | 13 | 17 | 21 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 12 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 |
К проблеме творческой биографии М.А.Булгакова | 1291 | 224 | 14 | 27 | 33 | 33 | 18 | 17 | 10 | 14 | 8 | 15 | 12 | 23 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 |
В.Н.Турбин. Отрывки из книг: "Незадолго до Водолея", "Герои Гоголя", "Русские ночи" | 424 | 222 | 38 | 15 | 31 | 38 | 15 | 20 | 10 | 6 | 4 | 8 | 8 | 29 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 23 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 4 | 2 | 2 | 0 |
В.Н.Турбин. Русский лад. Очерки Василия Белова о народной эстетике (Советская Россия, 1981, 14 июня, N 136) | 222 | 222 | 14 | 21 | 19 | 28 | 19 | 7 | 8 | 5 | 1 | 9 | 35 | 56 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 1 | 1176 | 219 | 16 | 22 | 31 | 32 | 15 | 14 | 18 | 14 | 6 | 18 | 13 | 20 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 3 | 1157 | 218 | 16 | 35 | 41 | 30 | 16 | 20 | 8 | 3 | 7 | 9 | 11 | 22 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 1 | 3 | 0 | 0 | 3 | 4 | 2 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 0 | 3 | 2 | 5 | 4 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (1) | 1399 | 214 | 14 | 31 | 22 | 30 | 21 | 16 | 14 | 9 | 8 | 9 | 11 | 29 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 5 | 4 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 5 | 1171 | 214 | 17 | 30 | 28 | 34 | 17 | 12 | 16 | 6 | 3 | 15 | 18 | 18 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 3 | 1 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 5 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 1 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 4 | 1336 | 213 | 13 | 21 | 35 | 31 | 24 | 21 | 14 | 8 | 5 | 9 | 11 | 21 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 3 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Владимир I I I-й степени" (исследование по истории русской литературы первой половины X I X-го века) | 1403 | 213 | 15 | 29 | 35 | 35 | 16 | 17 | 14 | 7 | 11 | 8 | 9 | 17 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 2 | 4 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 1 | 1557 | 212 | 23 | 28 | 34 | 33 | 13 | 15 | 9 | 9 | 7 | 11 | 14 | 16 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 3 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 2 | 2 | 1 |
О романе М.А.Булгакова "Белая гвардия" (дополнение) | 1050 | 212 | 37 | 17 | 28 | 21 | 14 | 16 | 29 | 10 | 4 | 9 | 10 | 17 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 6 | 11 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 1 | 1 | 2 |
В.Н.Турбин. Михаил Зощенко и его гро(я)зная тень: Тезисы ненаписанной монографии (Писатель и время: Сборник документальной прозы. М., Сов. писатель, 1991) | 821 | 212 | 18 | 16 | 36 | 30 | 20 | 16 | 13 | 9 | 7 | 13 | 15 | 19 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 1 |
"Жизни холод..." Пушкинские мотивы у Булгакова | 1217 | 212 | 20 | 26 | 34 | 24 | 15 | 18 | 13 | 6 | 9 | 12 | 17 | 18 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 |
О истинном величии человека. Спб., 1813 | 1245 | 211 | 13 | 27 | 27 | 34 | 16 | 15 | 10 | 11 | 7 | 18 | 16 | 17 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 3 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 |
О шиллеровской "полемике" 1813 года | 1455 | 211 | 16 | 27 | 26 | 31 | 19 | 20 | 10 | 7 | 4 | 16 | 17 | 18 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 3 | 210 | 210 | 17 | 21 | 24 | 31 | 21 | 15 | 9 | 6 | 3 | 5 | 22 | 36 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (2) | 966 | 210 | 33 | 22 | 33 | 22 | 12 | 22 | 18 | 6 | 4 | 9 | 11 | 18 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 5 | 8 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 0 |
"Сочинение Телешевского". Часть первая. Глава V I | 1137 | 210 | 13 | 34 | 32 | 29 | 14 | 20 | 17 | 6 | 6 | 10 | 10 | 19 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 5 | 6 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 |
"Судьба Буратино, или Товарищ Назон" (тексты 20-го века в строфах романа А.С.Пушкина "Евгений Онегин") | 1127 | 210 | 16 | 27 | 30 | 35 | 16 | 15 | 9 | 10 | 3 | 12 | 15 | 22 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 7 | 210 | 210 | 17 | 23 | 26 | 33 | 25 | 22 | 7 | 5 | 6 | 46 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 2 | 3 | 1 | 1 |
В.Н.Турбин. Музы работают (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 345 | 208 | 9 | 23 | 26 | 48 | 17 | 20 | 12 | 11 | 11 | 10 | 5 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 2 |
Калина красная: Пушкин и Шукшин | 1334 | 208 | 18 | 19 | 40 | 23 | 22 | 20 | 14 | 5 | 2 | 13 | 10 | 22 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 2 | 3 | 0 | 1 |
"Стихотворения Н.И.Шибаева", 1830-31 гг | 1327 | 208 | 12 | 18 | 29 | 27 | 19 | 17 | 14 | 11 | 8 | 18 | 17 | 18 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
Баратынский и Гейне (1) | 1423 | 208 | 14 | 33 | 28 | 30 | 21 | 16 | 12 | 9 | 5 | 11 | 10 | 19 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 4 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 6 | 360 | 207 | 13 | 20 | 37 | 22 | 17 | 38 | 13 | 10 | 7 | 9 | 7 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 3 |
Ж.Жанен. "Мертвый осел и обезглавленная женщина". (Рецензия из "Сына Отечества", 1831) | 1455 | 206 | 17 | 26 | 29 | 27 | 21 | 24 | 12 | 10 | 5 | 10 | 6 | 19 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 3 | 1 | 4 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть первая | 206 | 206 | 13 | 16 | 40 | 59 | 78 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 5 | 1 | 0 |
"Стихотворения Р.А.Кудашевой". Часть пятая | 1464 | 206 | 21 | 24 | 31 | 33 | 22 | 16 | 10 | 9 | 3 | 9 | 7 | 21 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Жизнь Петра Ивановича Данилова" (журнал "Атеней", 1830-1831) | 1325 | 206 | 11 | 19 | 31 | 36 | 16 | 17 | 14 | 11 | 8 | 15 | 9 | 19 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 |
"Сочинение Телешевского". Часть первая. Главы I - I I | 1334 | 205 | 9 | 30 | 35 | 39 | 14 | 15 | 9 | 7 | 5 | 14 | 8 | 20 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 4 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 1 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 3 | 975 | 205 | 10 | 21 | 26 | 29 | 18 | 18 | 12 | 13 | 8 | 16 | 18 | 16 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 2 | 347 | 205 | 11 | 19 | 33 | 40 | 34 | 20 | 9 | 4 | 2 | 9 | 7 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 0 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 2 | 1303 | 205 | 12 | 21 | 29 | 24 | 20 | 18 | 13 | 11 | 5 | 11 | 16 | 25 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 1 | 372 | 204 | 24 | 22 | 25 | 31 | 27 | 16 | 12 | 6 | 3 | 7 | 10 | 21 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 4 | 8 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 |
В.Н.Турбин. Босфор, Евфрат и Москва-река (Новый мир, 1988, N 12) | 203 | 203 | 14 | 19 | 21 | 28 | 64 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 |
О Троице и Семике: К изучению символизма пушкинской прозы | 1355 | 203 | 17 | 17 | 27 | 23 | 16 | 19 | 12 | 8 | 5 | 18 | 16 | 25 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 4 | 203 | 203 | 16 | 18 | 24 | 23 | 27 | 13 | 8 | 5 | 1 | 12 | 19 | 37 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 0 |
"Яко боги". Стихотворение О.Барбье "Машина", романы Г.Уэллса и поэзия Баратынского | 1599 | 203 | 13 | 23 | 25 | 32 | 26 | 18 | 15 | 8 | 4 | 12 | 10 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 1 | 251 | 202 | 15 | 18 | 26 | 36 | 29 | 23 | 10 | 7 | 1 | 6 | 10 | 21 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 4 | 0 | 1 |
В.Н.Турбин. Заметки на полях прочитанных пьес (Современная драматургия, 1984, N 1) | 202 | 202 | 10 | 15 | 23 | 23 | 35 | 18 | 78 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 2 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 1 | 1187 | 202 | 11 | 20 | 31 | 25 | 14 | 15 | 17 | 8 | 9 | 12 | 17 | 23 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 3 | 415 | 201 | 17 | 24 | 26 | 33 | 23 | 18 | 11 | 17 | 5 | 5 | 9 | 13 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 1 |
Булгаков и А.Н.Толстой | 1246 | 200 | 16 | 15 | 36 | 31 | 19 | 14 | 11 | 9 | 10 | 13 | 11 | 15 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 2 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (6) | 996 | 200 | 14 | 37 | 30 | 31 | 16 | 19 | 9 | 10 | 5 | 7 | 8 | 14 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 3 | 2 | 3 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 4 | 0 |
У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (1) | 1137 | 200 | 12 | 21 | 26 | 29 | 15 | 22 | 13 | 9 | 6 | 11 | 14 | 22 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 1 | 279 | 199 | 30 | 17 | 37 | 25 | 13 | 20 | 9 | 4 | 4 | 10 | 9 | 21 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 11 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 7 | 1 | 1 | 0 | 1 | 2 | 0 | 1 |
О литературном дебюте Баратынского | 1304 | 199 | 23 | 26 | 34 | 20 | 13 | 18 | 14 | 7 | 4 | 8 | 14 | 18 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 10 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 2 | 1 | 0 |
Ещё о книге И.И.Лажечникова "Походные записки русского офицера" | 1335 | 199 | 28 | 23 | 32 | 22 | 16 | 17 | 9 | 6 | 2 | 10 | 11 | 23 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 5 | 9 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 5 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 2 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I - I I I | 1312 | 199 | 11 | 16 | 34 | 35 | 21 | 16 | 15 | 7 | 5 | 11 | 13 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 5 | 1 | 1 | 4 | 1 |
О стихотворении С.А.Соболевского и Е.А.Баратынского "Быль" ("Жил да был петух индейский...") | 1274 | 199 | 16 | 22 | 28 | 27 | 18 | 18 | 12 | 7 | 7 | 14 | 11 | 19 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 4 | 2 | 2 | 0 |
Н.И.Бобылев. Купидонов лук: Рукопись, найденная в бумагах покойного Ивана Ивановича (Невский альбом: Литературный сборник, издаваемый Николаем Бобылевым. Спб., 1839) | 199 | 199 | 20 | 25 | 35 | 24 | 22 | 13 | 8 | 4 | 13 | 35 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (6) | 386 | 199 | 13 | 19 | 48 | 44 | 17 | 11 | 10 | 3 | 5 | 6 | 9 | 14 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 3 | 0 | 0 |
"Сочинение Телешевского". Часть первая. Главы I V - V | 1170 | 199 | 16 | 22 | 28 | 31 | 16 | 20 | 11 | 6 | 6 | 10 | 10 | 23 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 5 | 753 | 198 | 16 | 18 | 30 | 31 | 23 | 17 | 11 | 4 | 5 | 13 | 14 | 16 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 0 | 0 |
Булгаков и Пильняк (заметки к теме) | 1176 | 197 | 16 | 27 | 45 | 21 | 15 | 14 | 9 | 8 | 6 | 10 | 13 | 13 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 3 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 3 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Н.Северин, Ф.Е.Зарин-Несвицкий, Р.Л.Антропов. X I | 785 | 196 | 13 | 28 | 32 | 18 | 24 | 17 | 10 | 6 | 8 | 11 | 11 | 18 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк пятый | 1104 | 196 | 29 | 21 | 36 | 19 | 10 | 14 | 7 | 16 | 5 | 9 | 9 | 21 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 6 | 9 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 5 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 0 |
Две фантазии на одну тему (А.С.Пушкин и О.И.Сенковский - Барон Брамбеус) | 1408 | 196 | 20 | 21 | 30 | 32 | 17 | 16 | 11 | 6 | 5 | 9 | 11 | 18 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 6 | 1065 | 195 | 30 | 19 | 27 | 23 | 19 | 13 | 12 | 4 | 8 | 11 | 9 | 20 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 4 | 10 | 1 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 3 | 626 | 194 | 24 | 21 | 29 | 26 | 16 | 18 | 14 | 10 | 1 | 8 | 8 | 19 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 10 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 |
Баратынский - редактор П.П.Свиньина | 1305 | 194 | 17 | 20 | 30 | 29 | 16 | 15 | 12 | 7 | 8 | 11 | 9 | 20 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 2 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 5 | 647 | 194 | 18 | 22 | 24 | 34 | 17 | 17 | 10 | 4 | 6 | 12 | 10 | 20 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 |
Задуть луну: О рассказе М.А.Булгакова "В ночь на 3-е число" (1922) | 1177 | 194 | 16 | 16 | 38 | 26 | 16 | 13 | 8 | 9 | 1 | 13 | 15 | 23 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I | 807 | 193 | 11 | 21 | 27 | 22 | 11 | 13 | 8 | 10 | 5 | 8 | 13 | 44 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 |
В.Н.Турбин. Дядя Джо и саркома духа: И.В.Сталин на сцене и на экране (Независимая газета, 1992, N 241, 15 декабря) | 528 | 193 | 16 | 18 | 30 | 34 | 18 | 15 | 13 | 5 | 4 | 13 | 11 | 16 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 4 | 597 | 193 | 18 | 18 | 28 | 24 | 16 | 19 | 12 | 11 | 5 | 12 | 10 | 20 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I V | 755 | 193 | 16 | 28 | 27 | 25 | 13 | 14 | 10 | 7 | 8 | 10 | 13 | 22 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 6 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 0 |
В.Н.Турбин. В начале было Слово... (1993) | 1199 | 192 | 16 | 21 | 32 | 24 | 13 | 13 | 17 | 11 | 7 | 10 | 9 | 19 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (3) | 1003 | 192 | 28 | 25 | 30 | 18 | 17 | 14 | 10 | 9 | 2 | 14 | 7 | 18 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 8 | 2 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 |
Театр Леонида Андреева. Глава четвертая | 1142 | 192 | 10 | 15 | 35 | 28 | 13 | 17 | 11 | 8 | 7 | 10 | 16 | 22 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 |
У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (2) | 1114 | 192 | 27 | 22 | 34 | 25 | 12 | 15 | 12 | 5 | 5 | 6 | 9 | 20 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 5 | 9 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 3 | 3 | 2 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. V | 750 | 192 | 28 | 18 | 29 | 26 | 17 | 10 | 12 | 6 | 8 | 9 | 9 | 20 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 4 | 11 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 |
"Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1 | 797 | 192 | 14 | 19 | 38 | 26 | 20 | 21 | 8 | 5 | 5 | 10 | 7 | 19 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 1 | 0 |
"Европейское" стихотворение Баратынского (Баратынский против И.В.Киреевского) | 1264 | 191 | 13 | 24 | 28 | 28 | 16 | 19 | 11 | 5 | 4 | 12 | 12 | 19 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 5 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк четвертый | 1113 | 191 | 29 | 18 | 28 | 23 | 12 | 19 | 11 | 7 | 4 | 9 | 14 | 17 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 5 | 8 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 |
Загадочный Гоголь: Опасная ярмарка (постскриптум) | 1254 | 191 | 19 | 21 | 23 | 26 | 16 | 16 | 14 | 6 | 7 | 12 | 15 | 16 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 3 | 577 | 191 | 23 | 16 | 28 | 29 | 13 | 19 | 11 | 5 | 2 | 15 | 10 | 20 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 10 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 0 |
"Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I V - V | 1219 | 191 | 16 | 16 | 30 | 26 | 18 | 17 | 10 | 8 | 8 | 13 | 10 | 19 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 1 | 614 | 191 | 14 | 20 | 29 | 21 | 17 | 13 | 10 | 20 | 7 | 9 | 4 | 27 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 2 | 1231 | 190 | 27 | 22 | 30 | 25 | 16 | 16 | 9 | 7 | 3 | 9 | 9 | 17 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 4 | 10 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 7 | 478 | 190 | 18 | 21 | 29 | 30 | 15 | 16 | 11 | 7 | 3 | 10 | 10 | 20 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 5 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 |
В.Н.Турбин. Мафусаил перед выбором: Еще раз о фильме "День ангела" (ж-л "Экран" / Рига /, 1989, N 8) | 406 | 190 | 14 | 17 | 35 | 21 | 18 | 15 | 13 | 8 | 5 | 14 | 12 | 18 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 5 | 1 | 3 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 1 | 555 | 190 | 13 | 26 | 23 | 37 | 19 | 13 | 10 | 7 | 2 | 10 | 13 | 17 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 4 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 |
На изнанке булгаковской прозы (дополнение к предыдущему) | 1012 | 190 | 13 | 21 | 26 | 26 | 20 | 22 | 10 | 5 | 5 | 8 | 12 | 22 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
"Сочинение Телешевского". Часть третья. Глава X V I I | 935 | 189 | 13 | 22 | 30 | 22 | 24 | 13 | 14 | 7 | 4 | 12 | 10 | 18 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 |
О повести А.С.Чужбинского "Пробуждение" (1839) | 1265 | 189 | 14 | 19 | 23 | 28 | 21 | 15 | 10 | 11 | 8 | 11 | 9 | 20 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 |
В.Н.Турбин. Два гостя из Парижа (Современная драматургия, 1988, N 6) | 189 | 189 | 10 | 179 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 2 | 2 | 3 | 1 | 7 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 4 | 17 | 22 | 8 | 11 | 11 | 10 | 27 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк первый | 1118 | 189 | 18 | 17 | 25 | 30 | 17 | 18 | 11 | 5 | 8 | 11 | 9 | 20 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Русский исторический роман начала Х Х века (А.П.Павлов). 2 | 769 | 188 | 17 | 24 | 27 | 22 | 20 | 15 | 11 | 9 | 3 | 12 | 10 | 18 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 5 | 1123 | 188 | 9 | 24 | 35 | 33 | 14 | 15 | 11 | 8 | 5 | 9 | 10 | 15 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 3 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I (продолжение) | 938 | 187 | 25 | 20 | 27 | 32 | 13 | 15 | 7 | 8 | 5 | 10 | 8 | 17 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 10 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. Х | 750 | 187 | 14 | 23 | 30 | 22 | 21 | 13 | 11 | 9 | 9 | 8 | 11 | 16 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 3 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 2 | 1 | 2 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 3 | 372 | 187 | 15 | 23 | 26 | 27 | 14 | 14 | 8 | 12 | 5 | 13 | 11 | 19 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 |
Зыкова Г.В, Пенская Е.Н. Семинар В.Н.Турбина в переписке его участников 1960-х годов (Новый мир, 2019, N 11) | 504 | 187 | 17 | 34 | 21 | 31 | 17 | 14 | 8 | 2 | 2 | 10 | 11 | 20 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 6 | 2 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 2 | 710 | 187 | 15 | 26 | 24 | 24 | 19 | 15 | 14 | 12 | 6 | 8 | 10 | 14 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 0 |
В.Н.Турбин. Дни на дне (Литературная газета, 1990, N 31, 1 августа, "Критик В.Турбин размышляет о современных фильмах и спектаклях") | 450 | 186 | 13 | 16 | 44 | 17 | 20 | 17 | 13 | 4 | 4 | 11 | 11 | 16 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 |
Три сказки А.Е.Измайлова | 1259 | 186 | 13 | 23 | 20 | 30 | 16 | 20 | 12 | 7 | 8 | 9 | 8 | 20 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
Тургенев и Блок | 1196 | 185 | 27 | 25 | 21 | 25 | 13 | 12 | 8 | 7 | 11 | 11 | 7 | 18 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 10 | 3 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 4 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 6 | 392 | 185 | 32 | 13 | 27 | 28 | 17 | 15 | 6 | 5 | 4 | 8 | 8 | 22 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 4 | 9 | 2 | 2 | 1 | 0 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 0 |
Театр Леонида Андреева. Глава первая | 1169 | 185 | 24 | 14 | 32 | 30 | 17 | 16 | 9 | 6 | 4 | 8 | 9 | 16 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 8 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 |
В.Н.Турбин. "Арзамас" в кинематографе, или Несколько слов об именинах Мафусаила (Искусство кино, 1988, N 6) | 501 | 185 | 22 | 17 | 24 | 21 | 20 | 13 | 9 | 3 | 7 | 12 | 13 | 24 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 |
Театр Леонида Андреева. Глава третья | 1138 | 185 | 14 | 20 | 27 | 23 | 21 | 13 | 11 | 8 | 4 | 13 | 12 | 19 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 |
В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 2 | 434 | 184 | 18 | 18 | 25 | 21 | 17 | 21 | 17 | 6 | 4 | 7 | 13 | 17 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 2 | 627 | 184 | 29 | 16 | 21 | 30 | 15 | 10 | 13 | 9 | 3 | 10 | 8 | 20 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 8 | 3 | 3 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 0 |
"Сочинение Телешевского". Часть первая. Главы V I I I - X | 1154 | 184 | 16 | 20 | 25 | 29 | 14 | 15 | 7 | 11 | 6 | 10 | 8 | 23 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I I | 894 | 184 | 13 | 18 | 31 | 25 | 17 | 18 | 8 | 9 | 10 | 7 | 11 | 17 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 |
В.Н.Турбин. Духовное в привычном (Советская Россия, 1980, 12 июня, N 134) | 183 | 183 | 11 | 15 | 18 | 24 | 20 | 15 | 6 | 6 | 2 | 8 | 14 | 44 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 |
No X I I I. Сочинение Телешевского. М., 1833 | 775 | 183 | 17 | 31 | 35 | 25 | 14 | 12 | 9 | 7 | 3 | 8 | 5 | 17 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 3 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 2 | 780 | 183 | 11 | 19 | 27 | 34 | 20 | 18 | 8 | 7 | 3 | 8 | 13 | 15 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 10 | 396 | 183 | 15 | 18 | 31 | 29 | 31 | 14 | 6 | 3 | 2 | 8 | 10 | 16 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 1 | 401 | 183 | 15 | 34 | 24 | 25 | 18 | 11 | 8 | 5 | 5 | 7 | 7 | 24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 6 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 |
"Незадолго до Водолея..." (опыт комментария-воспоминания) | 1237 | 183 | 13 | 21 | 27 | 24 | 18 | 16 | 9 | 10 | 4 | 8 | 15 | 18 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 11 | 534 | 183 | 11 | 25 | 32 | 24 | 14 | 19 | 10 | 6 | 3 | 9 | 8 | 22 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 6 | 1 | 0 |
Русский исторический роман начала Х Х века (М.Н.Волконский). 1 | 665 | 182 | 17 | 22 | 30 | 30 | 17 | 13 | 6 | 7 | 2 | 7 | 11 | 20 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (1) | 970 | 181 | 14 | 14 | 31 | 28 | 13 | 18 | 13 | 5 | 7 | 7 | 10 | 21 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 |
"Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (1) | 1176 | 181 | 14 | 22 | 32 | 24 | 18 | 14 | 13 | 6 | 7 | 6 | 11 | 14 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 5 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 |
Катаев и... Китай | 1095 | 181 | 15 | 17 | 27 | 32 | 23 | 10 | 11 | 6 | 4 | 10 | 11 | 15 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 2 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 3 | 508 | 181 | 16 | 26 | 32 | 22 | 17 | 15 | 9 | 4 | 4 | 9 | 12 | 15 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (5) | 377 | 181 | 20 | 14 | 21 | 25 | 18 | 23 | 11 | 6 | 4 | 7 | 13 | 19 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 2 | 376 | 180 | 11 | 25 | 28 | 27 | 12 | 20 | 8 | 10 | 4 | 5 | 12 | 18 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (3) | 1017 | 180 | 21 | 22 | 29 | 23 | 17 | 13 | 13 | 4 | 5 | 6 | 10 | 17 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 |
Русский исторический роман начала Х X века (Д.С.Дмитриев). 1 | 702 | 180 | 11 | 22 | 27 | 25 | 18 | 11 | 11 | 8 | 4 | 14 | 13 | 16 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 0 |
О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" (2) | 974 | 180 | 24 | 16 | 33 | 26 | 16 | 10 | 8 | 7 | 5 | 9 | 9 | 17 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 10 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 |
К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" | 903 | 180 | 11 | 16 | 35 | 26 | 20 | 11 | 11 | 9 | 3 | 13 | 11 | 14 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 3 | 605 | 179 | 13 | 30 | 30 | 33 | 9 | 14 | 9 | 7 | 3 | 7 | 8 | 16 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 3 | 0 | 4 | 1 | 2 | 3 | 1 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 2 | 536 | 179 | 10 | 22 | 26 | 26 | 17 | 17 | 9 | 6 | 6 | 10 | 9 | 21 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк второй | 1023 | 179 | 14 | 22 | 31 | 27 | 11 | 19 | 8 | 8 | 2 | 10 | 10 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 3 | 1058 | 179 | 17 | 17 | 27 | 26 | 20 | 14 | 7 | 4 | 5 | 12 | 8 | 22 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
В.Н.Турбин. [ Об А.И.Солженицыне ] (Литературная газеета, 1991, N 28; под общим заголовком "Год Солженицына") | 179 | 179 | 13 | 14 | 29 | 18 | 10 | 8 | 8 | 4 | 31 | 44 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (8) | 356 | 179 | 12 | 24 | 31 | 32 | 12 | 15 | 10 | 3 | 6 | 7 | 10 | 17 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 5 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 3 | 1 |
Писатель и сочинитель: Еще к вопросу о рефлексах публикаций из журнала "Корабль" в творчестве Б.А.Пильняка | 1023 | 179 | 13 | 22 | 29 | 22 | 17 | 13 | 11 | 10 | 3 | 10 | 13 | 16 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 3 | 2 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский, А.Шардин. X V | 708 | 178 | 14 | 16 | 32 | 21 | 15 | 16 | 9 | 12 | 5 | 11 | 6 | 21 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 |
"Сочинение Телешевского". Часть первая. Глава I I I | 1249 | 178 | 12 | 26 | 28 | 27 | 19 | 13 | 12 | 6 | 2 | 13 | 8 | 12 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 2 | 0 |
"Жители маленьких городков" (Предвосхищение мотивов повести Пушкина "Гробовщик" в военных мемуарах И.И.Лажечникова и А.Ф.Раевского) | 1370 | 178 | 12 | 20 | 26 | 23 | 16 | 20 | 15 | 8 | 5 | 5 | 10 | 18 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (2) | 913 | 178 | 27 | 16 | 34 | 22 | 18 | 15 | 7 | 5 | 3 | 7 | 9 | 15 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 9 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 2 | 2 | 0 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (2) | 1087 | 178 | 20 | 20 | 25 | 28 | 16 | 11 | 12 | 4 | 8 | 6 | 16 | 12 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 |
Изобретение Гоголя. Исследование по истории русской литературы первой половины X I X века | 1287 | 177 | 14 | 23 | 26 | 22 | 12 | 17 | 9 | 11 | 8 | 7 | 12 | 16 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
Из русской литературной критики 1810-х - 1830-х годов | 1178 | 177 | 16 | 21 | 24 | 29 | 16 | 15 | 16 | 2 | 3 | 5 | 12 | 18 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (4) | 977 | 177 | 10 | 19 | 23 | 27 | 17 | 24 | 12 | 3 | 4 | 9 | 8 | 21 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 |
В.Н.Турбин. Товарищ время и товарищ искусство. М., Искусство, 1961. Содержание | 315 | 177 | 8 | 17 | 30 | 29 | 20 | 12 | 12 | 8 | 4 | 6 | 10 | 21 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 2 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 5 | 550 | 177 | 10 | 20 | 24 | 35 | 18 | 12 | 10 | 5 | 3 | 8 | 13 | 19 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 9 | 344 | 177 | 27 | 22 | 24 | 23 | 21 | 12 | 8 | 2 | 4 | 6 | 10 | 18 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 4 | 8 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (3) | 1025 | 176 | 28 | 16 | 29 | 25 | 10 | 14 | 10 | 7 | 3 | 9 | 8 | 17 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 7 | 10 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 |
П.А.Плетнев. Миних. (Элегия.) | 1131 | 176 | 17 | 19 | 24 | 24 | 18 | 18 | 13 | 7 | 4 | 7 | 7 | 18 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 4 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 |
В.Н.Турбин. Два этюда о Достоевском | 1186 | 176 | 14 | 18 | 38 | 21 | 16 | 14 | 11 | 6 | 2 | 6 | 11 | 19 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 9 | 227 | 176 | 8 | 15 | 22 | 27 | 14 | 10 | 10 | 2 | 0 | 9 | 6 | 53 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 4 | 0 | 0 |
В.Н.Турбин. Сегодня на экране: Размышления в фойе кинотеатра (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 338 | 176 | 30 | 11 | 27 | 24 | 19 | 16 | 9 | 2 | 7 | 10 | 6 | 15 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 10 | 1 | 2 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 5 | 567 | 176 | 15 | 26 | 26 | 24 | 19 | 12 | 7 | 4 | 6 | 6 | 13 | 18 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. I Х | 727 | 176 | 9 | 25 | 32 | 22 | 15 | 12 | 12 | 5 | 5 | 7 | 12 | 20 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 4 | 388 | 176 | 19 | 17 | 23 | 31 | 13 | 14 | 8 | 6 | 6 | 9 | 12 | 18 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 |
"Басня" и "эпиграмма": О словоупотреблении Баратынского | 1213 | 176 | 15 | 18 | 22 | 27 | 18 | 19 | 10 | 4 | 1 | 11 | 12 | 19 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 |
"Сочинение Телешевского". Часть первая. Глава V I I | 1081 | 175 | 11 | 24 | 25 | 27 | 11 | 21 | 10 | 6 | 4 | 9 | 11 | 16 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 0 |
Об участи Батюшкова. I | 1075 | 175 | 13 | 13 | 31 | 28 | 13 | 15 | 15 | 9 | 1 | 8 | 8 | 21 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 0 |
"Сочинение Телешевского". Часть вторая. Главы I V - V | 923 | 175 | 14 | 19 | 25 | 28 | 18 | 18 | 11 | 6 | 4 | 10 | 7 | 15 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин. X V I I | 579 | 175 | 17 | 22 | 25 | 24 | 16 | 13 | 10 | 5 | 7 | 9 | 8 | 19 | 0 | 1 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 2 | 690 | 175 | 14 | 16 | 26 | 26 | 24 | 10 | 10 | 6 | 3 | 9 | 13 | 18 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 |
Русский исторический роман начала Х Х века (А.П.Павлов). 1 | 730 | 175 | 27 | 21 | 27 | 18 | 15 | 15 | 8 | 7 | 1 | 11 | 7 | 18 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 9 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 | 778 | 175 | 15 | 22 | 34 | 20 | 13 | 13 | 9 | 8 | 5 | 9 | 10 | 17 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 5 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (4) | 830 | 175 | 14 | 15 | 33 | 30 | 16 | 19 | 8 | 3 | 3 | 7 | 9 | 18 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 |
Русский исторический роман начала Х Х века (Д.С.Дмитриев). 2 | 682 | 175 | 15 | 16 | 24 | 22 | 22 | 10 | 11 | 11 | 4 | 9 | 11 | 20 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. I V | 929 | 175 | 11 | 18 | 30 | 23 | 16 | 14 | 10 | 5 | 5 | 10 | 10 | 23 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 3 | 1078 | 174 | 15 | 17 | 31 | 23 | 15 | 12 | 7 | 4 | 6 | 12 | 13 | 19 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 0 |
"Около эколо": к вопросу о художественной топографии в произведениях Пушкина | 420 | 174 | 12 | 23 | 23 | 26 | 16 | 12 | 9 | 10 | 6 | 7 | 13 | 17 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть четвертая | 174 | 174 | 14 | 23 | 43 | 94 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 2 | 0 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 6 | 463 | 174 | 11 | 20 | 31 | 31 | 14 | 10 | 8 | 4 | 6 | 7 | 11 | 21 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 3 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I I | 767 | 174 | 16 | 23 | 23 | 25 | 17 | 12 | 10 | 7 | 3 | 9 | 7 | 22 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 |
Еще о стихотворении Н.И.Гнедича "Скоротечность юности" (1809) | 1182 | 174 | 14 | 10 | 28 | 29 | 18 | 16 | 8 | 7 | 1 | 11 | 8 | 24 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 1 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 4 | 502 | 174 | 12 | 22 | 27 | 27 | 18 | 11 | 12 | 3 | 4 | 9 | 11 | 18 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 2 | 1103 | 174 | 10 | 27 | 25 | 21 | 11 | 20 | 8 | 7 | 10 | 6 | 11 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 4 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (3) | 880 | 174 | 12 | 21 | 27 | 22 | 14 | 14 | 7 | 9 | 4 | 12 | 13 | 19 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 5 | 1 | 1 | 2 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 1 | 516 | 173 | 13 | 16 | 26 | 25 | 16 | 14 | 13 | 5 | 2 | 13 | 8 | 22 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I | 897 | 173 | 13 | 20 | 29 | 23 | 19 | 13 | 10 | 5 | 3 | 10 | 7 | 21 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Главы X - X I I | 908 | 173 | 18 | 15 | 27 | 28 | 15 | 14 | 9 | 10 | 3 | 7 | 10 | 17 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 3 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I I (окончание) | 850 | 173 | 18 | 16 | 25 | 27 | 17 | 15 | 9 | 7 | 6 | 8 | 9 | 16 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 |
Об участи Батюшкова. V I I | 1074 | 172 | 7 | 17 | 30 | 28 | 13 | 19 | 16 | 9 | 1 | 8 | 8 | 16 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов (тексты) | 1176 | 172 | 19 | 16 | 25 | 27 | 13 | 13 | 10 | 8 | 3 | 8 | 7 | 23 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 3 | 623 | 172 | 17 | 17 | 28 | 33 | 12 | 13 | 10 | 8 | 1 | 8 | 9 | 16 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 10 | 392 | 172 | 9 | 18 | 26 | 28 | 34 | 11 | 8 | 3 | 2 | 6 | 7 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 1 |
"Стихотворения Р.А.Кудашевой". Часть третья | 1075 | 172 | 19 | 14 | 22 | 23 | 23 | 16 | 10 | 5 | 4 | 5 | 12 | 19 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 |
Информация о владельце раздела | 1051 | 172 | 25 | 19 | 23 | 22 | 14 | 19 | 6 | 8 | 2 | 5 | 11 | 18 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 | 7 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 |
В.Н.Турбин. Catarina Secunda охотится (Советский экран, 1991, N 8) | 589 | 171 | 17 | 14 | 30 | 23 | 17 | 6 | 9 | 8 | 4 | 8 | 12 | 23 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 |
Русский исторический роман начала Х Х века (М.Н.Волконский). 2 | 646 | 171 | 13 | 30 | 24 | 24 | 14 | 9 | 11 | 3 | 4 | 10 | 12 | 17 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 5 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 |
"Кесарь" и "василёк": Еще о контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1096 | 171 | 14 | 20 | 25 | 28 | 13 | 19 | 9 | 9 | 1 | 10 | 8 | 15 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 1 | 607 | 171 | 9 | 17 | 32 | 29 | 14 | 16 | 10 | 5 | 4 | 7 | 9 | 19 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 3 | 2 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 12 | 387 | 171 | 12 | 13 | 32 | 23 | 28 | 11 | 8 | 6 | 3 | 9 | 8 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 4 | 1 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 2 | 551 | 171 | 12 | 21 | 24 | 26 | 18 | 13 | 11 | 7 | 4 | 10 | 8 | 17 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 1 | 1175 | 171 | 10 | 25 | 24 | 27 | 16 | 16 | 10 | 7 | 6 | 6 | 7 | 17 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 |
Повесть Н.В.Данилевского "Адрианопольский мир" и поэма Е.А.Баратынского "Наложница" (фрагменты) | 1088 | 171 | 13 | 25 | 22 | 27 | 12 | 15 | 10 | 9 | 2 | 10 | 7 | 19 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 6 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 5 | 625 | 171 | 20 | 22 | 23 | 28 | 16 | 14 | 9 | 5 | 6 | 7 | 7 | 14 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 |
"Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (2) | 822 | 170 | 14 | 24 | 27 | 20 | 12 | 14 | 7 | 5 | 5 | 16 | 10 | 16 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 3 | 555 | 170 | 13 | 26 | 25 | 29 | 15 | 11 | 10 | 3 | 2 | 11 | 8 | 17 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (4) | 360 | 170 | 11 | 17 | 23 | 31 | 19 | 18 | 10 | 5 | 5 | 8 | 7 | 16 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 1 | 680 | 170 | 9 | 16 | 28 | 24 | 17 | 18 | 9 | 7 | 7 | 9 | 8 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Эпилог | 659 | 169 | 18 | 16 | 31 | 28 | 14 | 11 | 11 | 4 | 3 | 8 | 9 | 16 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 5 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 |
Об участи Батюшкова. V - V I | 1060 | 169 | 11 | 14 | 24 | 27 | 17 | 22 | 8 | 8 | 1 | 9 | 11 | 17 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
"Сочинение Телешевского". Часть вторая. Глава X V I (продолжение) | 872 | 169 | 10 | 19 | 23 | 26 | 23 | 13 | 7 | 6 | 6 | 8 | 9 | 19 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 |
В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 1 | 422 | 169 | 17 | 22 | 27 | 22 | 15 | 17 | 10 | 1 | 2 | 10 | 8 | 18 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 |
"Сочинение Телешевского". Часть вторая. Главы X I V - X V I | 913 | 169 | 16 | 16 | 33 | 20 | 16 | 12 | 10 | 5 | 4 | 11 | 8 | 18 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (8) | 714 | 169 | 17 | 17 | 29 | 20 | 17 | 16 | 12 | 8 | 2 | 7 | 10 | 14 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 3 | 572 | 169 | 14 | 18 | 25 | 23 | 18 | 15 | 12 | 6 | 6 | 4 | 8 | 20 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 4 | 1 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 12 | 517 | 169 | 21 | 13 | 27 | 25 | 16 | 15 | 6 | 5 | 3 | 11 | 10 | 17 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 4 | 1027 | 169 | 15 | 17 | 25 | 26 | 13 | 14 | 11 | 4 | 4 | 9 | 12 | 19 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 |
"Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1. (Окончание) | 706 | 169 | 9 | 25 | 31 | 29 | 17 | 10 | 6 | 8 | 3 | 5 | 13 | 13 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I I I | 756 | 169 | 13 | 18 | 27 | 24 | 21 | 10 | 9 | 5 | 10 | 6 | 11 | 15 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 (продолжение) | 707 | 169 | 21 | 21 | 22 | 32 | 13 | 10 | 8 | 5 | 4 | 8 | 9 | 16 | 0 | 2 | 5 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (1) | 347 | 169 | 13 | 17 | 28 | 31 | 17 | 16 | 8 | 3 | 2 | 10 | 10 | 14 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 0 |
Об участи Батюшкова. I I I - I V | 1020 | 169 | 10 | 14 | 26 | 29 | 17 | 14 | 12 | 8 | 5 | 7 | 10 | 17 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 |
В.Н.Турбин. Размышления и разборы: Опыт обзора театроведческой литературы (Современная драматургия, 1983, N 1) | 757 | 168 | 11 | 22 | 29 | 24 | 11 | 13 | 7 | 4 | 5 | 6 | 12 | 24 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 2 | 378 | 168 | 14 | 10 | 29 | 27 | 21 | 12 | 7 | 7 | 3 | 5 | 10 | 23 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 2 | 586 | 168 | 14 | 17 | 29 | 21 | 15 | 15 | 9 | 7 | 7 | 6 | 9 | 19 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 3 | 1 |
П.П.Свиньин. Отрывки из книги "Опыт живописного путешествия по Северной Америке" | 1172 | 168 | 15 | 17 | 26 | 24 | 16 | 12 | 12 | 6 | 1 | 14 | 8 | 17 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 1 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 3 | 1042 | 168 | 12 | 15 | 27 | 25 | 13 | 14 | 14 | 8 | 2 | 11 | 9 | 18 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 3 | 1046 | 168 | 13 | 14 | 30 | 29 | 17 | 13 | 8 | 7 | 3 | 10 | 10 | 14 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 3 | 1 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 7 | 319 | 168 | 11 | 17 | 27 | 26 | 18 | 14 | 5 | 6 | 6 | 9 | 11 | 18 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 1 | 276 | 168 | 9 | 25 | 30 | 24 | 17 | 11 | 8 | 6 | 5 | 3 | 12 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 |
В.Н.Турбин. Политика, власть, безумие (Экран, 1991, N 17; о фильме К.Шахназарова "Цареубийца") | 347 | 168 | 15 | 19 | 28 | 26 | 16 | 16 | 6 | 5 | 5 | 8 | 7 | 17 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 |
В.Н.Турбин. Во сне и наяву: Повесть Ф.М.Достоевского "Дядюшкин сон" на телевизионном экране (Советская Россия, 1981, 29 ноября, N 276) | 232 | 167 | 12 | 22 | 22 | 32 | 12 | 12 | 7 | 5 | 2 | 9 | 12 | 20 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть третья | 167 | 167 | 21 | 18 | 22 | 106 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 3 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (2) | 396 | 167 | 12 | 22 | 24 | 26 | 21 | 8 | 10 | 7 | 1 | 8 | 8 | 20 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (4) | 780 | 167 | 19 | 14 | 27 | 26 | 17 | 15 | 6 | 6 | 1 | 8 | 8 | 20 | 0 | 1 | 1 | 5 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 10 | 562 | 167 | 14 | 23 | 21 | 31 | 13 | 13 | 6 | 5 | 3 | 9 | 10 | 19 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 4 | 307 | 167 | 11 | 21 | 30 | 22 | 14 | 17 | 9 | 5 | 4 | 8 | 9 | 17 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 5 | 0 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 4 | 1049 | 167 | 15 | 22 | 23 | 24 | 13 | 12 | 10 | 8 | 2 | 9 | 9 | 20 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 5 | 478 | 167 | 19 | 21 | 24 | 31 | 14 | 10 | 10 | 3 | 5 | 6 | 7 | 17 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
"По прозванью Каланча..." Комментарий к одному литературоведческому наблюдению В.Н.Турбина | 748 | 167 | 11 | 15 | 36 | 23 | 13 | 15 | 6 | 6 | 6 | 8 | 9 | 19 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 0 |
К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (2) | 1049 | 167 | 16 | 12 | 30 | 20 | 17 | 17 | 12 | 6 | 3 | 11 | 6 | 17 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 8 | 365 | 167 | 14 | 13 | 21 | 32 | 16 | 13 | 11 | 2 | 6 | 9 | 10 | 20 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (7) | 890 | 166 | 11 | 18 | 29 | 21 | 13 | 14 | 11 | 5 | 5 | 12 | 9 | 18 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Об участи Батюшкова. V I I I - I X | 964 | 166 | 12 | 23 | 23 | 27 | 10 | 20 | 13 | 6 | 3 | 7 | 9 | 13 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 4 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 4 | 708 | 166 | 19 | 17 | 23 | 25 | 19 | 12 | 8 | 4 | 6 | 8 | 7 | 18 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 3 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 14 | 370 | 166 | 17 | 19 | 26 | 27 | 13 | 13 | 8 | 7 | 4 | 7 | 8 | 17 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (9) | 325 | 166 | 16 | 11 | 28 | 25 | 20 | 14 | 5 | 7 | 8 | 6 | 8 | 18 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (5) | 948 | 166 | 13 | 23 | 25 | 22 | 15 | 16 | 9 | 5 | 4 | 7 | 12 | 15 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 1 | 674 | 166 | 18 | 19 | 28 | 27 | 15 | 10 | 12 | 1 | 2 | 9 | 7 | 18 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк третий | 972 | 165 | 11 | 17 | 26 | 28 | 11 | 13 | 13 | 10 | 3 | 10 | 6 | 17 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 2 | 880 | 165 | 10 | 13 | 27 | 29 | 13 | 20 | 11 | 6 | 3 | 6 | 8 | 19 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Р.Л.Антропов. X I I | 743 | 165 | 13 | 20 | 25 | 24 | 14 | 16 | 8 | 8 | 5 | 8 | 8 | 16 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 3 | 237 | 165 | 12 | 22 | 32 | 26 | 15 | 13 | 5 | 5 | 1 | 5 | 11 | 18 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (7) | 346 | 165 | 14 | 16 | 26 | 22 | 18 | 19 | 10 | 3 | 8 | 6 | 8 | 15 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Глава I | 987 | 165 | 11 | 23 | 24 | 24 | 12 | 15 | 11 | 8 | 5 | 8 | 9 | 15 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 8 | 415 | 165 | 18 | 15 | 24 | 31 | 15 | 16 | 7 | 5 | 3 | 7 | 9 | 15 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 11 | 396 | 164 | 16 | 20 | 22 | 22 | 19 | 14 | 10 | 5 | 2 | 7 | 9 | 18 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 4 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 0 |
В.Н.Турбин. Распятие Йозефа К.: Кафка на сцене театра Станиславского (Литературная газета, 1991, N 3, 23 января) | 450 | 164 | 16 | 14 | 31 | 23 | 15 | 15 | 5 | 5 | 2 | 11 | 8 | 19 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Главы I I - I I I | 932 | 164 | 11 | 22 | 24 | 23 | 18 | 13 | 12 | 7 | 1 | 9 | 9 | 15 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 2 | 975 | 164 | 12 | 13 | 29 | 23 | 19 | 18 | 7 | 6 | 6 | 7 | 8 | 16 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 4 | 483 | 164 | 14 | 24 | 31 | 23 | 14 | 7 | 9 | 3 | 3 | 6 | 7 | 23 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 0 |
"Сочинение Телешевского". Часть вторая. Главы V I - I X | 925 | 164 | 13 | 26 | 26 | 23 | 11 | 15 | 10 | 8 | 5 | 5 | 8 | 14 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 0 |
"Сочинение Телешевского". Часть вторая. Глава X I I I | 856 | 164 | 13 | 21 | 30 | 23 | 15 | 14 | 11 | 4 | 2 | 8 | 10 | 13 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Баратынский и Гейне (3) | 1253 | 164 | 15 | 32 | 23 | 22 | 16 | 11 | 8 | 5 | 1 | 10 | 7 | 14 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 6 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 |
В.Н.Турбин. Шестидесятники: блеск и нищета (Искусство кино, 1992, N 4) | 744 | 164 | 15 | 18 | 33 | 23 | 14 | 11 | 6 | 5 | 3 | 8 | 11 | 17 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 2 | 2 | 1 | 1 |
В.Н.Турбин. Наш Пушкин (Советская культура, 1982, N 45, 4 июня) | 226 | 163 | 14 | 19 | 20 | 26 | 15 | 16 | 11 | 2 | 3 | 7 | 9 | 21 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I | 780 | 163 | 16 | 18 | 28 | 20 | 13 | 14 | 10 | 3 | 2 | 11 | 7 | 21 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 2 | 606 | 163 | 16 | 24 | 21 | 27 | 18 | 14 | 8 | 3 | 2 | 9 | 9 | 12 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 13 | 339 | 163 | 21 | 18 | 26 | 25 | 14 | 11 | 9 | 4 | 2 | 7 | 11 | 15 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 1 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (5) | 951 | 163 | 15 | 11 | 27 | 19 | 19 | 17 | 9 | 5 | 6 | 13 | 9 | 13 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 3 | 328 | 163 | 12 | 18 | 21 | 28 | 15 | 17 | 6 | 7 | 3 | 9 | 11 | 16 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 11 | 337 | 162 | 16 | 19 | 21 | 23 | 20 | 12 | 9 | 2 | 3 | 8 | 11 | 18 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 |
В.Н.Турбин. Спасите наши лица! (Литературная газета, 1990, N 42, 17 октября) | 443 | 162 | 13 | 18 | 25 | 26 | 17 | 12 | 9 | 6 | 4 | 6 | 10 | 16 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 1 | 627 | 162 | 12 | 18 | 24 | 28 | 19 | 14 | 8 | 4 | 2 | 9 | 8 | 16 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 4 | 548 | 162 | 12 | 23 | 26 | 28 | 15 | 8 | 8 | 5 | 2 | 10 | 7 | 18 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 7 | 322 | 162 | 15 | 15 | 19 | 30 | 21 | 11 | 10 | 3 | 2 | 7 | 9 | 20 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I | 715 | 162 | 8 | 18 | 22 | 24 | 13 | 15 | 10 | 8 | 3 | 15 | 8 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 14 | 498 | 162 | 10 | 20 | 27 | 20 | 18 | 14 | 5 | 7 | 2 | 10 | 13 | 16 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 2 | 2 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 5 | 349 | 162 | 12 | 22 | 27 | 21 | 17 | 10 | 10 | 4 | 3 | 8 | 11 | 17 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 |
В.Н.Турбин. Литературоведение? Зачем? (Литературная газета, 1993, N 9, 3 марта) | 428 | 162 | 13 | 18 | 25 | 31 | 11 | 14 | 6 | 6 | 3 | 8 | 8 | 19 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 |
В память графу Александру Ивановичу Кутайсову. Де Санглен. Спб., 1812 | 1168 | 162 | 15 | 15 | 32 | 23 | 13 | 16 | 7 | 8 | 0 | 15 | 8 | 10 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 |
В.Н.Турбин. Постижение правды: "Дорога" в Театре на Малой Бронной и "Братья Карамазовы" в Театре имени Моссовета (Советская Россия, 1980, N 104, 6 мая) | 161 | 161 | 17 | 15 | 28 | 18 | 11 | 15 | 8 | 7 | 4 | 13 | 25 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 1 | 602 | 161 | 12 | 23 | 23 | 21 | 13 | 11 | 13 | 6 | 1 | 13 | 12 | 13 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (3) | 327 | 161 | 14 | 17 | 27 | 28 | 12 | 16 | 8 | 3 | 3 | 8 | 7 | 18 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 3 | 237 | 161 | 9 | 19 | 24 | 24 | 16 | 12 | 9 | 5 | 4 | 9 | 11 | 19 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Е.А.Салиас, Д.С.Дмитриев, В.В.Крестовский. X V I I I | 605 | 161 | 12 | 12 | 28 | 23 | 14 | 15 | 11 | 8 | 6 | 12 | 5 | 15 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 |
В.Н.Турбин. ...А тайна опять и опять в поэтике сокрыта (Советская культура, 1987, N 18, 10 февраля) | 690 | 161 | 17 | 19 | 25 | 31 | 10 | 12 | 6 | 5 | 4 | 10 | 8 | 14 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 0 |
"В усах и кивере два грозных часовых..." (из материалов для комментария к стихотворению Пушкина "Мирская власть") | 1128 | 161 | 11 | 16 | 33 | 20 | 15 | 14 | 11 | 4 | 2 | 7 | 8 | 20 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 3 | 1 |
"Pro domo sua": об "ошибке Карамзина", "оправдании Гнедича" и о современном состоянии историко-литературной науки | 1109 | 161 | 11 | 18 | 29 | 29 | 14 | 14 | 9 | 5 | 2 | 5 | 8 | 17 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 3 | 558 | 160 | 8 | 23 | 22 | 24 | 13 | 14 | 9 | 4 | 3 | 8 | 7 | 25 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (6) | 754 | 160 | 18 | 22 | 23 | 22 | 15 | 12 | 6 | 2 | 4 | 9 | 8 | 19 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 4 | 0 |
Об участи Батюшкова. I I | 947 | 160 | 11 | 16 | 24 | 23 | 14 | 17 | 12 | 7 | 4 | 9 | 6 | 17 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 7 | 534 | 160 | 24 | 21 | 25 | 22 | 15 | 9 | 6 | 2 | 4 | 9 | 5 | 18 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 |
"Воздушный караван": булгаковский субстрат "коллективного романа" | 1211 | 160 | 17 | 16 | 26 | 22 | 12 | 13 | 9 | 7 | 4 | 7 | 10 | 17 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 5 | 229 | 159 | 10 | 17 | 25 | 25 | 17 | 11 | 9 | 4 | 3 | 4 | 14 | 20 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 2 | 577 | 159 | 9 | 21 | 22 | 22 | 16 | 17 | 8 | 8 | 3 | 11 | 7 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (5) | 777 | 158 | 16 | 14 | 28 | 24 | 13 | 18 | 8 | 3 | 5 | 5 | 10 | 14 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 |
"Сочинение Телешевского". Часть третья. Глава X V I (окончание) | 834 | 158 | 15 | 16 | 20 | 29 | 15 | 14 | 9 | 7 | 2 | 8 | 12 | 11 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 1 | 431 | 158 | 16 | 16 | 21 | 30 | 15 | 10 | 7 | 5 | 4 | 8 | 7 | 19 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин, К.П.Масальский. X V I | 617 | 158 | 16 | 17 | 35 | 17 | 10 | 14 | 7 | 5 | 7 | 5 | 7 | 18 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 6 | 560 | 157 | 12 | 13 | 28 | 18 | 21 | 19 | 6 | 3 | 2 | 8 | 8 | 19 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 6 | 245 | 157 | 8 | 19 | 25 | 23 | 17 | 14 | 10 | 4 | 0 | 5 | 12 | 20 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 6 | 597 | 157 | 16 | 19 | 26 | 24 | 14 | 12 | 7 | 4 | 2 | 6 | 12 | 15 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 4 | 277 | 157 | 13 | 17 | 27 | 22 | 15 | 11 | 8 | 5 | 7 | 4 | 9 | 19 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 |
Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 1) | 688 | 157 | 23 | 18 | 22 | 21 | 9 | 12 | 10 | 8 | 3 | 11 | 6 | 14 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 7 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 4 | 722 | 156 | 18 | 14 | 25 | 30 | 11 | 13 | 7 | 3 | 6 | 7 | 8 | 14 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 6 | 368 | 156 | 15 | 22 | 22 | 30 | 13 | 9 | 6 | 5 | 2 | 6 | 8 | 18 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 5 | 582 | 156 | 15 | 16 | 32 | 17 | 15 | 14 | 9 | 3 | 3 | 8 | 11 | 13 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 4 | 629 | 156 | 8 | 22 | 25 | 21 | 14 | 13 | 11 | 3 | 4 | 8 | 8 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 13 | 558 | 156 | 8 | 22 | 26 | 23 | 13 | 14 | 9 | 7 | 1 | 8 | 11 | 14 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 3 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 7 | 355 | 156 | 17 | 14 | 23 | 25 | 15 | 12 | 8 | 6 | 2 | 7 | 8 | 19 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 12 | 353 | 156 | 14 | 20 | 24 | 23 | 15 | 12 | 7 | 4 | 3 | 7 | 8 | 19 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 4 | 349 | 156 | 15 | 14 | 24 | 28 | 11 | 17 | 7 | 5 | 1 | 10 | 6 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 8 | 554 | 155 | 13 | 16 | 25 | 23 | 16 | 11 | 8 | 5 | 2 | 10 | 7 | 19 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 9 | 438 | 155 | 13 | 20 | 26 | 22 | 10 | 17 | 8 | 2 | 3 | 10 | 7 | 17 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 |
Об участи Батюшкова. X - X I | 1010 | 154 | 13 | 16 | 24 | 28 | 13 | 11 | 9 | 5 | 3 | 7 | 9 | 16 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (6) | 786 | 154 | 13 | 19 | 27 | 22 | 11 | 18 | 7 | 6 | 4 | 7 | 7 | 13 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 |
В.Н.Турбин. Голод и боль Михаила Бахтина (Литературная газета, 1994, N 24, 15 июня. Публикация О.В.Турбиной) | 431 | 154 | 10 | 18 | 29 | 22 | 13 | 12 | 8 | 5 | 3 | 4 | 12 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 2 | 1 |
В.Н.Турбин. Когда ломают игрушки... (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 250 | 154 | 13 | 17 | 30 | 24 | 10 | 14 | 6 | 2 | 4 | 8 | 7 | 19 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 1 |
В.Н.Турбин. Юность мысли. В экспериментальном цехе истории (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 251 | 154 | 12 | 21 | 25 | 24 | 9 | 15 | 8 | 5 | 5 | 7 | 6 | 17 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 2 | 287 | 154 | 13 | 15 | 31 | 20 | 17 | 9 | 6 | 5 | 5 | 5 | 9 | 19 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 1 | 2 | 1 | 1 | 0 |
В.Н.Турбин. И боль, и надежды (Литературная Россия, 1989, N 2, 13 января) | 438 | 154 | 8 | 24 | 27 | 27 | 16 | 13 | 4 | 2 | 1 | 5 | 7 | 20 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 0 |
В.Н.Турбин. У нашего микрофона творчество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 268 | 153 | 14 | 16 | 26 | 22 | 12 | 14 | 3 | 6 | 7 | 8 | 11 | 14 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 2 | 1012 | 153 | 12 | 12 | 26 | 27 | 7 | 13 | 11 | 4 | 6 | 8 | 10 | 17 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 |
В.Н.Турбин. Освобождаясь от иллюзий (Советская культура, 1989, N 109, 12 сентября) | 646 | 153 | 9 | 19 | 26 | 26 | 16 | 12 | 7 | 4 | 1 | 8 | 11 | 14 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 4 | 2 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 5 | 291 | 153 | 14 | 17 | 20 | 30 | 11 | 12 | 6 | 3 | 2 | 6 | 11 | 21 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 0 |
Театр Леонида Андреева. Глава вторая | 1053 | 152 | 14 | 13 | 24 | 25 | 19 | 14 | 6 | 5 | 5 | 8 | 8 | 11 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 2 | 233 | 152 | 10 | 18 | 28 | 24 | 15 | 10 | 7 | 5 | 2 | 8 | 8 | 17 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
"Вы струсили". Кн. Голицын. Из журнала: Библиотека для Чтения, 1834, ч.3, N 2 (5). Отд. "Русская словесность" | 1013 | 151 | 10 | 18 | 24 | 19 | 12 | 14 | 7 | 8 | 5 | 13 | 9 | 12 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 7 | 583 | 150 | 11 | 18 | 18 | 26 | 16 | 13 | 7 | 5 | 1 | 8 | 13 | 14 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 9 | 592 | 149 | 15 | 16 | 23 | 24 | 20 | 8 | 8 | 6 | 4 | 5 | 6 | 14 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 |
В.Н.Турбин. У страха глаза велики (Учительская газета, 1987, N 14, 3 февраля, рубрика "Наш современник - Пушкин") | 419 | 149 | 10 | 14 | 29 | 23 | 19 | 8 | 8 | 3 | 3 | 9 | 6 | 17 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 1 |
А.И.Емичев. Заклятый поцелуй (Телескоп, 1834, т. 22, N 33) | 1031 | 148 | 10 | 25 | 22 | 17 | 7 | 8 | 11 | 5 | 3 | 12 | 8 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 8 | 237 | 147 | 9 | 14 | 25 | 20 | 13 | 12 | 10 | 3 | 4 | 4 | 13 | 20 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 2 | 572 | 147 | 11 | 19 | 26 | 18 | 12 | 13 | 7 | 3 | 2 | 8 | 11 | 17 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 3 | 539 | 147 | 14 | 18 | 28 | 27 | 9 | 10 | 9 | 5 | 2 | 7 | 8 | 10 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 |
В.Н.Турбин. Трибуна и амвон (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 260 | 147 | 12 | 16 | 22 | 26 | 14 | 15 | 6 | 6 | 0 | 7 | 4 | 19 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 |
В.Н.Турбин. Одиночество: Современная французская новелла. Сост. Т.Ворсанова. Пред. Н.Ржевской. М., Прогресс, 1981 (Иностранная литература, 1983, N 4) | 146 | 146 | 13 | 17 | 21 | 23 | 14 | 14 | 9 | 3 | 9 | 23 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 |
В.Н.Турбин. Электроды и электричество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 277 | 146 | 7 | 18 | 19 | 20 | 14 | 14 | 6 | 9 | 6 | 6 | 9 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 7 | 201 | 146 | 12 | 19 | 24 | 23 | 19 | 7 | 7 | 2 | 1 | 4 | 10 | 18 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 2 |
В.Н.Турбин. Догадки модернизма (Новое время, 1989, N 1, 1 января) | 271 | 145 | 21 | 14 | 26 | 21 | 13 | 11 | 6 | 5 | 0 | 5 | 6 | 17 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 8 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 |
В.Н.Турбин. И все формы, как формулы, непреложно верны (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 285 | 145 | 10 | 19 | 24 | 20 | 19 | 7 | 10 | 6 | 3 | 3 | 8 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 8 | 246 | 145 | 10 | 15 | 21 | 20 | 9 | 16 | 10 | 5 | 3 | 5 | 9 | 22 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
В.Н.Турбин. Окурки - паровозы - ракеты (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 242 | 145 | 11 | 22 | 27 | 16 | 11 | 11 | 5 | 6 | 5 | 7 | 6 | 18 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 4 | 1 | 0 |
В.Н.Турбин. У врат тайны: По поводу телесериала "Монстр" (Литературная газета, 1992, N 50, 9 декабря) | 473 | 144 | 15 | 10 | 28 | 26 | 13 | 12 | 8 | 3 | 0 | 6 | 7 | 16 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 6 | 530 | 144 | 18 | 13 | 24 | 24 | 14 | 9 | 6 | 3 | 4 | 8 | 7 | 14 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 |
В.Н.Турбин. Не для обнюхивания, а для изобретения (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 263 | 143 | 11 | 19 | 19 | 17 | 15 | 15 | 5 | 4 | 6 | 11 | 6 | 15 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 |
В.Н.Турбин. Несколько слов в защиту само собой разумеющегося (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 278 | 142 | 13 | 15 | 23 | 23 | 10 | 11 | 7 | 5 | 4 | 9 | 7 | 15 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 |
В.Н.Турбин. Слово - все, реальность - ничто? (Социум, 1991, N 9) | 265 | 139 | 12 | 10 | 26 | 20 | 15 | 10 | 6 | 5 | 1 | 8 | 6 | 20 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 1 |
Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 2) | 655 | 137 | 14 | 11 | 28 | 19 | 16 | 9 | 8 | 4 | 3 | 7 | 5 | 13 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 |
В.Н.Турбин. Несколько слов об Эрнсте Неизвестном (Красноярский комсомолец, 1967, N 19, 12 февраля, воскресенье; рубрика "Гости "Вечернего Красноярска", "Комментирует В.Турбин"; страница "Вечерний Красноярск") | 132 | 132 | 11 | 9 | 20 | 25 | 11 | 9 | 7 | 5 | 12 | 23 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть вторая | 126 | 126 | 15 | 12 | 35 | 64 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"