| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
74055 | 734 |
12 |
105 |
86 |
76 |
80 |
64 |
74 |
47 |
31 |
42 |
53 |
64 |
0 |
5 |
3 |
4 |
4 |
3 |
4 |
3 |
3 |
2 |
5 |
1 |
2 |
1 |
2 |
4 |
3 |
4 |
10 |
2 |
4 |
4 |
5 |
5 |
3 |
4 |
4 |
1 |
2 |
2 |
3 |
6 |
2 |
4 |
3 |
2 |
4 |
2 |
3 |
3 |
2 |
8 |
3 |
2 |
3 |
3 |
5 |
5 |
1 |
3 |
4 |
3 |
2 |
2 |
3 |
2 |
3 |
5 |
3 |
1 |
4 |
2 |
Вдогонку |
11252 | 491 |
8 |
72 |
69 |
48 |
63 |
41 |
58 |
29 |
12 |
14 |
28 |
49 |
0 |
5 |
1 |
2 |
2 |
3 |
0 |
3 |
0 |
0 |
5 |
1 |
2 |
0 |
2 |
2 |
3 |
4 |
5 |
2 |
3 |
2 |
5 |
5 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
6 |
2 |
4 |
3 |
1 |
4 |
2 |
3 |
1 |
2 |
8 |
3 |
0 |
3 |
1 |
5 |
5 |
0 |
3 |
4 |
1 |
2 |
1 |
0 |
2 |
3 |
5 |
0 |
1 |
4 |
2 |
Сопрано, рок и верность мечте |
5375 | 192 |
2 |
30 |
38 |
27 |
16 |
20 |
9 |
10 |
4 |
14 |
8 |
14 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
Несколько глав из книги Джорджа Майкса "Как быть чужим" : 1.Как стать лицемером. 2.Секс. 3.Душа и преуменьшение. 4.Погода |
7226 | 181 |
1 |
30 |
28 |
22 |
9 |
16 |
11 |
14 |
7 |
11 |
21 |
11 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Интервью с Кейтом Муном. Журнал The Rolling Stone |
2826 | 167 |
3 |
27 |
20 |
25 |
15 |
19 |
11 |
8 |
4 |
10 |
16 |
9 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Singing The Dolphin Through |
1416 | 139 |
2 |
21 |
16 |
17 |
8 |
15 |
12 |
21 |
6 |
7 |
7 |
7 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
Интервью с Джимом Моррисоном |
5419 | 135 |
6 |
16 |
19 |
20 |
10 |
14 |
9 |
9 |
3 |
8 |
12 |
9 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Oh Well (Fleetwood Mac) |
1167 | 127 |
1 |
21 |
14 |
19 |
7 |
10 |
6 |
9 |
4 |
10 |
10 |
16 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Как правильно п(е)редать джаз в кино |
1450 | 127 |
2 |
22 |
18 |
18 |
9 |
12 |
8 |
9 |
4 |
7 |
4 |
14 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
Пригласим Риту Райт в Америку! |
2353 | 125 |
2 |
19 |
16 |
17 |
12 |
13 |
4 |
8 |
4 |
9 |
9 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
Стена. Пинк Флойд |
5570 | 125 |
3 |
23 |
16 |
20 |
7 |
15 |
12 |
8 |
1 |
5 |
5 |
10 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
Abbey Road - Конец Пути |
3454 | 117 |
2 |
28 |
12 |
23 |
6 |
10 |
8 |
7 |
1 |
8 |
5 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
2 |
0 |
6 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
При Дворе Алого Короля |
2297 | 117 |
2 |
19 |
16 |
19 |
8 |
12 |
6 |
7 |
1 |
5 |
10 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
Пол Маккартни и Хезэр Миллз - оригинал |
2160 | 117 |
3 |
19 |
13 |
18 |
9 |
13 |
8 |
7 |
2 |
7 |
9 |
9 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Повесть о Зайце, посеявшем Очки |
2313 | 114 |
6 |
15 |
14 |
12 |
16 |
13 |
9 |
6 |
2 |
5 |
5 |
11 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Strawberry Fields Revisited |
1690 | 114 |
2 |
27 |
16 |
20 |
7 |
10 |
6 |
6 |
2 |
7 |
2 |
9 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
10 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Желающим натурализоваться |
2817 | 110 |
4 |
17 |
17 |
14 |
9 |
12 |
9 |
6 |
2 |
5 |
6 |
9 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Ловкость Хвоста (Как Зверь обвел нас вокруг...) |
1175 | 110 |
1 |
22 |
10 |
19 |
7 |
18 |
5 |
8 |
0 |
3 |
7 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
Да, с нирванами у нас туговато |
3957 | 109 |
1 |
16 |
12 |
17 |
9 |
9 |
10 |
6 |
2 |
6 |
11 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Nyet русскому языку |
2442 | 102 |
2 |
21 |
15 |
15 |
10 |
7 |
6 |
6 |
1 |
0 |
12 |
7 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |