| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
По разделу |
322478 | 1065 |
34 |
197 |
87 |
92 |
78 |
79 |
79 |
73 |
79 |
91 |
94 |
82 |
0 |
3 |
4 |
7 |
4 |
8 |
4 |
4 |
3 |
4 |
2 |
3 |
8 |
5 |
7 |
3 |
6 |
11 |
6 |
3 |
5 |
8 |
25 |
22 |
17 |
15 |
2 |
2 |
6 |
4 |
5 |
3 |
3 |
3 |
3 |
4 |
2 |
5 |
2 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
2 |
3 |
2 |
2 |
2 |
1 |
4 |
7 |
4 |
2 |
2 |
5 |
2 |
2 |
Графики Самары |
2044 | 471 |
12 |
52 |
58 |
55 |
46 |
36 |
23 |
24 |
37 |
34 |
36 |
58 |
0 |
0 |
2 |
2 |
0 |
4 |
2 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
5 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
0 |
2 |
2 |
0 |
2 |
1 |
4 |
7 |
0 |
2 |
2 |
2 |
1 |
2 |
Кутяков Сергей. Династия Кутяковых. Простая история |
1808 | 246 |
7 |
31 |
24 |
24 |
20 |
19 |
21 |
16 |
18 |
25 |
23 |
18 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Дина Богусонова. Амазонка неоабстракционизма |
2654 | 223 |
13 |
29 |
23 |
20 |
25 |
21 |
16 |
15 |
12 |
16 |
21 |
12 |
0 |
1 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
Самаринкина Алиса. Из чего же вырастают художники? |
2376 | 220 |
9 |
37 |
25 |
22 |
19 |
13 |
13 |
15 |
10 |
17 |
23 |
17 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Самарские графики. Живое наследие |
1199 | 203 |
9 |
37 |
19 |
24 |
13 |
7 |
11 |
13 |
16 |
19 |
14 |
21 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
5 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
617 | 190 |
13 |
28 |
14 |
24 |
10 |
16 |
14 |
17 |
14 |
20 |
16 |
4 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
6 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Образ и время в советской живописи 30-х годов |
1366 | 186 |
7 |
33 |
17 |
17 |
13 |
13 |
11 |
16 |
17 |
12 |
21 |
9 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Виноградова Анна. Блеск национальной романтики |
1482 | 183 |
7 |
24 |
12 |
21 |
16 |
15 |
8 |
10 |
17 |
23 |
20 |
10 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
Георгий Кикин.Женщины,подруги и ню |
983 | 174 |
7 |
36 |
19 |
20 |
14 |
15 |
20 |
7 |
6 |
13 |
10 |
7 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сергей Цедилов - мастер книги |
1380 | 173 |
10 |
30 |
20 |
16 |
12 |
6 |
13 |
12 |
9 |
13 |
22 |
10 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
Станислав Щеглов |
589 | 170 |
12 |
18 |
16 |
7 |
11 |
8 |
7 |
14 |
20 |
35 |
10 |
12 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
Валентин Белоусов. Творчество |
3023 | 167 |
10 |
19 |
16 |
28 |
10 |
8 |
11 |
12 |
13 |
12 |
16 |
12 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Свечников Владимир |
608 | 166 |
9 |
24 |
16 |
11 |
12 |
7 |
12 |
13 |
15 |
12 |
27 |
8 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Художник Вадим Петрович Свешников |
443 | 166 |
7 |
28 |
17 |
10 |
10 |
11 |
9 |
14 |
16 |
17 |
12 |
15 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Юрий Скачков |
1075 | 163 |
9 |
25 |
18 |
22 |
16 |
9 |
9 |
14 |
12 |
11 |
12 |
6 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
Карэн Саркисов |
2160 | 163 |
9 |
20 |
10 |
11 |
11 |
8 |
13 |
16 |
20 |
17 |
17 |
11 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
Бакумов Вячеслав летописец нашей жизни |
160 | 160 |
21 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
8 |
1 |
3 |
2 |
2 |
1 |
2 |
8 |
2 |
3 |
1 |
6 |
11 |
6 |
3 |
5 |
8 |
25 |
22 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Палех. Маленькие шедевры |
1466 | 160 |
11 |
24 |
15 |
7 |
8 |
9 |
4 |
15 |
10 |
22 |
22 |
13 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Геннадий Филатов.Мастер видового пейзажа |
1117 | 158 |
13 |
22 |
15 |
12 |
15 |
5 |
13 |
9 |
9 |
18 |
18 |
9 |
0 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Валентин Пурыгин. Мифы о художнике |
1692 | 155 |
4 |
22 |
13 |
13 |
12 |
10 |
14 |
13 |
13 |
13 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Карпунов Иван. Я всегда хотел быть художником |
2419 | 154 |
6 |
21 |
11 |
16 |
22 |
8 |
8 |
14 |
13 |
11 |
16 |
8 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Передвижники и портретный жанр |
535 | 152 |
4 |
30 |
12 |
10 |
12 |
8 |
7 |
7 |
13 |
19 |
15 |
15 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Портрет семьи в русской живописи 18-19вв |
684 | 150 |
8 |
21 |
15 |
17 |
11 |
8 |
11 |
13 |
12 |
15 |
7 |
12 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2369 | 149 |
7 |
23 |
6 |
15 |
13 |
10 |
12 |
14 |
15 |
12 |
15 |
7 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Портрет семьи в советской живописи.20век |
1014 | 148 |
9 |
20 |
12 |
17 |
8 |
14 |
4 |
9 |
8 |
16 |
18 |
13 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Южанин Сергей |
148 | 148 |
8 |
27 |
10 |
19 |
12 |
51 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Ю.И.Филиппов художник - жизнелюб |
1341 | 146 |
11 |
25 |
11 |
15 |
8 |
12 |
12 |
13 |
10 |
8 |
12 |
9 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Городу модерна - Музей Модерна |
2201 | 145 |
14 |
25 |
11 |
9 |
6 |
8 |
7 |
13 |
14 |
17 |
15 |
6 |
0 |
1 |
4 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
Константин Коровин. Моцарт русской живописи |
2072 | 145 |
7 |
27 |
11 |
9 |
9 |
9 |
9 |
12 |
11 |
22 |
13 |
6 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Уильям Хогарт -основатель английской живописи |
1771 | 144 |
11 |
20 |
14 |
17 |
10 |
10 |
13 |
10 |
10 |
12 |
11 |
6 |
0 |
0 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Арон Бух. главное его достижение - свобода |
960 | 143 |
12 |
21 |
8 |
9 |
5 |
8 |
10 |
22 |
12 |
15 |
12 |
9 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Карл Брюллов - наследие из Петербурга |
1786 | 142 |
10 |
26 |
10 |
18 |
6 |
9 |
8 |
11 |
9 |
19 |
9 |
7 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Счастливый мир детства в зеркале русской живописи |
3486 | 141 |
8 |
15 |
8 |
17 |
12 |
12 |
8 |
9 |
15 |
11 |
15 |
11 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Татьяна Пудова. Новые технологии в творчестве художников |
1633 | 141 |
10 |
23 |
14 |
10 |
8 |
10 |
3 |
17 |
11 |
10 |
15 |
10 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Марко Грасси и его Персонажи |
2833 | 140 |
10 |
21 |
15 |
11 |
6 |
7 |
10 |
12 |
8 |
16 |
17 |
7 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Шульпин Михаил. Образ Венеции для России |
2018 | 140 |
11 |
20 |
8 |
15 |
11 |
9 |
10 |
8 |
13 |
9 |
20 |
6 |
0 |
0 |
2 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Евгений Чертыковцев. На тропе к образу |
1381 | 138 |
12 |
28 |
5 |
13 |
10 |
10 |
7 |
11 |
6 |
12 |
14 |
10 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
5 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Наталья Сюзева. Девичьи игры |
2307 | 137 |
10 |
20 |
14 |
20 |
10 |
7 |
7 |
14 |
7 |
11 |
12 |
5 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Передвижники и бытовой жанр |
455 | 137 |
11 |
23 |
13 |
14 |
5 |
9 |
7 |
9 |
13 |
18 |
9 |
6 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
В.Башкиров. Нестареющая Природа в его живописи |
1731 | 125 |
5 |
19 |
11 |
10 |
8 |
8 |
7 |
10 |
13 |
11 |
16 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Вилковы.На нашей маленькой земле |
2119 | 124 |
8 |
17 |
13 |
14 |
9 |
5 |
5 |
12 |
5 |
15 |
13 |
8 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Сергей Шнуров про брендреализм |
1035 | 124 |
11 |
17 |
11 |
15 |
8 |
7 |
8 |
12 |
13 |
9 |
11 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Андреев Юрий. Найди себе учителя и приобрети друга |
1982 | 123 |
8 |
19 |
12 |
10 |
9 |
8 |
6 |
12 |
8 |
11 |
12 |
8 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Горовых Ксения.Большая и малая жизнь в творчестве |
1885 | 123 |
4 |
26 |
13 |
14 |
8 |
6 |
5 |
3 |
3 |
14 |
18 |
9 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кулебакин Николай |
497 | 122 |
12 |
23 |
17 |
12 |
3 |
7 |
9 |
7 |
10 |
9 |
8 |
5 |
0 |
0 |
1 |
4 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Владимир Романов.Портреты и акварели |
1021 | 122 |
9 |
19 |
10 |
11 |
8 |
7 |
7 |
13 |
8 |
11 |
12 |
7 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
411 | 122 |
12 |
17 |
9 |
16 |
6 |
9 |
8 |
7 |
4 |
12 |
16 |
6 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Павел Филонов и его механика Вселенной |
1352 | 121 |
10 |
19 |
10 |
9 |
9 |
6 |
6 |
9 |
13 |
11 |
13 |
6 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
6. Василий Ващенко. Рассказы музейного человечка |
731 | 120 |
4 |
22 |
17 |
17 |
8 |
6 |
4 |
8 |
8 |
9 |
10 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
Женя Бабушкин.Пыльные цветы |
2026 | 120 |
10 |
15 |
12 |
10 |
10 |
6 |
5 |
8 |
5 |
7 |
16 |
16 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Е.Поленова и М.Якунчикова творительницы красоты |
371 | 119 |
10 |
23 |
9 |
8 |
7 |
5 |
3 |
3 |
12 |
17 |
11 |
11 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Дхш им Марка Шагала -30 лет |
622 | 119 |
13 |
16 |
10 |
13 |
5 |
6 |
3 |
14 |
6 |
15 |
10 |
8 |
0 |
1 |
2 |
1 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1654 | 119 |
9 |
19 |
10 |
8 |
4 |
11 |
3 |
15 |
8 |
13 |
12 |
7 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2173 | 119 |
10 |
22 |
8 |
10 |
7 |
9 |
5 |
10 |
8 |
11 |
12 |
7 |
0 |
0 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Вадим Сушко.Я люблю судьбу свою |
2486 | 118 |
5 |
21 |
11 |
12 |
10 |
6 |
2 |
8 |
6 |
9 |
14 |
14 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Коновалов Ген Гри -художник 20 века |
1703 | 117 |
8 |
24 |
13 |
11 |
5 |
5 |
5 |
10 |
11 |
10 |
11 |
4 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
5.Людмила Петтоки. Рассказы музейного человечка |
648 | 117 |
6 |
24 |
16 |
13 |
7 |
6 |
6 |
8 |
3 |
10 |
11 |
7 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Корнелия Функе.Волшебные сказки для взрослых" |
2170 | 117 |
5 |
25 |
6 |
13 |
6 |
5 |
6 |
9 |
7 |
14 |
14 |
7 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Елена Макеева. Стремительная живопись |
2071 | 117 |
10 |
21 |
6 |
14 |
4 |
4 |
5 |
10 |
4 |
14 |
16 |
9 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Любить жизнь глазами Виктора Новокрещенова |
2781 | 116 |
9 |
21 |
13 |
12 |
8 |
5 |
7 |
7 |
6 |
10 |
10 |
8 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Панкратов Василий - портретист |
710 | 115 |
9 |
17 |
14 |
10 |
6 |
6 |
4 |
10 |
6 |
16 |
11 |
6 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Солдат Победы. История жизни |
2386 | 115 |
7 |
24 |
11 |
13 |
6 |
6 |
8 |
6 |
8 |
11 |
9 |
6 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Станислав Федоров |
1320 | 115 |
6 |
18 |
7 |
10 |
4 |
8 |
5 |
10 |
13 |
13 |
11 |
10 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Игорь Петров Гений места |
1505 | 114 |
5 |
18 |
10 |
12 |
8 |
10 |
3 |
6 |
5 |
16 |
9 |
12 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1779 | 114 |
8 |
18 |
9 |
13 |
7 |
7 |
5 |
8 |
7 |
12 |
13 |
7 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Острецов Анатолий -художник наблюдатель |
1976 | 114 |
11 |
20 |
11 |
16 |
4 |
5 |
5 |
3 |
5 |
13 |
14 |
7 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Валерий Самаринкин.Дорога к храму |
423 | 113 |
7 |
20 |
11 |
13 |
7 |
16 |
7 |
6 |
3 |
9 |
10 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Левитан и его современники |
1061 | 112 |
8 |
29 |
8 |
17 |
7 |
5 |
3 |
3 |
3 |
13 |
13 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Юферев Геннадий |
420 | 112 |
8 |
22 |
14 |
11 |
6 |
3 |
5 |
8 |
6 |
9 |
13 |
7 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Бойчукисты в Самаре |
2177 | 111 |
8 |
20 |
9 |
9 |
8 |
7 |
9 |
7 |
9 |
10 |
11 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Бородачев Юрий Петрович. Вспоминая современника |
905 | 111 |
5 |
17 |
11 |
13 |
10 |
8 |
2 |
10 |
5 |
11 |
8 |
11 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Олег Рамодин -творец сказочной вселенной |
1979 | 111 |
10 |
20 |
9 |
12 |
7 |
7 |
7 |
8 |
6 |
14 |
8 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Дмитрий Кондратьев |
1104 | 111 |
12 |
16 |
10 |
9 |
8 |
4 |
5 |
8 |
5 |
15 |
11 |
8 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
В.Герасимов -монументалист,живописец,график |
1396 | 110 |
8 |
15 |
8 |
11 |
7 |
9 |
6 |
5 |
6 |
10 |
15 |
10 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
В Лабиринте книжной иллюстрации |
1874 | 109 |
10 |
17 |
11 |
10 |
5 |
10 |
8 |
5 |
9 |
14 |
7 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Восток в Сохм |
1520 | 109 |
4 |
15 |
11 |
12 |
8 |
6 |
6 |
10 |
9 |
7 |
14 |
7 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1. Чернова Валентина.Пленники искусства |
2449 | 109 |
6 |
17 |
8 |
13 |
7 |
6 |
8 |
8 |
11 |
12 |
8 |
5 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Эрбштейн Борис.Часть вторая |
433 | 109 |
3 |
20 |
12 |
11 |
5 |
5 |
6 |
9 |
13 |
8 |
10 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
В.Пентюх и Н.Непьянова.Образ Отечества |
1899 | 108 |
8 |
22 |
10 |
10 |
10 |
5 |
5 |
6 |
5 |
10 |
13 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1653 | 107 |
6 |
21 |
8 |
10 |
7 |
7 |
7 |
9 |
9 |
10 |
10 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
100 картин из Оренбурга для Самары |
1942 | 107 |
8 |
26 |
8 |
12 |
2 |
6 |
4 |
8 |
7 |
10 |
12 |
4 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Волжский самовар в экзистенциальных поисках |
898 | 107 |
10 |
18 |
8 |
10 |
4 |
5 |
6 |
5 |
13 |
11 |
10 |
7 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Запечатленное время в мировоззрении поколения семидесятых |
1900 | 107 |
11 |
22 |
12 |
9 |
6 |
4 |
1 |
6 |
11 |
9 |
9 |
7 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Информация о владельце раздела |
1961 | 107 |
2 |
23 |
11 |
10 |
7 |
5 |
3 |
7 |
6 |
11 |
11 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Валентина Крушинина.Своя тема |
1519 | 107 |
10 |
17 |
8 |
11 |
7 |
6 |
4 |
8 |
10 |
8 |
12 |
6 |
0 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Портретная галерея "Сыны Отечества" |
2182 | 106 |
9 |
17 |
6 |
13 |
8 |
9 |
5 |
7 |
4 |
8 |
15 |
5 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
С любовью из Крыма". Выставка |
1801 | 106 |
9 |
16 |
7 |
12 |
5 |
6 |
5 |
6 |
7 |
12 |
14 |
7 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1810 | 106 |
6 |
17 |
9 |
9 |
8 |
10 |
4 |
4 |
6 |
10 |
17 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Альфред фон Вакано. Его музей |
452 | 105 |
9 |
15 |
10 |
12 |
7 |
9 |
8 |
5 |
6 |
11 |
9 |
4 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Андрей Бодров -мастер сухой иглы |
1565 | 105 |
12 |
13 |
10 |
11 |
5 |
7 |
4 |
10 |
9 |
8 |
9 |
7 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
1886 | 105 |
5 |
19 |
7 |
12 |
9 |
6 |
3 |
9 |
2 |
10 |
14 |
9 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Степан Эрьзя - русский Роден ? |
2647 | 104 |
10 |
19 |
7 |
10 |
8 |
4 |
4 |
9 |
7 |
10 |
10 |
6 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Рерих и его держава на долгую память |
1650 | 104 |
7 |
19 |
8 |
8 |
7 |
6 |
6 |
8 |
11 |
10 |
10 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Станислав Федоров. Графика |
1068 | 104 |
5 |
14 |
10 |
14 |
7 |
6 |
4 |
9 |
9 |
14 |
7 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Арнольд Лаховский.Наследие Эмигранта |
2023 | 104 |
4 |
24 |
10 |
6 |
7 |
8 |
3 |
7 |
8 |
15 |
5 |
7 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
1949 | 104 |
9 |
13 |
10 |
14 |
6 |
6 |
4 |
5 |
6 |
7 |
18 |
6 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Самара в творчестве семидесятников |
2291 | 103 |
5 |
18 |
8 |
7 |
9 |
10 |
2 |
6 |
8 |
13 |
11 |
6 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Наталья Шепелева. Мастер детского портрета |
1761 | 102 |
8 |
20 |
9 |
15 |
4 |
3 |
3 |
7 |
5 |
7 |
17 |
4 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Юлия Кузнецова.Игры Солнца и теней |
1447 | 102 |
9 |
18 |
16 |
6 |
6 |
6 |
5 |
9 |
7 |
7 |
9 |
4 |
0 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Эрбштейн Борис. Часть первая |
536 | 101 |
2 |
20 |
9 |
15 |
5 |
6 |
5 |
8 |
8 |
10 |
7 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Семейные ценности из Росизо |
1217 | 101 |
17 |
12 |
5 |
11 |
5 |
7 |
6 |
9 |
7 |
9 |
5 |
8 |
0 |
2 |
3 |
7 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1596 | 101 |
4 |
19 |
13 |
8 |
6 |
7 |
1 |
8 |
6 |
10 |
14 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1843 | 101 |
9 |
21 |
10 |
12 |
10 |
5 |
1 |
2 |
5 |
9 |
12 |
5 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Гобелены - славное ремесло из старого Парижа |
2633 | 101 |
7 |
17 |
10 |
7 |
7 |
5 |
3 |
4 |
6 |
13 |
14 |
8 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Шепелева Наталья.Цели и грезы |
381 | 100 |
9 |
16 |
8 |
10 |
6 |
3 |
6 |
3 |
4 |
15 |
14 |
6 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
1892 | 100 |
9 |
26 |
10 |
12 |
3 |
5 |
2 |
6 |
2 |
10 |
9 |
6 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Европейские фаянсы 18 века в собрании Сохм |
1661 | 100 |
2 |
14 |
7 |
14 |
6 |
7 |
5 |
6 |
7 |
12 |
12 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Егорова Любовь. Творчество под знаком воздуха и потока |
840 | 100 |
7 |
17 |
11 |
6 |
10 |
6 |
4 |
8 |
5 |
13 |
9 |
4 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Выставка к 100 -летию революции |
1120 | 100 |
8 |
15 |
12 |
13 |
4 |
7 |
3 |
4 |
6 |
10 |
12 |
6 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Самарский художественный музей. Дары |
973 | 99 |
4 |
17 |
10 |
13 |
5 |
8 |
3 |
5 |
4 |
10 |
15 |
5 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Анна Голубкина - русский гений |
577 | 99 |
6 |
19 |
9 |
11 |
6 |
5 |
5 |
6 |
8 |
9 |
10 |
5 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Карнавал в искусстве. Посвящение |
1213 | 98 |
7 |
15 |
8 |
10 |
3 |
7 |
4 |
3 |
7 |
14 |
15 |
5 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Дневник влюбленного предпринимателя |
2684 | 98 |
6 |
20 |
9 |
8 |
7 |
7 |
2 |
10 |
5 |
12 |
8 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Евгений Штыров.По дорогам Древней Руси |
805 | 98 |
8 |
17 |
10 |
15 |
4 |
4 |
6 |
8 |
5 |
9 |
6 |
6 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Маргарита Бортникова. Кружево |
1956 | 98 |
6 |
20 |
6 |
9 |
5 |
4 |
7 |
4 |
4 |
11 |
16 |
6 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Туман Жумабаев. Свет старой Самары |
1967 | 98 |
8 |
18 |
8 |
14 |
4 |
5 |
4 |
6 |
6 |
11 |
11 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1751 | 97 |
8 |
22 |
7 |
10 |
3 |
5 |
4 |
7 |
5 |
10 |
11 |
5 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Художественное образование в Самаре |
679 | 97 |
5 |
21 |
11 |
11 |
7 |
3 |
3 |
5 |
6 |
11 |
11 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Рассказы из прошлого века |
2316 | 97 |
4 |
13 |
9 |
15 |
5 |
5 |
6 |
3 |
7 |
13 |
10 |
7 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Ковалева Дина и ее теория Красоты |
636 | 97 |
10 |
17 |
9 |
11 |
2 |
4 |
4 |
5 |
6 |
15 |
11 |
3 |
0 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Акварель -хорошая девка |
1972 | 97 |
8 |
15 |
8 |
13 |
5 |
5 |
4 |
9 |
4 |
11 |
11 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Хохлова Наталья |
296 | 97 |
11 |
15 |
8 |
10 |
7 |
4 |
5 |
7 |
5 |
10 |
12 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Время волшебников, кукольники |
2262 | 96 |
8 |
23 |
7 |
10 |
6 |
5 |
3 |
6 |
5 |
7 |
14 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Юлия Кузнецова ее пленэрная живопись |
1694 | 96 |
6 |
20 |
8 |
6 |
6 |
6 |
3 |
9 |
9 |
11 |
8 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2344 | 95 |
5 |
15 |
9 |
9 |
3 |
6 |
6 |
8 |
5 |
9 |
15 |
5 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Тольятти.Союз художников |
380 | 95 |
10 |
18 |
10 |
9 |
7 |
3 |
3 |
5 |
10 |
7 |
8 |
5 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Лариса Кондратова. Валяние не Валенков |
2240 | 94 |
7 |
14 |
10 |
10 |
5 |
5 |
5 |
4 |
4 |
9 |
15 |
6 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Выставка.Лицо старого дома.Самара |
1479 | 94 |
7 |
13 |
9 |
10 |
10 |
4 |
4 |
9 |
6 |
11 |
9 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Концептуалисты. Увидели и живем,или повидали и оживились |
1617 | 94 |
6 |
19 |
8 |
10 |
7 |
6 |
4 |
8 |
2 |
10 |
9 |
5 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Великие модернисты. Взгляд Artmedia Plei |
1548 | 94 |
4 |
16 |
5 |
14 |
9 |
5 |
3 |
5 |
11 |
13 |
6 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Летние вернисажи |
1572 | 93 |
4 |
16 |
7 |
10 |
6 |
6 |
2 |
6 |
5 |
14 |
11 |
6 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Выставка.Краски Солнцеворота |
1591 | 93 |
7 |
19 |
6 |
9 |
5 |
8 |
3 |
3 |
7 |
13 |
11 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Все краски весенней выставки |
1175 | 92 |
10 |
13 |
8 |
10 |
4 |
6 |
4 |
4 |
8 |
10 |
8 |
7 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Гений ар- деко. Эрте |
901 | 92 |
8 |
18 |
7 |
11 |
5 |
4 |
1 |
10 |
4 |
11 |
9 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Дина Богусонова.Эмали |
645 | 92 |
8 |
16 |
10 |
12 |
5 |
7 |
2 |
6 |
5 |
8 |
10 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1697 | 92 |
6 |
18 |
9 |
7 |
4 |
7 |
2 |
7 |
4 |
11 |
13 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
1900 | 92 |
7 |
16 |
9 |
11 |
3 |
8 |
4 |
8 |
3 |
11 |
8 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Мальвы самарского кэмпа |
2580 | 91 |
8 |
16 |
6 |
12 |
6 |
7 |
1 |
6 |
4 |
9 |
11 |
5 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кукольная страна |
2471 | 91 |
5 |
14 |
6 |
7 |
3 |
3 |
3 |
4 |
6 |
15 |
13 |
12 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Сад ее глазами ,и сад тот -райская страна |
1639 | 91 |
7 |
17 |
6 |
10 |
4 |
6 |
3 |
7 |
3 |
12 |
11 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Дина Богусонова мастер эмали |
327 | 91 |
9 |
14 |
8 |
10 |
6 |
5 |
5 |
6 |
6 |
12 |
6 |
4 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Юрий Филиппов. Паломники в Древнюю Русь |
1557 | 91 |
9 |
18 |
8 |
7 |
7 |
5 |
1 |
7 |
4 |
12 |
9 |
4 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Альфред фон Вакано.Путешествие в Японию начинается |
389 | 91 |
8 |
22 |
9 |
9 |
7 |
5 |
3 |
4 |
6 |
6 |
8 |
4 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Посвящается Франции |
1790 | 91 |
4 |
13 |
8 |
9 |
3 |
5 |
2 |
5 |
4 |
11 |
22 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1859 | 90 |
5 |
13 |
8 |
9 |
9 |
5 |
3 |
6 |
6 |
14 |
9 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Галина Лемкова.Время города, мгновенья хайку |
1897 | 90 |
7 |
17 |
8 |
9 |
7 |
4 |
2 |
10 |
4 |
7 |
13 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Обзор выставок ноября 2016 |
1374 | 90 |
9 |
18 |
7 |
12 |
5 |
3 |
2 |
2 |
8 |
9 |
10 |
5 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2031 | 89 |
6 |
17 |
8 |
9 |
6 |
3 |
3 |
8 |
6 |
11 |
6 |
6 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Самарские амазонки в интерьере цветущего папорпотника |
1359 | 89 |
7 |
17 |
8 |
7 |
5 |
5 |
5 |
4 |
5 |
9 |
14 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кукольный марш |
1998 | 89 |
3 |
18 |
12 |
13 |
6 |
3 |
5 |
4 |
3 |
9 |
9 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1578 | 89 |
5 |
18 |
8 |
10 |
4 |
5 |
3 |
6 |
6 |
6 |
12 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
1892 | 89 |
10 |
20 |
10 |
10 |
7 |
3 |
2 |
5 |
2 |
9 |
8 |
3 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
1988 | 89 |
10 |
11 |
7 |
11 |
8 |
5 |
4 |
4 |
5 |
12 |
9 |
3 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Мужская гостиная в Музее Модерна |
1721 | 89 |
3 |
17 |
10 |
11 |
5 |
3 |
0 |
7 |
5 |
17 |
7 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Осенние вернисажи 2016 |
1425 | 88 |
7 |
17 |
6 |
12 |
3 |
6 |
3 |
2 |
11 |
11 |
8 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Грани 20 века |
1299 | 88 |
11 |
11 |
12 |
11 |
3 |
3 |
2 |
5 |
3 |
12 |
9 |
6 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Свет живописи старых мастеров |
1199 | 88 |
7 |
13 |
7 |
11 |
3 |
3 |
8 |
9 |
5 |
10 |
9 |
3 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1590 | 87 |
7 |
21 |
10 |
11 |
4 |
5 |
1 |
4 |
2 |
9 |
12 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2. Чернова Валентина. В мастерской художника |
2058 | 87 |
2 |
14 |
8 |
7 |
6 |
5 |
4 |
6 |
9 |
12 |
10 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Илья Репин, наше все? |
1745 | 87 |
4 |
20 |
6 |
7 |
6 |
3 |
4 |
6 |
6 |
9 |
9 |
7 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Владимир Булеков.Экспрессивный портрет художника |
310 | 87 |
3 |
17 |
11 |
9 |
3 |
7 |
4 |
5 |
6 |
11 |
7 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2123 | 86 |
5 |
13 |
12 |
13 |
4 |
4 |
5 |
7 |
5 |
10 |
5 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
Аромат сластей над садами |
1966 | 86 |
3 |
15 |
8 |
14 |
7 |
5 |
2 |
3 |
5 |
12 |
10 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1537 | 85 |
8 |
13 |
6 |
8 |
7 |
6 |
2 |
3 |
2 |
14 |
12 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1527 | 85 |
6 |
13 |
8 |
12 |
7 |
3 |
2 |
6 |
4 |
9 |
9 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Три рассказа о грустном Фане |
1891 | 85 |
2 |
17 |
8 |
8 |
5 |
7 |
3 |
7 |
4 |
12 |
8 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Кустодиев.Наследие художника в живописи,графике и фотографии |
816 | 85 |
6 |
14 |
7 |
8 |
7 |
6 |
3 |
7 |
4 |
14 |
6 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Многообразие фактур и таинство стиля |
1965 | 85 |
8 |
15 |
8 |
8 |
4 |
6 |
2 |
8 |
4 |
11 |
8 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Зураб Церетели. Мелодии Грузии |
1439 | 85 |
8 |
18 |
8 |
6 |
5 |
3 |
2 |
5 |
2 |
10 |
11 |
7 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Куклы из особняка Клодта. Самара |
1511 | 84 |
8 |
17 |
7 |
8 |
2 |
5 |
2 |
2 |
11 |
10 |
9 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
По закону племени |
1962 | 84 |
6 |
18 |
6 |
8 |
4 |
4 |
5 |
3 |
6 |
11 |
9 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
От утопии до игры.Новые поступления авангарда в Сохм |
1402 | 84 |
11 |
14 |
7 |
8 |
2 |
6 |
3 |
5 |
6 |
13 |
7 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Иван Карпунов.Как я позировала художнику |
811 | 84 |
4 |
19 |
6 |
11 |
5 |
4 |
3 |
8 |
5 |
8 |
7 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Мысли вслух в технике гобелена |
1171 | 84 |
6 |
15 |
6 |
12 |
7 |
4 |
3 |
5 |
3 |
12 |
8 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Художники Казахстана.Лицо невесты из Великой степи |
1762 | 84 |
5 |
19 |
9 |
7 |
3 |
3 |
3 |
6 |
5 |
7 |
13 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Рецензия на книгу Вудхауса "Любовь со взломом |
1774 | 83 |
4 |
15 |
4 |
9 |
5 |
4 |
4 |
7 |
1 |
10 |
15 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сон в осеннюю ночь |
2197 | 83 |
7 |
14 |
7 |
9 |
3 |
5 |
4 |
5 |
5 |
12 |
7 |
5 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Народное искусство и его новая жизнь |
1193 | 83 |
5 |
17 |
5 |
7 |
5 |
7 |
2 |
4 |
5 |
14 |
10 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Восточный десерт |
2021 | 83 |
7 |
13 |
6 |
10 |
8 |
5 |
4 |
8 |
0 |
9 |
11 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |