| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
По разделу |
328708 | 1314 |
180 |
185 |
197 |
87 |
92 |
78 |
79 |
79 |
73 |
79 |
91 |
94 |
0 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
6 |
9 |
6 |
15 |
31 |
20 |
3 |
5 |
5 |
6 |
3 |
4 |
3 |
3 |
4 |
4 |
7 |
4 |
8 |
5 |
8 |
5 |
5 |
3 |
3 |
4 |
7 |
4 |
8 |
4 |
4 |
3 |
4 |
2 |
3 |
8 |
5 |
7 |
3 |
6 |
11 |
6 |
3 |
5 |
8 |
25 |
22 |
17 |
15 |
2 |
2 |
6 |
4 |
Графики Самары |
2105 | 474 |
22 |
51 |
52 |
58 |
55 |
46 |
36 |
23 |
24 |
37 |
34 |
36 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
4 |
4 |
1 |
3 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
3 |
4 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
4 |
2 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
3 |
3 |
Кутяков Сергей. Династия Кутяковых. Простая история |
1857 | 277 |
14 |
42 |
31 |
24 |
24 |
20 |
19 |
21 |
16 |
18 |
25 |
23 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
6 |
1 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
Дина Богусонова. Амазонка неоабстракционизма |
2704 | 261 |
24 |
39 |
29 |
23 |
20 |
25 |
21 |
16 |
15 |
12 |
16 |
21 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
5 |
3 |
5 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
Елена Титова.пленница красоты |
245 | 245 |
179 |
66 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
5 |
9 |
6 |
15 |
31 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Самаринкина Алиса. Из чего же вырастают художники? |
2417 | 244 |
16 |
34 |
37 |
25 |
22 |
19 |
13 |
13 |
15 |
10 |
17 |
23 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
Самарские графики. Живое наследие |
1240 | 223 |
20 |
30 |
37 |
19 |
24 |
13 |
7 |
11 |
13 |
16 |
19 |
14 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
2 |
6 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
5 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
Бакумов Вячеслав летописец нашей жизни |
217 | 217 |
9 |
69 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
7 |
4 |
8 |
4 |
4 |
5 |
5 |
1 |
1 |
3 |
3 |
2 |
8 |
1 |
3 |
2 |
2 |
1 |
2 |
8 |
2 |
3 |
1 |
6 |
11 |
6 |
3 |
5 |
8 |
25 |
22 |
17 |
15 |
0 |
0 |
0 |
0 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
645 | 214 |
14 |
27 |
28 |
14 |
24 |
10 |
16 |
14 |
17 |
14 |
20 |
16 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
6 |
0 |
Виноградова Анна. Блеск национальной романтики |
1520 | 211 |
17 |
28 |
24 |
12 |
21 |
16 |
15 |
8 |
10 |
17 |
23 |
20 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
4 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Сергей Цедилов - мастер книги |
1420 | 203 |
17 |
33 |
30 |
20 |
16 |
12 |
6 |
13 |
12 |
9 |
13 |
22 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
4 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
Образ и время в советской живописи 30-х годов |
1389 | 200 |
11 |
19 |
33 |
17 |
17 |
13 |
13 |
11 |
16 |
17 |
12 |
21 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
Георгий Кикин.Женщины,подруги и ню |
1014 | 198 |
9 |
29 |
36 |
19 |
20 |
14 |
15 |
20 |
7 |
6 |
13 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
Свечников Владимир |
641 | 191 |
14 |
28 |
24 |
16 |
11 |
12 |
7 |
12 |
13 |
15 |
12 |
27 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
Валентин Пурыгин. Мифы о художнике |
1737 | 188 |
17 |
32 |
22 |
13 |
13 |
12 |
10 |
14 |
13 |
13 |
13 |
16 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
4 |
4 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
Юрий Скачков |
1105 | 187 |
12 |
27 |
25 |
18 |
22 |
16 |
9 |
9 |
14 |
12 |
11 |
12 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
Валентин Белоусов. Творчество |
3055 | 187 |
11 |
31 |
19 |
16 |
28 |
10 |
8 |
11 |
12 |
13 |
12 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
0 |
5 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Станислав Щеглов |
616 | 185 |
11 |
28 |
18 |
16 |
7 |
11 |
8 |
7 |
14 |
20 |
35 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
Художник Вадим Петрович Свешников |
474 | 182 |
13 |
25 |
28 |
17 |
10 |
10 |
11 |
9 |
14 |
16 |
17 |
12 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
Карэн Саркисов |
2189 | 181 |
12 |
26 |
20 |
10 |
11 |
11 |
8 |
13 |
16 |
20 |
17 |
17 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
Рудольф Баранов и академическая живопись России |
2763 | 179 |
16 |
48 |
24 |
16 |
9 |
7 |
7 |
8 |
7 |
9 |
16 |
12 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
5 |
4 |
1 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
1 |
4 |
3 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
Городу модерна - Музей Модерна |
2240 | 178 |
19 |
34 |
25 |
11 |
9 |
6 |
8 |
7 |
13 |
14 |
17 |
15 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
4 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
Южанин Сергей |
175 | 175 |
14 |
21 |
27 |
10 |
19 |
12 |
51 |
21 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
Ю.И.Филиппов художник - жизнелюб |
1379 | 175 |
15 |
34 |
25 |
11 |
15 |
8 |
12 |
12 |
13 |
10 |
8 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
Палех. Маленькие шедевры |
1494 | 175 |
11 |
28 |
24 |
15 |
7 |
8 |
9 |
4 |
15 |
10 |
22 |
22 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
Геннадий Филатов.Мастер видового пейзажа |
1142 | 174 |
15 |
23 |
22 |
15 |
12 |
15 |
5 |
13 |
9 |
9 |
18 |
18 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
Карл Брюллов - наследие из Петербурга |
1825 | 174 |
14 |
35 |
26 |
10 |
18 |
6 |
9 |
8 |
11 |
9 |
19 |
9 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
Уильям Хогарт -основатель английской живописи |
1805 | 172 |
15 |
30 |
20 |
14 |
17 |
10 |
10 |
13 |
10 |
10 |
12 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
4 |
2 |
0 |
0 |
5 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2398 | 171 |
16 |
20 |
23 |
6 |
15 |
13 |
10 |
12 |
14 |
15 |
12 |
15 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
Константин Коровин. Моцарт русской живописи |
2104 | 171 |
13 |
26 |
27 |
11 |
9 |
9 |
9 |
9 |
12 |
11 |
22 |
13 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
Карпунов Иван. Я всегда хотел быть художником |
2444 | 171 |
12 |
19 |
21 |
11 |
16 |
22 |
8 |
8 |
14 |
13 |
11 |
16 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
Артур Фонвизин |
1043 | 169 |
16 |
27 |
26 |
16 |
11 |
10 |
7 |
9 |
12 |
10 |
14 |
11 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Евгений Чертыковцев. На тропе к образу |
1420 | 167 |
13 |
38 |
28 |
5 |
13 |
10 |
10 |
7 |
11 |
6 |
12 |
14 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
5 |
0 |
Наталья Сюзева. Девичьи игры |
2340 | 165 |
15 |
28 |
20 |
14 |
20 |
10 |
7 |
7 |
14 |
7 |
11 |
12 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
Шульпин Михаил. Образ Венеции для России |
2049 | 165 |
14 |
28 |
20 |
8 |
15 |
11 |
9 |
10 |
8 |
13 |
9 |
20 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
Портрет семьи в русской живописи 18-19вв |
710 | 164 |
11 |
23 |
21 |
15 |
17 |
11 |
8 |
11 |
13 |
12 |
15 |
7 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Марко Грасси и его Персонажи |
2863 | 163 |
18 |
22 |
21 |
15 |
11 |
6 |
7 |
10 |
12 |
8 |
16 |
17 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
6 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Портрет семьи в советской живописи.20век |
1041 | 162 |
14 |
22 |
20 |
12 |
17 |
8 |
14 |
4 |
9 |
8 |
16 |
18 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
Арон Бух. главное его достижение - свобода |
988 | 162 |
14 |
26 |
21 |
8 |
9 |
5 |
8 |
10 |
22 |
12 |
15 |
12 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
Передвижники и портретный жанр |
559 | 161 |
11 |
17 |
30 |
12 |
10 |
12 |
8 |
7 |
7 |
13 |
19 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1474 | 148 |
12 |
23 |
19 |
11 |
15 |
6 |
11 |
8 |
11 |
9 |
9 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Сергей Шнуров про брендреализм |
1059 | 146 |
13 |
22 |
17 |
11 |
15 |
8 |
7 |
8 |
12 |
13 |
9 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Виктор Норкин и его Вантастическая живопись |
2078 | 146 |
12 |
21 |
21 |
12 |
13 |
9 |
8 |
9 |
9 |
9 |
11 |
12 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
Японская гравюра |
1163 | 145 |
12 |
24 |
18 |
13 |
9 |
6 |
8 |
9 |
8 |
13 |
13 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
От утопии до игры.Новые поступления авангарда в Сохм |
1465 | 145 |
20 |
54 |
14 |
7 |
8 |
2 |
6 |
3 |
5 |
6 |
13 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
5 |
2 |
3 |
1 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Владимир Романов.Портреты и акварели |
1051 | 145 |
13 |
26 |
19 |
10 |
11 |
8 |
7 |
7 |
13 |
8 |
11 |
12 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2027 | 145 |
13 |
22 |
21 |
7 |
12 |
10 |
10 |
6 |
12 |
8 |
13 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2206 | 145 |
12 |
31 |
22 |
8 |
10 |
7 |
9 |
5 |
10 |
8 |
11 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1686 | 144 |
13 |
28 |
19 |
10 |
8 |
4 |
11 |
3 |
15 |
8 |
13 |
12 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
Павел Филонов и его механика Вселенной |
1381 | 144 |
18 |
21 |
19 |
10 |
9 |
9 |
6 |
6 |
9 |
13 |
11 |
13 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
5.Людмила Петтоки. Рассказы музейного человечка |
681 | 143 |
12 |
27 |
24 |
16 |
13 |
7 |
6 |
6 |
8 |
3 |
10 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
Вилковы.На нашей маленькой земле |
2146 | 143 |
11 |
24 |
17 |
13 |
14 |
9 |
5 |
5 |
12 |
5 |
15 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Олег Рамодин -творец сказочной вселенной |
2014 | 143 |
14 |
31 |
20 |
9 |
12 |
7 |
7 |
7 |
8 |
6 |
14 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Левитан и его современники |
1094 | 142 |
18 |
23 |
29 |
8 |
17 |
7 |
5 |
3 |
3 |
3 |
13 |
13 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
3 |
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2392 | 142 |
8 |
20 |
15 |
13 |
13 |
7 |
9 |
9 |
8 |
13 |
12 |
15 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
6. Василий Ващенко. Рассказы музейного человечка |
759 | 141 |
11 |
21 |
22 |
17 |
17 |
8 |
6 |
4 |
8 |
8 |
9 |
10 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Андреев Юрий. Найди себе учителя и приобрети друга |
2008 | 141 |
14 |
20 |
19 |
12 |
10 |
9 |
8 |
6 |
12 |
8 |
11 |
12 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
Панкратов Василий - портретист |
742 | 141 |
15 |
26 |
17 |
14 |
10 |
6 |
6 |
4 |
10 |
6 |
16 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Выставка.Лицо старого дома.Самара |
1527 | 140 |
19 |
36 |
13 |
9 |
10 |
10 |
4 |
4 |
9 |
6 |
11 |
9 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
3 |
0 |
4 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Коновалов Ген Гри -художник 20 века |
1730 | 140 |
11 |
24 |
24 |
13 |
11 |
5 |
5 |
5 |
10 |
11 |
10 |
11 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
435 | 140 |
9 |
27 |
17 |
9 |
16 |
6 |
9 |
8 |
7 |
4 |
12 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
Корнелия Функе.Волшебные сказки для взрослых" |
2200 | 140 |
11 |
24 |
25 |
6 |
13 |
6 |
5 |
6 |
9 |
7 |
14 |
14 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1812 | 140 |
13 |
28 |
18 |
9 |
13 |
7 |
7 |
5 |
8 |
7 |
12 |
13 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Арнольд Лаховский.Наследие Эмигранта |
2064 | 138 |
16 |
29 |
24 |
10 |
6 |
7 |
8 |
3 |
7 |
8 |
15 |
5 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
5 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
Запечатленное время в мировоззрении поколения семидесятых |
1938 | 138 |
12 |
37 |
22 |
12 |
9 |
6 |
4 |
1 |
6 |
11 |
9 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
В.Пентюх и Н.Непьянова.Образ Отечества |
1932 | 137 |
14 |
27 |
22 |
10 |
10 |
10 |
5 |
5 |
6 |
5 |
10 |
13 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
Валерий Самаринкин.Дорога к храму |
451 | 137 |
12 |
23 |
20 |
11 |
13 |
7 |
16 |
7 |
6 |
3 |
9 |
10 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
Солдат Победы. История жизни |
2413 | 136 |
10 |
24 |
24 |
11 |
13 |
6 |
6 |
8 |
6 |
8 |
11 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
Дхш им Марка Шагала -30 лет |
646 | 135 |
10 |
27 |
16 |
10 |
13 |
5 |
6 |
3 |
14 |
6 |
15 |
10 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Острецов Анатолий -художник наблюдатель |
2003 | 134 |
12 |
26 |
20 |
11 |
16 |
4 |
5 |
5 |
3 |
5 |
13 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1682 | 133 |
12 |
23 |
21 |
8 |
10 |
7 |
7 |
7 |
9 |
9 |
10 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Е.Поленова и М.Якунчикова творительницы красоты |
396 | 133 |
12 |
23 |
23 |
9 |
8 |
7 |
5 |
3 |
3 |
12 |
17 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
Вадим Сушко.Я люблю судьбу свою |
2515 | 133 |
17 |
17 |
21 |
11 |
12 |
10 |
6 |
2 |
8 |
6 |
9 |
14 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
Восток в Сохм |
1551 | 133 |
13 |
22 |
15 |
11 |
12 |
8 |
6 |
6 |
10 |
9 |
7 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Дмитрий Кондратьев |
1134 | 133 |
14 |
28 |
16 |
10 |
9 |
8 |
4 |
5 |
8 |
5 |
15 |
11 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Елена Макеева. Стремительная живопись |
2096 | 133 |
11 |
24 |
21 |
6 |
14 |
4 |
4 |
5 |
10 |
4 |
14 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
Станислав Федоров |
1348 | 133 |
11 |
23 |
18 |
7 |
10 |
4 |
8 |
5 |
10 |
13 |
13 |
11 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Любить жизнь глазами Виктора Новокрещенова |
2806 | 133 |
11 |
23 |
21 |
13 |
12 |
8 |
5 |
7 |
7 |
6 |
10 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
Игорь Петров Гений места |
1535 | 132 |
11 |
24 |
18 |
10 |
12 |
8 |
10 |
3 |
6 |
5 |
16 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
В Лабиринте книжной иллюстрации |
1900 | 132 |
10 |
26 |
17 |
11 |
10 |
5 |
10 |
8 |
5 |
9 |
14 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
1. Чернова Валентина.Пленники искусства |
2477 | 132 |
9 |
25 |
17 |
8 |
13 |
7 |
6 |
8 |
8 |
11 |
12 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
Юлия Кузнецова ее пленэрная живопись |
1734 | 132 |
17 |
29 |
20 |
8 |
6 |
6 |
6 |
3 |
9 |
9 |
11 |
8 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
4 |
3 |
2 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
Юферев Геннадий |
447 | 132 |
12 |
23 |
22 |
14 |
11 |
6 |
3 |
5 |
8 |
6 |
9 |
13 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Бойчукисты в Самаре |
2200 | 130 |
9 |
22 |
20 |
9 |
9 |
8 |
7 |
9 |
7 |
9 |
10 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
Портретная галерея "Сыны Отечества" |
2211 | 130 |
13 |
25 |
17 |
6 |
13 |
8 |
9 |
5 |
7 |
4 |
8 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
Бородачев Юрий Петрович. Вспоминая современника |
934 | 129 |
11 |
23 |
17 |
11 |
13 |
10 |
8 |
2 |
10 |
5 |
11 |
8 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
Валентина Крушинина.Своя тема |
1547 | 129 |
16 |
22 |
17 |
8 |
11 |
7 |
6 |
4 |
8 |
10 |
8 |
12 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
5 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
Рерих и его держава на долгую память |
1678 | 128 |
11 |
24 |
19 |
8 |
8 |
7 |
6 |
6 |
8 |
11 |
10 |
10 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Станислав Федоров. Графика |
1097 | 128 |
13 |
21 |
14 |
10 |
14 |
7 |
6 |
4 |
9 |
9 |
14 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1627 | 127 |
8 |
27 |
19 |
13 |
8 |
6 |
7 |
1 |
8 |
6 |
10 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
Эрбштейн Борис.Часть вторая |
458 | 127 |
10 |
18 |
20 |
12 |
11 |
5 |
5 |
6 |
9 |
13 |
8 |
10 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
Женя Бабушкин.Пыльные цветы |
2049 | 127 |
10 |
23 |
15 |
12 |
10 |
10 |
6 |
5 |
8 |
5 |
7 |
16 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
Юлия Кузнецова.Игры Солнца и теней |
1475 | 126 |
11 |
26 |
18 |
16 |
6 |
6 |
6 |
5 |
9 |
7 |
7 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
2 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
1924 | 126 |
16 |
25 |
26 |
10 |
12 |
3 |
5 |
2 |
6 |
2 |
10 |
9 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
Дневник влюбленного предпринимателя |
2715 | 125 |
12 |
25 |
20 |
9 |
8 |
7 |
7 |
2 |
10 |
5 |
12 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
В.Герасимов -монументалист,живописец,график |
1421 | 125 |
9 |
24 |
15 |
8 |
11 |
7 |
9 |
6 |
5 |
6 |
10 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
Время волшебников, кукольники |
2293 | 125 |
13 |
26 |
23 |
7 |
10 |
6 |
5 |
3 |
6 |
5 |
7 |
14 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
Альфред фон Вакано. Его музей |
476 | 125 |
11 |
22 |
15 |
10 |
12 |
7 |
9 |
8 |
5 |
6 |
11 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1835 | 125 |
14 |
17 |
17 |
9 |
9 |
8 |
10 |
4 |
4 |
6 |
10 |
17 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
100 картин из Оренбурга для Самары |
1963 | 124 |
10 |
19 |
26 |
8 |
12 |
2 |
6 |
4 |
8 |
7 |
10 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
Андрей Бодров -мастер сухой иглы |
1590 | 123 |
12 |
25 |
13 |
10 |
11 |
5 |
7 |
4 |
10 |
9 |
8 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Эрбштейн Борис. Часть первая |
563 | 122 |
9 |
20 |
20 |
9 |
15 |
5 |
6 |
5 |
8 |
8 |
10 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
С любовью из Крыма". Выставка |
1824 | 122 |
13 |
19 |
16 |
7 |
12 |
5 |
6 |
5 |
6 |
7 |
12 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Волжский самовар в экзистенциальных поисках |
920 | 122 |
11 |
21 |
18 |
8 |
10 |
4 |
5 |
6 |
5 |
13 |
11 |
10 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
Акварель -хорошая девка |
2001 | 122 |
10 |
27 |
15 |
8 |
13 |
5 |
5 |
4 |
9 |
4 |
11 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
Европейские фаянсы 18 века в собрании Сохм |
1691 | 122 |
11 |
21 |
14 |
7 |
14 |
6 |
7 |
5 |
6 |
7 |
12 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Егорова Любовь. Творчество под знаком воздуха и потока |
866 | 122 |
12 |
21 |
17 |
11 |
6 |
10 |
6 |
4 |
8 |
5 |
13 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
Наталья Шепелева. Мастер детского портрета |
1784 | 121 |
13 |
18 |
20 |
9 |
15 |
4 |
3 |
3 |
7 |
5 |
7 |
17 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1868 | 121 |
14 |
20 |
21 |
10 |
12 |
10 |
5 |
1 |
2 |
5 |
9 |
12 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
Информация о владельце раздела |
1986 | 121 |
8 |
19 |
23 |
11 |
10 |
7 |
5 |
3 |
7 |
6 |
11 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
1972 | 121 |
11 |
21 |
13 |
10 |
14 |
6 |
6 |
4 |
5 |
6 |
7 |
18 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Самара в творчестве семидесятников |
2315 | 121 |
10 |
19 |
18 |
8 |
7 |
9 |
10 |
2 |
6 |
8 |
13 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Выставка к 100 -летию революции |
1147 | 121 |
12 |
23 |
15 |
12 |
13 |
4 |
7 |
3 |
4 |
6 |
10 |
12 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
Летние вернисажи |
1605 | 120 |
16 |
21 |
16 |
7 |
10 |
6 |
6 |
2 |
6 |
5 |
14 |
11 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1779 | 120 |
12 |
24 |
22 |
7 |
10 |
3 |
5 |
4 |
7 |
5 |
10 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
Карнавал в искусстве. Посвящение |
1240 | 120 |
12 |
22 |
15 |
8 |
10 |
3 |
7 |
4 |
3 |
7 |
14 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Рассказы из прошлого века |
2345 | 119 |
12 |
21 |
13 |
9 |
15 |
5 |
5 |
6 |
3 |
7 |
13 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
1909 | 119 |
10 |
18 |
19 |
7 |
12 |
9 |
6 |
3 |
9 |
2 |
10 |
14 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
Степан Эрьзя - русский Роден ? |
2667 | 118 |
11 |
19 |
19 |
7 |
10 |
8 |
4 |
4 |
9 |
7 |
10 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Ковалева Дина и ее теория Красоты |
660 | 118 |
10 |
24 |
17 |
9 |
11 |
2 |
4 |
4 |
5 |
6 |
15 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2020 | 118 |
12 |
30 |
11 |
7 |
11 |
8 |
5 |
4 |
4 |
5 |
12 |
9 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Лариса Кондратова. Валяние не Валенков |
2269 | 117 |
10 |
26 |
14 |
10 |
10 |
5 |
5 |
5 |
4 |
4 |
9 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Туман Жумабаев. Свет старой Самары |
1989 | 117 |
10 |
20 |
18 |
8 |
14 |
4 |
5 |
4 |
6 |
6 |
11 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
Кустодиев.Наследие художника в живописи,графике и фотографии |
850 | 116 |
13 |
27 |
14 |
7 |
8 |
7 |
6 |
3 |
7 |
4 |
14 |
6 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
Выставка.Краски Солнцеворота |
1616 | 116 |
11 |
21 |
19 |
6 |
9 |
5 |
8 |
3 |
3 |
7 |
13 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
Евгений Штыров.По дорогам Древней Руси |
829 | 116 |
10 |
22 |
17 |
10 |
15 |
4 |
4 |
6 |
8 |
5 |
9 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
Маргарита Бортникова. Кружево |
1980 | 116 |
8 |
22 |
20 |
6 |
9 |
5 |
4 |
7 |
4 |
4 |
11 |
16 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
Самарский художественный музей. Дары |
995 | 116 |
9 |
17 |
17 |
10 |
13 |
5 |
8 |
3 |
5 |
4 |
10 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
Анна Голубкина - русский гений |
599 | 116 |
8 |
20 |
19 |
9 |
11 |
6 |
5 |
5 |
6 |
8 |
9 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Гобелены - славное ремесло из старого Парижа |
2656 | 116 |
12 |
18 |
17 |
10 |
7 |
7 |
5 |
3 |
4 |
6 |
13 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
Концептуалисты. Увидели и живем,или повидали и оживились |
1643 | 115 |
12 |
20 |
19 |
8 |
10 |
7 |
6 |
4 |
8 |
2 |
10 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
5 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Великие модернисты. Взгляд Artmedia Plei |
1572 | 115 |
9 |
19 |
16 |
5 |
14 |
9 |
5 |
3 |
5 |
11 |
13 |
6 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Шепелева Наталья.Цели и грезы |
402 | 115 |
10 |
20 |
16 |
8 |
10 |
6 |
3 |
6 |
3 |
4 |
15 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2369 | 115 |
7 |
23 |
15 |
9 |
9 |
3 |
6 |
6 |
8 |
5 |
9 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
Самарские амазонки в интерьере цветущего папорпотника |
1387 | 114 |
10 |
25 |
17 |
8 |
7 |
5 |
5 |
5 |
4 |
5 |
9 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
Дина Богусонова мастер эмали |
354 | 114 |
11 |
25 |
14 |
8 |
10 |
6 |
5 |
5 |
6 |
6 |
12 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Галина Лемкова.Время города, мгновенья хайку |
1923 | 114 |
14 |
19 |
17 |
8 |
9 |
7 |
4 |
2 |
10 |
4 |
7 |
13 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
Народное искусство и его новая жизнь |
1226 | 114 |
18 |
20 |
17 |
5 |
7 |
5 |
7 |
2 |
4 |
5 |
14 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Хохлова Наталья |
316 | 114 |
13 |
18 |
15 |
8 |
10 |
7 |
4 |
5 |
7 |
5 |
10 |
12 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Художественное образование в Самаре |
698 | 113 |
9 |
15 |
21 |
11 |
11 |
7 |
3 |
3 |
5 |
6 |
11 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
2. Чернова Валентина. В мастерской художника |
2087 | 112 |
14 |
17 |
14 |
8 |
7 |
6 |
5 |
4 |
6 |
9 |
12 |
10 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Мальвы самарского кэмпа |
2606 | 112 |
12 |
22 |
16 |
6 |
12 |
6 |
7 |
1 |
6 |
4 |
9 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
Юрий Филиппов. Паломники в Древнюю Русь |
1582 | 112 |
13 |
21 |
18 |
8 |
7 |
7 |
5 |
1 |
7 |
4 |
12 |
9 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Альфред фон Вакано.Путешествие в Японию начинается |
414 | 112 |
11 |
22 |
22 |
9 |
9 |
7 |
5 |
3 |
4 |
6 |
6 |
8 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Тольятти.Союз художников |
402 | 112 |
13 |
19 |
18 |
10 |
9 |
7 |
3 |
3 |
5 |
10 |
7 |
8 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1883 | 111 |
7 |
22 |
13 |
8 |
9 |
9 |
5 |
3 |
6 |
6 |
14 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Дина Богусонова.Эмали |
667 | 111 |
9 |
21 |
16 |
10 |
12 |
5 |
7 |
2 |
6 |
5 |
8 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2151 | 111 |
12 |
21 |
13 |
12 |
13 |
4 |
4 |
5 |
7 |
5 |
10 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Сад ее глазами ,и сад тот -райская страна |
1664 | 111 |
14 |
18 |
17 |
6 |
10 |
4 |
6 |
3 |
7 |
3 |
12 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1720 | 111 |
8 |
21 |
18 |
9 |
7 |
4 |
7 |
2 |
7 |
4 |
11 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
Мужская гостиная в Музее Модерна |
1747 | 111 |
9 |
20 |
17 |
10 |
11 |
5 |
3 |
0 |
7 |
5 |
17 |
7 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
5 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1614 | 110 |
8 |
23 |
21 |
10 |
11 |
4 |
5 |
1 |
4 |
2 |
9 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
Кукольный марш |
2023 | 110 |
9 |
19 |
18 |
12 |
13 |
6 |
3 |
5 |
4 |
3 |
9 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Гений ар- деко. Эрте |
923 | 110 |
12 |
18 |
18 |
7 |
11 |
5 |
4 |
1 |
10 |
4 |
11 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Посвящается Франции |
1814 | 110 |
16 |
12 |
13 |
8 |
9 |
3 |
5 |
2 |
5 |
4 |
11 |
22 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
5 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Обзор выставок ноября 2016 |
1399 | 110 |
10 |
24 |
18 |
7 |
12 |
5 |
3 |
2 |
2 |
8 |
9 |
10 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
1922 | 110 |
9 |
20 |
16 |
9 |
11 |
3 |
8 |
4 |
8 |
3 |
11 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Осенние вернисажи 2016 |
1448 | 109 |
11 |
19 |
17 |
6 |
12 |
3 |
6 |
3 |
2 |
11 |
11 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
1915 | 109 |
12 |
21 |
20 |
10 |
10 |
7 |
3 |
2 |
5 |
2 |
9 |
8 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
Многообразие фактур и таинство стиля |
1992 | 109 |
10 |
25 |
15 |
8 |
8 |
4 |
6 |
2 |
8 |
4 |
11 |
8 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1603 | 108 |
12 |
18 |
18 |
8 |
10 |
4 |
5 |
3 |
6 |
6 |
6 |
12 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Мысли вслух в технике гобелена |
1198 | 108 |
12 |
21 |
15 |
6 |
12 |
7 |
4 |
3 |
5 |
3 |
12 |
8 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
Аромат сластей над садами |
1990 | 108 |
8 |
19 |
15 |
8 |
14 |
7 |
5 |
2 |
3 |
5 |
12 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2055 | 107 |
6 |
24 |
17 |
8 |
9 |
6 |
3 |
3 |
8 |
6 |
11 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
Свет живописи старых мастеров |
1221 | 107 |
11 |
18 |
13 |
7 |
11 |
3 |
3 |
8 |
9 |
5 |
10 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Владимир Булеков.Экспрессивный портрет художника |
334 | 107 |
7 |
20 |
17 |
11 |
9 |
3 |
7 |
4 |
5 |
6 |
11 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
Все краски весенней выставки |
1196 | 106 |
13 |
18 |
13 |
8 |
10 |
4 |
6 |
4 |
4 |
8 |
10 |
8 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Что собирают в Самаре |
2064 | 106 |
12 |
24 |
14 |
9 |
8 |
5 |
4 |
4 |
6 |
4 |
9 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Зураб Церетели. Мелодии Грузии |
1467 | 106 |
9 |
27 |
18 |
8 |
6 |
5 |
3 |
2 |
5 |
2 |
10 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
По закону племени |
1987 | 105 |
8 |
23 |
18 |
6 |
8 |
4 |
4 |
5 |
3 |
6 |
11 |
9 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1560 | 104 |
11 |
20 |
13 |
6 |
8 |
7 |
6 |
2 |
3 |
2 |
14 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
Кукольная страна |
2496 | 104 |
11 |
19 |
14 |
6 |
7 |
3 |
3 |
3 |
4 |
6 |
15 |
13 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Рецензия на книгу Вудхауса "Любовь со взломом |
1800 | 104 |
8 |
22 |
15 |
4 |
9 |
5 |
4 |
4 |
7 |
1 |
10 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Художники Казахстана.Лицо невесты из Великой степи |
1786 | 104 |
11 |
18 |
19 |
9 |
7 |
3 |
3 |
3 |
6 |
5 |
7 |
13 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Обзор выставок в Самаре. Экспозиция это? |
1866 | 103 |
11 |
19 |
13 |
8 |
8 |
3 |
4 |
3 |
7 |
8 |
11 |
8 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
3.Чернова Валентина.Еще три портрета |
1758 | 103 |
11 |
16 |
15 |
12 |
10 |
4 |
4 |
3 |
6 |
6 |
8 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
Грани 20 века |
1320 | 103 |
9 |
23 |
11 |
12 |
11 |
3 |
3 |
2 |
5 |
3 |
12 |
9 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Илья Репин, наше все? |
1768 | 103 |
8 |
19 |
20 |
6 |
7 |
6 |
3 |
4 |
6 |
6 |
9 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
0 |
Цыганская рапсодия |
1827 | 103 |
10 |
22 |
16 |
6 |
9 |
4 |
3 |
5 |
6 |
1 |
13 |
8 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
Куклы из особняка Клодта. Самара |
1532 | 102 |
13 |
16 |
17 |
7 |
8 |
2 |
5 |
2 |
2 |
11 |
10 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
5 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |