| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
По разделу |
82099 | 714 |
37 |
63 |
55 |
32 |
55 |
74 |
65 |
65 |
82 |
62 |
54 |
70 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
4 |
1 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
5 |
2 |
4 |
3 |
2 |
2 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
Двумечный бой: мифы и реальность |
9950 | 310 |
25 |
36 |
25 |
13 |
27 |
26 |
22 |
32 |
38 |
23 |
17 |
26 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
5 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
Двумечный бой - особенности, преимущества, недостатки (практика использования контртехник). |
12732 | 280 |
12 |
25 |
19 |
7 |
21 |
27 |
23 |
22 |
50 |
28 |
16 |
30 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
Штампы и стереотипы в фэнтези: магические школы и академии (социальный аспект). |
5937 | 176 |
6 |
12 |
14 |
5 |
18 |
16 |
18 |
21 |
24 |
13 |
11 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
Основы фехтования "для чайников" |
9428 | 164 |
7 |
23 |
15 |
7 |
8 |
20 |
10 |
16 |
20 |
19 |
8 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Либерал и либераст: кто ты? |
2422 | 156 |
11 |
16 |
9 |
4 |
15 |
24 |
17 |
12 |
9 |
12 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
О стереотипах, штампах, и магистральном пути развития современной художественной литературы. |
4489 | 141 |
5 |
15 |
9 |
5 |
5 |
16 |
12 |
19 |
28 |
7 |
6 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Демократия - диктатура меньшинств |
2917 | 96 |
9 |
9 |
8 |
3 |
4 |
15 |
5 |
12 |
6 |
9 |
10 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Фехтование: принципы проведения усиленных ударов (усиленный колющий и плетеобразный удары). |
2407 | 94 |
8 |
10 |
14 |
3 |
8 |
14 |
5 |
8 |
12 |
5 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
"Бирюлевский бунт", или добро пожаловать в гетто! |
2090 | 90 |
3 |
8 |
13 |
4 |
4 |
19 |
8 |
10 |
3 |
5 |
5 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Что такое "гражданское общество", зачем оно нужно, и нужно ли оно вообще? |
4362 | 85 |
3 |
10 |
11 |
3 |
7 |
18 |
5 |
10 |
2 |
4 |
4 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
О особенностях трактовки термина "фашизм" (ответ Лучинскому Юрию Михайловичу) |
1819 | 80 |
8 |
12 |
4 |
3 |
8 |
11 |
6 |
9 |
1 |
5 |
6 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Адресная критика (жанры: фантастика, фэнтези, альт. история) |
3147 | 79 |
6 |
8 |
3 |
1 |
5 |
7 |
12 |
6 |
10 |
6 |
5 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Сталин - взгляд циника |
2208 | 79 |
6 |
8 |
4 |
2 |
4 |
14 |
6 |
4 |
6 |
11 |
6 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сравнительный анализ общедоступной литературы, посвященной проблемам фехтования. |
1965 | 73 |
6 |
4 |
3 |
3 |
5 |
7 |
5 |
16 |
6 |
2 |
7 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
О невежестве руssких национал-социалистов (ответ Каштанову В.) |
1668 | 70 |
7 |
6 |
4 |
4 |
4 |
10 |
3 |
13 |
3 |
7 |
1 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Практика использования техник Кендо в условиях отечественных Клифов. |
2101 | 66 |
5 |
6 |
2 |
1 |
5 |
13 |
3 |
8 |
3 |
0 |
5 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Под мостом |
1649 | 65 |
5 |
6 |
8 |
1 |
7 |
12 |
4 |
7 |
2 |
2 |
1 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Технари и гуманитарии: наука и болтология. |
1957 | 63 |
5 |
6 |
2 |
2 |
8 |
9 |
9 |
7 |
2 |
2 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Некоторые особенности фехтовальной практики ("чистым" теоретикам посвящается). |
2069 | 61 |
5 |
6 |
3 |
2 |
3 |
10 |
5 |
4 |
6 |
5 |
2 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |