| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
205745 | 923 |
14 |
107 |
101 |
78 |
78 |
79 |
73 |
65 |
69 |
85 |
86 |
88 |
0 |
5 |
5 |
4 |
4 |
5 |
4 |
5 |
3 |
5 |
6 |
4 |
5 |
2 |
3 |
2 |
3 |
3 |
8 |
3 |
6 |
3 |
3 |
2 |
3 |
2 |
3 |
5 |
3 |
3 |
5 |
4 |
3 |
3 |
3 |
2 |
2 |
4 |
3 |
4 |
3 |
4 |
4 |
3 |
4 |
3 |
4 |
6 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
2 |
4 |
3 |
2 |
4 |
3 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8417 | 526 |
11 |
73 |
66 |
39 |
32 |
48 |
45 |
36 |
39 |
44 |
47 |
46 |
0 |
3 |
4 |
4 |
4 |
5 |
1 |
5 |
2 |
2 |
6 |
0 |
5 |
1 |
2 |
0 |
3 |
0 |
8 |
2 |
4 |
2 |
3 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
4 |
4 |
3 |
3 |
1 |
1 |
2 |
4 |
2 |
4 |
3 |
4 |
2 |
0 |
4 |
3 |
3 |
6 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11762 | 440 |
5 |
49 |
61 |
38 |
43 |
29 |
34 |
33 |
27 |
30 |
43 |
48 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
5 |
1 |
3 |
0 |
4 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
5 |
4 |
0 |
2 |
0 |
2 |
3 |
2 |
Мировоззрение Достоевского |
11784 | 364 |
6 |
38 |
46 |
36 |
31 |
35 |
37 |
28 |
30 |
26 |
26 |
25 |
0 |
1 |
4 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
4 |
0 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3555 | 278 |
5 |
31 |
36 |
28 |
21 |
22 |
27 |
17 |
22 |
25 |
21 |
23 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
Достоевский и Ницше |
10130 | 261 |
4 |
23 |
31 |
26 |
21 |
28 |
24 |
17 |
20 |
20 |
29 |
18 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
Будущее одной иллюзии Фрейда |
18085 | 252 |
5 |
31 |
39 |
18 |
21 |
27 |
12 |
10 |
10 |
19 |
37 |
23 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
Воля к Власти |
13321 | 250 |
4 |
25 |
31 |
23 |
23 |
24 |
23 |
19 |
17 |
30 |
14 |
17 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
Викторианская мораль в Новейшее Время |
5919 | 202 |
3 |
20 |
22 |
25 |
22 |
26 |
12 |
10 |
13 |
12 |
13 |
24 |
0 |
0 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Актуальность Достоевского |
4294 | 196 |
3 |
24 |
27 |
15 |
11 |
12 |
17 |
9 |
17 |
25 |
16 |
20 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4908 | 182 |
5 |
18 |
27 |
18 |
15 |
12 |
12 |
16 |
14 |
21 |
12 |
12 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
Этика Достоевского |
9864 | 179 |
7 |
25 |
30 |
14 |
20 |
8 |
15 |
5 |
13 |
11 |
14 |
17 |
0 |
5 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
Оракул информационного общества |
2980 | 161 |
7 |
25 |
23 |
18 |
11 |
6 |
8 |
5 |
12 |
20 |
12 |
14 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Эстетические искания А. Куприна (на примере Ямы) |
3385 | 155 |
6 |
12 |
25 |
16 |
14 |
8 |
17 |
7 |
14 |
12 |
11 |
13 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4857 | 154 |
6 |
15 |
26 |
12 |
19 |
19 |
12 |
6 |
5 |
10 |
14 |
10 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Достоевский-философ |
9659 | 147 |
6 |
21 |
23 |
9 |
13 |
9 |
12 |
7 |
7 |
15 |
8 |
17 |
0 |
0 |
5 |
1 |
0 |
5 |
1 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4122 | 145 |
4 |
20 |
27 |
11 |
12 |
5 |
13 |
8 |
7 |
13 |
9 |
16 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Вечное возвращение Великого |
4852 | 144 |
3 |
17 |
17 |
11 |
10 |
7 |
16 |
7 |
16 |
13 |
14 |
13 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Почему глючат программы? |
5754 | 142 |
6 |
20 |
23 |
6 |
14 |
7 |
12 |
9 |
7 |
12 |
16 |
10 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
Ницше и прагматисты |
2960 | 138 |
4 |
21 |
25 |
17 |
6 |
7 |
8 |
8 |
7 |
12 |
10 |
13 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Новая наука логики Или Как философствуют тупым предметом |
2604 | 136 |
4 |
18 |
24 |
10 |
9 |
6 |
10 |
6 |
10 |
13 |
12 |
14 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
Опыт человеческой интроспекции: Ингмар Бергман |
3688 | 134 |
5 |
32 |
15 |
15 |
9 |
7 |
10 |
8 |
7 |
9 |
10 |
7 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
3 |
2 |
3 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
Мой Шен Би Де Бао |
2342 | 130 |
4 |
19 |
20 |
15 |
10 |
10 |
10 |
6 |
1 |
10 |
12 |
13 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
Романтическая иллюзия |
2143 | 129 |
5 |
9 |
27 |
12 |
13 |
7 |
11 |
5 |
8 |
10 |
12 |
10 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Развитие философии от Декарта к Спинозе |
3551 | 126 |
4 |
18 |
23 |
12 |
11 |
6 |
10 |
5 |
6 |
7 |
16 |
8 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
5 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
Мертвый постмодернист |
2281 | 122 |
3 |
22 |
16 |
13 |
13 |
5 |
10 |
3 |
9 |
8 |
8 |
12 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Проблематика образов человека у Достоевского |
4603 | 121 |
7 |
17 |
16 |
13 |
8 |
7 |
7 |
7 |
4 |
11 |
15 |
9 |
0 |
1 |
4 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
Романтическая иллюзия |
2094 | 118 |
3 |
13 |
15 |
9 |
14 |
14 |
9 |
6 |
3 |
6 |
11 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Techi И Geek - Герои Нашего Времени |
2005 | 117 |
3 |
11 |
15 |
12 |
8 |
7 |
12 |
4 |
13 |
13 |
11 |
8 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
Сценарий лучшего игрового кино. Русская версия |
2393 | 115 |
5 |
22 |
19 |
8 |
7 |
4 |
10 |
4 |
6 |
7 |
14 |
9 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Герой поколения плееров Apple ipod |
2743 | 113 |
3 |
14 |
15 |
11 |
10 |
9 |
10 |
4 |
3 |
7 |
12 |
15 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
Злое Добро |
2857 | 112 |
6 |
11 |
17 |
16 |
7 |
10 |
9 |
4 |
4 |
7 |
7 |
14 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Мысли о Достоевском |
2587 | 111 |
4 |
15 |
19 |
7 |
7 |
4 |
8 |
5 |
5 |
10 |
8 |
19 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Боже, храни дуче Викторию |
2849 | 110 |
4 |
9 |
20 |
10 |
8 |
6 |
10 |
5 |
9 |
8 |
11 |
10 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
Мысли о России |
2531 | 108 |
4 |
11 |
14 |
13 |
5 |
9 |
16 |
3 |
2 |
14 |
7 |
10 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Олигархи всех стран, объединяйтесь! |
1974 | 105 |
6 |
11 |
18 |
11 |
8 |
6 |
11 |
4 |
1 |
10 |
4 |
15 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Сумерки себя |
2093 | 104 |
6 |
13 |
16 |
10 |
6 |
7 |
8 |
3 |
8 |
9 |
11 |
7 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2367 | 103 |
3 |
17 |
17 |
13 |
5 |
4 |
8 |
2 |
6 |
9 |
10 |
9 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Петербург 2 |
2044 | 102 |
3 |
16 |
15 |
6 |
12 |
5 |
7 |
5 |
5 |
5 |
10 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2634 | 96 |
4 |
15 |
15 |
7 |
7 |
4 |
11 |
3 |
4 |
7 |
10 |
9 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |